Showing posts with label Jeffrey Dean Morgan. Show all posts
Showing posts with label Jeffrey Dean Morgan. Show all posts

Saturday, July 14, 2012

SUPERNATURAL FLASHBACK - SURVIVING THE HIATUS ONE SEASON AT A TIME. SEASON 2.


As I was approaching season 2 I started to have a crisis. There are a number of season 2 episodes that are absolute favourites of mine, ones that I watch over and over, so I thought I was going to have a tricky time deciding which to write up. As it turned out….not so much.

Season 2 is an interesting one because, though I think it has one of the strongest narratives in the series, I’m not in love with the whole psychic children storyline. I didn’t like Max and I’m not that fond of season 1‘s “Nightmare”. I should feel sorry for Max, but I don’t, I’m not sure why. Intellectually yes, emotionally no. I think there’s something in the performance that doesn’t gel with me. Maybe if Max was cast differently or written differently, I don’t know. So the whole psychic children plot got off to a rocky start for me and never completely recovered. The odd thing is; I like the concept in relation to Sam. It’s powerful to think that this family, this family haunted by what turns out to be a demon, who have spent so many years hunting down evil in search of that demon, are now faced with the situation of having someone they love affected by the Demon to the degree that Sam is. Affected on a cellular level. It’s so desperately tragic and desperately sad. For Sam it colours everything moving forward and influences how he sees himself and at times, his actions. For Dean, he’s faced with the fact that the person he loves most, is intrinsically linked to the thing he hates most and boy does he struggle with it. The conflict they both feel, once the secret is finally revealed, is so deep that it permanently scars them, raising its ugly head time and again. In many ways, it shapes their relationship, for good and bad and as we later discover; it shapes their destiny. Of course, they don’t find out the true essence of Sam’s connection to the Demon for some time. Well, Sam finds out at the end of season 2 but Dean not until season 4 and they don’t understand what it all means until season 5, where we also learn Dean’s destiny is tied to Sam’s. Of course it is! Yet what’s happening to Sam and the questions that raises, hangs over the brother’s heads and season 2 like a black cloud. Of course.... John knew something was amiss.


Ah, John. My feelings towards John Winchester are a complex beast. There was a long period of time when I was so damn angry at him for what he did to these boys, the secret he kept and in particular, what he whispered into Dean’s ear. To put that on your son? To not explain to him the nature of what it is he may have to deal with? To just tell him, “Oh and FYI you might have to kill your little brother one day, you know, the one you raised and love more than any other human being on the face of the Earth…” Ok, I’m being a tad facetious, but I was so very angry with him for the longest time. I’ve come to a much more, shall we say, balanced place now when it comes to John Winchester. I think I’ve taken a similar journey to Sam in that regard. I don’t agree with a lot of what he did, I doubt we know half of it, but I have an understanding as to why he chose that path and I know that he was forced into an unfathomable situation and did the best he could. I think reading John’s journal really helped me with that. There’s a lot of tortured grief in that journal. So much love for Mary. So much anger and sorrow peppered with sweet moments where he talks about his children. I may not agree with the road he took, vengeance is a cruel master, but I can, in some way, grasp it. It’s interesting how Sam and Dean have arrived at different places when it comes to their father. Sam, who was so hostile in his memories of how he was raised, has come to accept and understand his dad, as beautifully illustrated in the scene from season 5’s “The Song Remains The Same” when he pours his heart out to the young John Winchester. It’s one of my favourite scenes of the entire series; powerful and understated it’s exactly what Supernatural does best. Dean, who idolised his father, moved to a place of anger, confusion and disappointment and I think a lot of that came from what John put on Dean at the beginning of season 2 and later, in the realisation of what John had put on him his entire life. Then John sacrificed his own life for his Dean’s. It was a selfless act by a father who felt he had no other choice, but what a burden for his boy to carry, a crushing secret and guilt that ate him up from the inside out. How fascinating was it when the brothers were asked the name of the shifter baby in season 6’s “Two And A Half Men”? Dean said Bobby and Sam said John. That was an incredibly telling moment. As we’ve watched them grow and mature over the years, I think the best and worst of John Winchester can be seen in both his sons through their personalities and actions. They’ve followed in his footsteps, to Hell and back, literally. But more recently, I feel we've seen that both brothers have settled in a much healthier place when it comes to their father, as I guess, have I. I feel love for him because he was the boy’s dad. I’m devastated for them when he dies because I know both of their hearts are broken and I’m moved when, briefly, they get to see him again as he breaks out of Hell, because I know they so desperately needed that. Of course, in reality, all of this comes from my love for Sam and Dean and wanting to protect them from so much pain. Anyway, as you can see, like his sons, I have a complex relationship with John Winchester and I’m always reminded of this when I watch season 1 but particularly season 2.


Phew, so now that’s out of my system, moving right along! As I said earlier there are a number of season 2 episodes that are absolute favourites. “Croatoan” for example. Wow, “Croatoan”! This becomes a profoundly important episode later in the series when we discover the true nature of the croatoan virus, what its purpose is and why Sam’s immune, but what I love about “Croatoan” is that tight, trapped, isolated feeling. I feel the same way about “Jus In Bello” and “...And Then There Were None.” It’s that confined space, no escape scenario and how people react to it. “Croatoan” is particularly disturbing because the brothers, on lock-down, don’t know what’s happening or why, just that somehow it’s connected to demons and its infecting humans. I find the moment when Dean shoots the mother who’s contracted the virus, incredibly confronting. He just steps forward and BANG. Shocks the hell out of me every time. Of course Dean’s in a pretty bad place by this stage, off the back of learning from the Crossroads Demon that as he suspected, John traded his soul to save Dean’s life. When everyone thinks Sam gets infected by the demon virus, it’s almost like it’s a relief for Dean to be able to just, hang-up the towel. His brother is going to die, so Dean’s going to check out along with him. He no longer has to face the burden of responsibility he feels for his dad’s death and the possibility of having to kill his brother. I love the scene where Sam pleads for Dean to leave and Dean says, “I'm tired, Sam. I'm tired of this job, this life . . . this weight on my shoulders, man. I'm tired of it.” This weight. You can almost feel the crush. This moment between Sam and Dean makes me ache. Then suddenly, everything is alright and they’re called outside, but Dean’s already shown his hand, leading to the revelation of what their dad said in the moments before he died. Ugh. The audience becomes privy to the knowledge that this virus was a test on Sam’s immunity to it. Such manipulation. This family has been pushed and pulled every which way by these evil bastards. “Croatoan” is so good. And what a cliff-hanger “Dean what did he tell you?” ROLL CREDITS! Noooooooo!

Then there’s “What Is And What Should Never Be” where we get to see Dean experience what a normal life would mean for him, even though it’s through the influence of a Djinn. In amongst all the joy of seeing Dean mow the lawn for the first time and eat a sandwich at his mum’s table, there’s so much sadness because the happy scenes amplify what he doesn’t have, what Sam doesn’t have and what they both sacrifice every day. Then in amongst this supposedly ideal world, he doesn’t get along with the one person who means the most. Sam and Dean are not close in the Djinn’s alternative Universe. I’ve always wondered about that, because if the Djinn were creating a perfect existence for a victim you think he’d dot the i’s and cross the t’s! But as Dean said, the Djinn just granted the wish that Mary never died and the family never took to the life. I love the scene where Dean talks to John’s grave and asks why, even though he already knows, “Why is it my job to save these people? Why do I have to be some kind of hero?” Because that’s who he is. He may think it’s just his job, but saving people, being a hero is who Dean is, it’s who Sam is and both brothers would have made the same decision in this false world, to choose strangers lives over their own happiness. I also love the scene at the end between Sam and Dean where Sam says in so many words, that he’s glad they have each other and that they’re the brothers that they are. He’s so gentle with Dean. It’s a truly heart wrenching moment. I want to wrap my arms around them both.


Oh heys, I think I’m coming to the conclusion I really love season 2! “Born Under A Bad Sign”, “Houses Of The Holy” with an awesome reference to the Archangel Michael, “Nightshifter”, “Heart”, what I think is the creepiest episode of the series “Playthings”. Dolls and a creepy ghost kid and that final scene with the little girl ghosts singing and skipping. Geesh. Insert shiver down the spine here! I never watch that one before bed. Of course it’s also got the painful moment where a drunk Sam begs Dean to kill him. Both brothers are in a pretty shocking emotional state in season 2. Season 2 also introduced my most hated character. Gordon. Oh man, that guy pushes my buttons! And let’s not forget “All Hell Breaks Loose Parts One and Two” which bookend season 2. It all starts with John's deal and ends with Dean's. I always watch parts one and two as a double, because I can never walk away with Sam dead and Dean screaming his name. I always tear up at the beginning of part two as Dean talks to his dead brother. I think of how Kim Manners created a closed set and used blacks to camouflage essential crew and how he himself disappeared into a corner to give Jensen the environment he needed to get to the heart of Dean’s sadness. I think of how Jared said he played as dead as he possibly could because he wanted to help Jensen and Jensen knew he only had a couple of takes in him and I pretty much cry every time when Dean says, “It's like I had one job... I had one job... And I screwed it up. I blew it. And for that, I'm sorry. I guess that's what I do. I let down the people I love.” Even typing it hurts. But for me one of the saddest moments is when Dean shoves Bobby away. There’s such devastation in that action. Bobby’s face and Dean’s sad, broken apology just rips right through me. I always find myself thinking about the scene between the two parts. The scene we don’t see. The one where Bobby comes back to find Sam dead and Dean still clinging to his brother. The one where Bobby has to gently pull Dean away. The one where the two men, in shock, carry the fallen Sam into one of the buildings and tenderly set him down on a bed. It’s powerful stuff when a story can make you fill in the gaps like that. What would have happened had Sam killed Jake? Don’t you always ponder that question? I assume Azazel et al would have found another way to get the brothers to the end game, but if Jake had died…. no dead Sam, no deal, no Hell, no broken seals, no Lilith, no Apocalypse? Could all that pain and so much loss have been prevented if Sam had not shown Jake mercy in that moment? Or what if Dean and Bobby had arrived just 30 seconds earlier? A gal could go crazy thinking like this! But I can never ever not think a whole alternative scenario through after watching the season 2 finale; its outcome had such an impact.

But, none of these wonderful episodes are the episode I chose to look at more closely (believe it or not) because as soon as I put in that first disc, I knew what it would be….

IN MY TIME OF DYING


Ask me on any given day which is my favourite opening episode and I will give you a different answer, but it’s always going to be either, “In My Time Of Dying” or “Lazarus Rising.” Right at this moment, I’m passionately in love with “In My Time Of Dying”. I’ve watched this episode more times than I can count. It’s in my top 5, probably sitting in 3rd or 4th position I guess, though I can never figure that out, it’s like 3 episodes tie for 3rd! I love the introduction of Tessa the Reaper, the notion of how angry spirits are born, Sam fighting desperately to find a way to help his dying brother (I’m sensing a theme here between my season 1 and 2 favourites!), the appearance of the Yellow Eyed Demon in the shape of Fred Lehne and Dean in drawstring pants, a tight white t-shirt and bare-feet. Sorry to bring the tone down so early in the piece, but I mean, how often do we get these boys in a single layer! My apologies; back to the serious subject matter at hand.

“In My Time Of Dying” picks up exactly where “Devil’s Trap” left off, with the three Winchester men, injured in the crushed Impala and Bad Moon Rising playing on the radio. Sam is the only one who wakes up. I’m always haunted by Sam screaming out Dean’s name…yes I may have a little thing for when they scream each other’s name out, pretty sure I’m not the only one. You can feel the fear and confusion that Sam must be experiencing in that moment, not knowing if his entire family is going to live or die. “In My Time Of Dying” is one of only two episodes in which we see the brother’s taken off to hospital by medical personnel, the other being season 7’s “The Girl Next Door” when Dean had to call 911 because Sam’s out cold and a monster broke Dean’s leg. This time around, I assume it’s the poor truck driver who calls for help after he awakens from demon possession to find he’s caused a horrific accident.


What grabs me the most about “In My Time Of Dying” is Sam’s unwavering faith in his brother, that his brother will find a way to recover, or Sam will find a way for him, there is no other option in Sam’s eyes, he will not give up on Dean and he won’t let Dean give up on himself. Though this story is primarily about Dean, I always feel this is also Sam’s episode, because it’s Sam who is the link between the living and the dead for his brother. His belief in Dean and his strength in the face of his world crumbling around him always hits me in the gut. When Dean ‘wakes up’ to wander the halls of the hospital trying to make sense of what has happened to him, the first person he calls out for is Sam and as much as John is injured, Sam is solely focused on Dean. Whose heart doesn’t break as Sam stands over his comatose sibling and says, “Dean, you've got to hold on. You can't go, man, not now. We were just starting to be brothers again.” They’ve just found their way back to each other, how can Sam let go now. This is the episode that signals the end of the dream of a reunited family and the beginning of Sam and Dean’s journey together as simply Sam and Dean.

One of my favourite scenes is when Sam goes and sees Bobby to retrieve The Colt from the wreck of the Impala. The conversation they are having sounds like it’s about the car, but the conversation Sam is really having is about Dean. “Listen to me, Bobby. If there's only one working part, that's enough. We're not just going to give up on...” Of course, Bobby gets it. Bobby wouldn’t give up either, we know that now.

I love the way the connection between the brothers is demonstrated. You can see that Sam can genuinely sense that Dean is there, somewhere and I don’t put it down to him being a psychic wonder, I put it down to them being so in tune with each other. I’m sure if the shoe were on the other foot, Dean would be sensing Sam left and right. Such relief washes over them both when Sam arrives with the Talking Board and they’re finally able to communicate. They share a moment of happiness there, albeit, brief. Even faced with the news that there’s a Reaper hot on his brother’s heels, Sam doesn’t give up on Dean. “No. No, no, no, um, there's gotta be a way ….There's gotta be a way.”


If you listen to the commentary for this episode you’ll hear, Jensen, Jared and director Kim Manners discuss how they did this scene and other scenes where Dean is in the shot we see, but not in the shot from Sam’s point of view. Basically, Jensen had to leap in and out of shot very quickly, because if you notice, Kim used a lot of 360 degree camera movements in the episode. Swirling around from Dean looking at Sam, to Sam looking at nothing. Swirling around from Dean talking to Sam to Sam looking down an empty hallway. Timing was everything. This technique gives an interesting fluidity to the scenes. This is a beautifully shot and beautifully lit episode. For example, in the scene where Dean confronts Tessa, she’s lit half in light and half in darkness, like a Reaper represents both. It’s also like she’s coming out of the shadows, being revealed to Dean in her true essence. I love the lighting in that scene, it adds to the power of Dean’s realisation as he gasps and shudders under her touch. You know Dean was going to go with her right? If the demon smoke hadn’t hitched a ride with Tessa, I’m absolutely sure Dean was about to say yes to the Reaper, because what other option did he have? You can see it on his face. “So what’s it going to be?” Man, we’ve heard that somewhere recently huh? Just as a trivial aside, have you ever noticed how dirty Jensen’s feet are in this episode? If you haven’t, look next time you watch the scene with the Talking Board (or just look at the shot above). 


I find one of the sadder aspects of “In My Time Of Dying” is that even though Dean is in the state he’s in; he’s still trying to be the peacekeeper. His father and brother are at each other’s throat. Sam doesn’t understand why his dad is focusing on the Demon and The Colt rather than on his son, John, as we now know, clearly has other ways to help Dean on his mind. Even when he’s in his ghost form, Dean is trying to stop them fighting, trying to keep everyone together. When he comes to, he’s still doing it as his father and brother start to bicker over his bed. This is how it must have been for him before Sam went to Stanford. This is how it must have always been for Dean. No wonder he turned into the caregiver he became. His job has always been looking out for his brother, looking out for his family, holding them together, even teetering on death he’s trying to hold everyone together. Breaks my damn heart.


But I guess it’s the final moments of “In My Time Of Dying” that pack the biggest punch. We find out that John does, in fact, know the truth about Sam, he’s known for a while, as is revealed by the Yellow Eyed Demon. We are left wondering what on earth this secret about Sam is, as is John’s eldest son when his father whispers in his ear. The scene leading up to this moment is such a moving one. Even though Sam is hell bent on arguing, John softly asks him if they could not fight, something that stops Sam in his tracks. I’m always saddened by the fact that Sam never got his moment with his dad, he went off to get his old man a cup of caffeine. I remember reading that Jared initially thought that Sam should have made more of this moment, that he should have said something or made some gesture towards John as he left the room, but in not doing anything, in not acknowledging that this would be the last time Sam would see his father alive, in just going “Yeah. Yeah, sure” the moment is more powerful and tragic. When John starts saying nice things to Dean, telling him he’s proud, apologising for how he raised him, Dean gets scared. It’s a tender scene between father and son, but it’s heartbreaking to think that these words and sentiments are so foreign to Dean, that he’s instantly frightened and knows that something must wrong. Then John leans in and whispers in his son’s ear and horror and confusion pass over Dean’s face as his father gently smiles and walks away. Hallway. Sam. Coffee cup. Silent scream. CPR. Flat line. Time of death 10.41am. I still cry when John Winchester dies, but I‘m crying for his boys. I’m so desperately sad that they had to go through this final scene all over again six years later, this time with Bobby.


John’s choice to give his life for Dean’s, to make a deal with the Devil so to speak, is a decision that has catastrophic ramifications, because it’s with this single act that the whole kit and caboodle kicks off. This is where it starts for the Winchester brothers. This is where the seeds of their future decisions are sown. By the end of the season, Dean has sold his soul to save Sam's life. Like father, like son. It goes on and on. The brothers spend the coming years following in their father’s footsteps, sacrificing their lives and doing deals with devils. Well I guess everything really started with Mary in 1973 and her deal with the Yellow Eyed Demon, but this moment, this choice by John in “In My Time Of Dying” is where it began for Sam and Dean. Kripke says in the season 2 companion: “From the moment John made his decision to sacrifice his life for Dean, that was the first major transgression the Winchester family had in terms of disobeying the natural order of things. There’s an epic thematic of the show which is you don’t play God and you don’t mess with the natural order, because only bad things can result. The Winchester family put themselves on a very dangerous path.” As we now know, 7 seasons down the track, the natural order of things is very important and it can’t be taken for granted. The brothers have disregarded it over and over and look where it’s got them. Only now are we seeing that they’re finally starting to learn the lesson that you don’t play with such things. Somehow, I still don’t think that would stop them when it comes to each other. I love that it all started here. Damn, Supernatural rocks!

So that’s it for season 2! It’s not my favourite season from an arc point of view, but it’s probably the season that contains my highest number of favourite episodes. Make sense of that if you can!

What’s your favourite season 2 episode?

Thanks for reading. I’ll be back soon with season 3!

-Amy

Tuesday, June 15, 2010

In the Name of Love

I just finished watching Stonehenge Apocalypse with the intent to review it for this blog, but…I just couldn’t do it. While it’s nowhere near as bad as Raptor Island or Ice Spiders, it was, well, it was not good.

It did, however, give me an idea—craptacular movies I’ve watched in the name of love for the boys.

Let’s start with Jeffrey Dean Morgan, who, let’s face it, is the reason I started watching the show in the first place.

“Dead and Breakfast,” a zombie movie with hints of humor that Tanya would never forgive me for mentioning. JDM plays a sheriff who leads the young tourists in their fight against the zombie horde. Nothing redeeming in this movie. Nothing.

“Six: The Mark Unleashed,” a religious movie set in a prison, otherwise completely forgettable. One of the Baldwins was in it. Oh, just terrible.

“Taking Woodstock.” He was in it about a minute, and the other minutes I was bored. Bored bored bored.

“Kabluey.” I actually bought the DVD and he’s in it about 10 minutes, as the lecherous boss of the main down-on-his-luck character’s sister.

“Live.” There is NO WAY I would have watched this movie without JDM. It was a horrible concept, people playing Russian Roulette on live TV, with portraits of each contestant shown to sway your pity. Terrible terrible terrible. But he looked really good.

Now Jensen has had slightly better taste in the roles he’s taken. Well, actually, he’s been in more good TV than bad movies.

“Devour” was the worst. So bad I’ve actually blocked it out. All I remember is the last scene, which was very bloody.

“My Bloody Valentine” was as good as Jensen could make it. Not particularly suspenseful, though, even if I hadn’t been spoiled.

For Jared, there are three:

“House of Wax,” though he’s very heroic.

“The Christmas Cottage,” which I know others didn’t mind, but drove me nuts with its sappiness,

“Friday the 13th,” but he looked REALLY good, and it was filmed in Texas. Totally worth my time. Twice.

What movies have you watched out of love for the boys?

Tuesday, April 27, 2010

Review of JDM's "The Losers"

Back in January when I went to visit MJ, we went to see a couple of movies. While paying for the tickets for one of those movies, I earned a free movie pass. Monday was the last day before it expired, so I zipped over to the nearest theater to see The Losers, starring Papa Winchester...ah, Jeffrey Dean Morgan, Chris Evans (the Human Torch in the Fantastic Four movies), and some dudes I didn't know but ended up liking. Seems appropriate that I used the free pass to see a JDM movie since MJ is such a JDM fan.

The Losers is based on a series of graphic novels and has a bit of an A-Team vibe to it. In fact, there was a trailer for the new A-Team before the movie. Since I like JDM, wise-cracking humor and movies where things go boom, I and the five or six guys scattered around the theater were set for a good couple of hours. The premise is a familiar one among summer popcorn movies -- team of elite military types goes on mission, something unexpected and crappy happens on mission, a truly evil bad guy emerges as the focus of the team's hatred, and they proceed to kick some ass and take some names while going after said evil bad guy. Oh, and throw in a hot, kick-ass chick (this time Zoe Saldana of Star Trek and Avatar, my two favorite movies of the past year) just for good measure. This setup can be a recipe for a good movie or truly awful dreck, depending on how it's handled. The Losers was very entertaining for several reasons.

* JDM as the team leader, Clay. He can still kick butt, but he doesn't have to be all serious, all the time Papa Winchester.

* Chris Evans is so darn funny. He's one part dweeby computer hacker, one part wise-cracker, one part soldier. Plus, his character's name is Jensen. How funny is that?





























* Columbus Short, who plays Pooch, has some really funny lines too, even calling himself the Black McGyver aka Blackgyver. He and Evans play well off of each other.

* A new-to-me actor named Oscar Jaenada. He's the strong, silent, deadly-with-a-rifle type named Cougar. I admit it, I may have drooled. I also admit this character might now be my computer wallpaper.





























* For a girl skinny enough that she looks like a good swift breeze might break her, Zoe Saldana sure can more than hold her own against all the guys she plays against. For someone I'd not heard of before Star Trek came out last year, she has become one of the actresses I enjoy watching quite a lot. I might outweigh her, but I wouldn't want to meet her character, Aisha, if she didn't like me.





























* Jason Patric as the deliciously evil, impeccably well-dressed Max. He's the guy you love to hate but can't help but chuckle when he delivers some of his lines.

The Losers is set up to be the first in a series of movies, so I hope it can rise above mediocre weekend numbers at the box office and so-so reviews in some places so we can get those additional installments.

Have you seen The Losers? What did you think? Here's the trailer for your viewing pleasure:


Sunday, April 25, 2010

Supernatural News as We Count Down to the End

But we won't mention how there are only three episodes left. *sob*

Hooray! Last week's episode matched season high ratings!

TV Guide launched a series of articles with this one about the 100th episode, with quotes from all the major players, followed by a recap that calls it a "just about perfect episode." And THEN, Mark Pellegrino compares and contrasts his two roles on Supernatural and LOST.

Want some behind-the-scenes? Go here for a BTS video done by Jim Beaver of the zombie episode (I adore the actress that played the sheriff, she's adorable!) and some footage of the 100th episode party. Both clips are 2 1/2 minutes long.

Last week Terri posted about the new Ghostfacers webisodes. There will be two eps each Thursday until Supernatural's season finale on May 13. You can find a behind-the-scenes interview here. There are interviews with the stars here.

While we're doing videos, here's a long interview with Jeffrey Dean Morgan.

Variety, the entertainment industry newspaper, did an interview with Ackles and Padalecki a couple of weeks ago. It's mainly on their path to the show and what comes next, after the show's eventual end. Non spoilery.

A trailer is now available for Batman: Under the Red Hood, in which Jensen Ackles voices the titular villain.

Jensen accompanied Danneel Harris to the premiere of her movie The Back-Up Plan. There are some nice pictures here.

In a six degrees kind of thing...Lindsay of Support Supernatural interviewed psychic Dakota Lawrence here, and now author Tracy Madison, a huge Supernatural fan (thanks to me :) ), is giving away a prize package that includes a FREE reading with him! Hey, if one of us wins, we can ask him whether season six will be brilliant or anticlimactic... (Enter the contest here.)

Thursday, October 8, 2009

Natalie's Recap-That's-Not-Really-a-Recap of "Fallen Idols"

Many fans of Supernatural had issues with the first four episodes of this season. They felt it was too dark, too depressing, that everything they'd loved about the first four seasons was gone. I never felt that way, so I can't speak for those who did. But I hope this week's show was at least a few steps toward bringing back that love.

For me, after the intensity and suspense of the last several episodes, I felt like something was missing. I'm not sure the simple plots of these stand-alone episodes can satisfy me anymore. On the other hand, it had a classic feel and self-contained story, with lots of humor and brotherly back-and-forth. They even had the Impala-road shot from "Monster Movie," the road (maybe even the actual shot, with some trees added and the sign removed) from "Phantom Traveler," and the parking lot from "It's the Great Pumpkin, Sam Winchester" (and maybe that was also the hotel from "Something Wicked," but I'm not positive about that one). And any remaining tensions and push-pull between our boys seems to have been taken care of by the end.

But I'm getting ahead of myself.

My apologies to Kripke and all other car geeks for not knowing what "Little Bastard" was. I knew, however, that Dean would explain it, and guess what! He does!

We had an obligatory discussion setting up how they can get away with a traditional hunt in the midst of the apocalypse. Can't find the Colt, timeline established (three weeks of searching), get back into it slow, Dean still doesn't trust Sam but relents and says they both need a fresh start, so Sam can give in rather than keep butting heads. Okey-dokey.

So this monster-of-the-week-style ep mixes it up a bit. The pre-show hype re: Paris Hilton always referred to her as a demon. Deliberate misdirection? Apparently, because first they think it's ghosts. Celebrity ghosts, to be specific, and they're killing fans of those celebrities. Why here? A local wax museum (with really good wax figures, BTW, I wonder if they made them or borrowed them?) has actual effects of the actual celebrities. Remains!

Dean was pretty clumsy in his interrogation, and it wasn't the first time. Would you believe I'm not sure if that's an aberration or not? I mean, yeah, it's a given that Sam has always been better at drawing people out and Dean's not known for his subtlety. But the museum curator's looks at him were quite amusing. As was his wearing of the Fonzie jacket. :)

Eventually they figure out that it's not a ghost, and they didn't kill it when they evaporated Ghandi. Quite telling, beyond Dean's brotherly ribbing, that Sam is a fan of Ghandi. And very in keeping with who we all thought Sam was, back when we were saying stuff like "No way! Sam's too good! You can never convince me that he'd go bad!" Maybe that was just me.

Anyway. They learn Paris Hilton has taken a teenage fan, which helps them figure out--as, "as far as we know," Paris isn't dead--what they're actually dealing with. I'm not sure why Sam decided to cut open a body. I was too distracted by his scrubs. Yummmmmm.

Where was I? Oh, yeah. Why did Sam go digging in the body cavity? Who knows, but he found The Clue, the one that leads them to a pagan god (they used that screenshot on his laptop in "A Very Supernatural Christmas," too) who drank his victim's blood, and cue the annoyed fans for the pagan-god-bashing. *sigh*

That reminds me. In the beginning, when the blood poured down over the car name, I thought, "Nice effect, but not realistic. That's too much blood." But it was a clue! I felt both smug for noticing and chagrined for criticizing. :)


Some random comments:

Jared was totally making his Blue Steel face when he was doing stuff in the trunk. I wish they'd used a different shot--it's too jarring, takes us out of the show, and makes him look silly. I'm very tired of seeing it, after the overuse in the outtakes. I think, if I were a crew member, I'd have threatened him with face-slapping every time he did it. If I weren't too scared/star-struck to speak to him, that is.

I loved the Spanish conversation, and how I could follow it without knowing any Spanish at all, and therefore believe Sam could do it with his "freshman Spanish" despite how many years have passed since he took the class. :)

Research squared! Yes, Dean ditches Sam to go bar-hopping, but I love the little detail of them both having laptops now, obviously related to the rift because Dean didn't have his geek research brother with him anymore and had to do his own (which we know he's capable of doing, ref. "Wishful Thinking"). I also loved that, apparently, Sam is a Mac and Dean is a PC.

Okay, now, show of hands: When Dean tells Paris he's not her BFF, so she can't drink his blood, she says she can read his mind and knows Daddy's his hero. How many of you held your breath, hoping for the best kept secret surprise in the history of fandom? *raises hand* Alas, Jeffrey Dean Morgan did not magically appear for a 30-second showdown. *sigh*

I laughed a lot in this ep, but danged if I can remember any of the funny lines, except Dean's crack about not seeing House of Wax, and Sam's reaction to that.

The show ended with "Superstition," which meant it left me bubbling with happiness.

Okay, so let's talk about the most important thing. No, second most. Where Dean Stops Being a Dick, Sammy is the Mature One, and The Boys Are Really Back Together.

First, Dean levels a truly dark look at Sam when he mentions the apocalypse. Then Sam overhears Dean saying something about "we know who's fault that is, I'm sorry, but it's true." Sam of course thinks Dean's referring to him, but he could just as easily be talking about himself. Or both of them, as they are equally to blame. Then Sam says look, this isn't working, it wasn't working before, we need to be partners, not boss and baby brother. *cheers* It didn't even break my heart when he said he went with Ruby to get away from Dean--his frustration has been evident since the last few episodes of season 3, when he kept trying to assert his plans and ideas and Dean just kept cutting him off.

Finally, at the end, we get Dean admitting they were both at fault but neither knew it. He's sincere when he says "who would have ever thought killing Lilith would be a bad thing?" I'm pretty sure we saw Sam driving the Impala already this season (though I could be wrong), so the handing over of the keys didn't have the impact for me that it had for many other people. Still, it feels like we're finally where we were meant to be. I'm sure the boys will still have some struggles. Dean's not going to get over the habit of being "in charge" that easily, and Sam may have grown up, but his own habits are just as ingrained. It will be great fun to see how they manage this.

Which brings me to the most important point of discussion: SOON.

SPOILERS BASED ON PROMO SNIPPETS AND EPISODE TITLES




I won't list all the awesome things we saw in the extended promo, like Sam getting hit in the balls *pauses to wait for inevitable offers to nurse his injuries* on a Japanese game show, Dean's perfect 50s sitcom smile, the oh-so-sexy CSI sunglasses, the shock and horror of the half-demon baby and Castiel's intentions toward the child, the awesomeness of the upcoming guest stars (the demon-baby mom is from Eureka, the guy who wins years of his life from Dean in poker is most recently from Kyle XY)...and all that stuff.

The question is, WHY did we get a SOON? Number One (my oldest daughter) and I both cried "No!" when we saw it, and all the people I chat with after the show thought it meant hiatus. I mean, historically, that's when we get it. But also historically, they usually go 10 or 11 episodes before they start breaking it up with reruns.

Luckily, my DVR lists "I Believe the Children Are Our Future" as next Thursday's episode, as does IMDb. The other two eps on IMDb are "The Curious Case of Dean Winchester" and "Changing Channels," which certainly looked like the scenes we got in SOON, right? The Buddy TV recapper said it must have been a short episode, and it definitely was, so that explanation rests much easier with me than my friend's comment that we started earlier in the season than we normally do.

No matter what, "SOON" definitely got me excited for what's coming!

Okay, your turn! What important bits did I miss? Did you like or dislike this ep? Meh or yeah! ? Good break from the hard stuff, or a let-down? Comment away!

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Images all courtesy The CW

Saturday, September 26, 2009

This Week's Supernatural News

Since news is light this week (and a lot of it is related to slipping ratings--but we won't talk about that), let's start with the pretty...

Remember that issue of Entertainment Weekly last spring that got the whole "final season" conversation started? All of the photos from the shoot have been released (or accessed/stolen/snuck out/whatever). Here are a couple of my favorites:



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Jensen Ackles is rumored to be attached to the 2010 movie Resident Evil: Afterlife with Milla Jovovich (confirmed) and Eva Mendes, Ali Larter, and Jason O'Mara (all rumored). I haven't been a huge fan of the RE movies, but I did go see Resident Evil: Apocalypse becuase Oded Fehr was in it. How can I do less for Jensen?

Jensen also gets a mention in this We Are Movie Geeks article about making a movie about The Flash. It's a brief mention, referencing Jensen losing the Green Lantern casting battle as a popular underdog, with a half-sentence speculation about his suitability for this role. I also saw some polls including him for the Captain America role, which of course is fan speculation rather than industry info, but it's fun to contemplate. I for one would love to see either J get a superhero gig. Or a romantic comedy, for pity's sake!

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Two Entertainment Weekly issues ago, the Must List contained a reader-supplied description of Supernatural. It would be nicer if they'd mention the show every week in the Must Watch section (which they did do in the latest issue), or even half as often as they talk about Gossip Girl, but every little mention helps!

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This isn't news, it's gossip, although it's at least confirmed gossip. :) Since so many of us Supernatural fans are also Joss Whedon fans, I thought it worth a mention:

Alan Tudyk (Wash from Firefly, Alpha from Dollhouse) and Adrianne Palicki (Jessica from Supernatural, Tyra on Friday Night Lights) are dating! Adrianne is also currently filming Red Dawn with Jeffrey Dean Morgan.

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2010 conventions are being announced all over the world! In the U.S. (+Vancouver), Creation Entertainment has the most events. They've got Chicago this November, then LA, New Jersey, and Vancouver scheduled for next year. (LA and Vancouver sold out their Gold Package tickets already!) There will also be Jus in Bello in Rome in April, Brazil in May, and Asylum in the UK, also in May. A source for lots of information on cons is the Supernatural Wiki.

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And finally, for those of you who aren't trying to keep completely spoiler free, this link has a clip and TV spot from this week's show.

Sunday, September 20, 2009

Supernatural News


Keith R. A. DeCandido is coming out with two Supernatural novels in 2010. The first, Heart of the Dragon, is out February 16. Love the cover.

Rolling Stone listed Supernatural as Reason #27 in its “50 Reasons to Watch TV” article in the Sept. 17 issue. It’s a teeny blurb that compares the Winchesters to the Duke boys, but it is #27.

Sadly, Supernatural came in last in its time slot both weeks. The first week, everything was reruns, but this week The Office and Fringe had season premieres. Supernatural fell 14% from the previous week. This week it goes up against Grey's Anatomy. GULP! So get the word out!

Jeffrey Dean Morgan is signed to be in the remake of Red Dawn. It will be out next September. Currently, he’s filming The Losers, another movie based on a graphic novel. He would like to return to Supernatural for an episode or two but hasn’t been formally approached.

Sales of the season 4 DVD doubled from the sales of Season 3 DVDS, the first week of release. This year, 238,081 copies sold the first week, earning $8.7 million. Last year, 104,979 copies sold, earning $4.1 million (I think I just got my word problem for the day for my class ;) )

Thursday, July 23, 2009

Winchesters on other TV shows

I know, you're thinking, "There are other TV shows besides Supernatural?" Unfortunately, yes, there are. And I wouldn't have come to SPN without first falling for Jeffrey Dean Morgan on Grey's Anatomy, so I have to credit that show.

Here are some other shows you might have seen the Winchesters in.

Daddy

Grey’s Anatomy 2006-2009

Jeffrey Dean Morgan played Denny, a heart patient that intern Izzy Stevens falls for, risks her career for, and then he DIES. How rude. He returned last season as a symptom of her brain tumor, but this was the speech that had women around the country falling in love with him.





Sam

Gilmore Girls 2000-2005

Jared pretty much jumped from high school to Gilmore Girls, where he played the very nice boyfriend Dean Forester to very nice girl Rory Gilmore.




Dean

Days of our Lives (1997-2000)

Jensen played Eric Brady, twin son of Marlena and Roman Brady. I know I had to be watching this when he was on, but I mostly remember when his character was a baby.



Dark Angel (2001-2002)
Wow, I didn’t realize this was so long ago. I bought this season on DVD because he was just adorable. He was a genetically engineered super-soldier, raised by the group Manticore, and assigned as Jessica Alba’s character Max’s breeding partner in Season 2 of Dark Angel. He’s a charmer, though, once he leaves the Manticore facility and enters Max’s world. He also plays the evil twin of Alec (named because of his smart-alec attitude.) I liked this show, but it had no resolution before it was cancelled.



Dawson’s Creek (2002-2003)

I didn’t see him on this, but he played Jen’s boyfriend.




Smallville (sorry, Natalie, this clip has Lana) 2004-2005

He played a man who fell for Lana when she was on a trip to France. He followed her back to Smallville and got a job as an assistant coach who had an inappropriate relationship with a student. As a teen-aged girl, I would have bought into the fantasy. As a teacher, I’m creeped out.



What’s your favorite show from our Supernatural boys? Did you know about the actors before you followed them to Supernatural?

Friday, May 29, 2009

SPN Alum on the Screen Pt. I

The show keeps our boys too hard at work for much else, but the extended cast has been busy, busy, busy. This isn’t everyone or everything, by far, but I thought I’d give you a sneak peak at some upcoming projects from SPN alum. Thanks, mostly, to the prodigious Jeffrey Dean Morgan, I’ll be doing this in two parts.

Ruby might be dead, but look for Genevieve Cortese in December’s American Empire. An indie “film noir, dark comedy of errors” with one heckuva hot cast.

Our beloved Jeffrey Dean Morgan (John Winchester) continues to be one sizzling star with at least six things on the slate.

First up is July’s All Good Things. This mystery has Jeffrey playing a detective trying to unravel a missing person’s case that could doom the heir to a NY real estate dynasty.

Come August, we’ll see him playing the lover of a closeted gay man who inadvertently sets in motion the generation-defining concert of 1969 in Ang Lee’s awesome looking, Taking Woodstock.

Then in September, Jeffrey does this thing we wish he’d quit doing--he dies--which acts as the catalyst for his best friend (John Cusack) to return to Shanghai in the months before Pearl Harbor.

And, OMG, in 2010, he’s playing a stalker landlord with an obsession for his new tenant, Hilary Swank, in Invasion of Privacy. (Wicked Jeffrey is just so yummy.)

Also in 2010, Jeffrey’s turn as a “twisted, sado-masochistic henchman” in a yet-to-be-titled Beatle Boyin project.

And, finally, his first 2011 project is another graphic novel adaptation in which he’ll play a CIA black ops agent who’s out to get those responsible for attempting to assassinate his team in The Losers.

Katie Cassidy (former Ruby) has yet to bite the dust on Harper’s Island, but even if she never makes it to her wedding day she’s got a bright future ahead of her.

First, or maybe never, is the super secret Chris Carter project she filmed. Fencewalker was written, financed and directed by the X-Files scribe who says it’s a "coming-of-age semiautobiographical character piece with no supernatural elements." Hmm. Clear as mud, eh? Recently Katie called the script “amazing” and said it was a challenging, emotional role for her and she thought the film would be out at the end of the year. Let’s hope so!

This fall she’ll return to blonde and the CW when she stars as Ella Flynn, a bi-sexual publicist whose tongue is as sharp as her stilettos in the Melrose Place redux.

And since slasher remakes are all the rage, as Jared and Jensen proved this summer, watch for Katie in next year’s A Nightmare on Elm Street where she’s sure to fall victim to Freddy Kruger’s grisly glove.

Finally, keep your eye out for Samantha Smith (Mary Winchester) in next month’s blockbuster Transformers: Revenge of the Fallen where she’ll reprise her role as Sarah Lennox. (That’s the wife of hot Army Captain William Lennox (Josh Duhamel), in case you didn’t remember).

So, which of these grabs your interest? ‘Til next time….

Tuesday, March 10, 2009

Quis custodiet ipsos custodes?

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MJ: I've been looking forward to this movie since I heard Jeffrey Dean Morgan would be in it. I read Watchmen in January 2008, and understood why Jeffrey said fans of Denny would lose their....well, they wouldn't be getting the same character at all. I urged my teen-aged son to read it (okay, maybe not the best parenting move) but not until he saw the trailer was he a convert. So I thought the two of us could write a joint review of the movie for you.

JF: I was first introduced to Alan Moore through V For Vendetta, unaware that his true genius lay in a novel recommended to me by my mother. Hurm.

MJ: I loved V for Vendetta, the movie, but never read the book. I had actually never read a graphic novel before Watchmen (thank you JDM).

JF: Watchmen takes place in an alternate 1985 in which Richard Nixon is still President, the United States won the Vietnam War and superheroes have been outlawed except for the God-like Dr. Manhattan and the nihilistic Comedian whose murder kicks off the plot.

MJ: The man dies IN EVERYTHING.

JF: Hehe, "Deady."

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MJ: FUNNY. Poor JDM. He said when his agent sent him the graphic novel, he thought the agent was playing a joke on him-he died on page three. The agent told him not to be a...well, to just keep reading. He went to meet Zach, who told him the role was his if he wanted. I think Zach was the perfect director for this-he clearly had a vision going in.

JF: Yeah, my friend Sam said he would've rather seen Terry Gilliam direct it. Isn't he cute? The movie stays ridiculously faithful to the novel in all aspects but the ending, which honestly does not bother me.

MJ: The movie was so close to the book that I was actually ticking events off in my head: This needs to happen, and this, and this. I agree about the ending. It seemed to make more sense and create more conflict this way.

JF: There's violence. Lots of violence.

MJ: I hid my eyes pretty much every time Rorschach was on the screen. He was not sane, but he did have some of the best lines in the movie. I loved the line, "God didn't much care what any of us did that night." Also, "I'm not locked in here with you. You're locked in here with me."

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JF: He had some of the greatest lines in the history of superhero movies. Speaking of greatest, best opening credits in the history of mankind. Bob Dylan makes everything better.

MJ: Agreed. It worked as a terrific prologue, giving the viewers who read the book AND the ones who hadn't a history of these costumed heroes....who weren't really all that heroic. These people wanted to help society but ended up being consumed by their own egos, or by their own power, or hiding behind their masks. It's a great character study.

JF: Psychologists will love this movie. It's definitely more mature in that aspect, as well as giving the existence of superheroes cultural and political aspects, i.e. Ozymandias (Matthew Goode) partying with David Bowie and The Village People and the United States using Dr. Manhattan to win the Vietnam War. Although...the political bits left something to be desired but the first bit with the McLaughlin Group: perfection.

MJ: It did a good job of setting the time period-I never watched the McLaughlin Group, but I remember SNL making fun of it. During the credits, I saw that Annie Leibowitz was portrayed. I recognized the Andy Warhol character and of course JFK and Jackie. My quibble with Nixon was he looked like a caricature. Yes, I know, this is a movie about superheroes, but everything else looked "real," even the big blue guy.

JF: Where's Frank Langella when you need him? Even though I think this guy did a good job, just the nose...long. Like the movie, actually. But despite its length, the film is really fast-paced due to the fact that it has a lot of ground to cover, but stay with it, it's worth it.

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MJ: Yet some scenes, like the love scene, were a hair too long. I would have rather they built up other parts of the story, like the big revelation that I'd been looking forward to. It lost some of its emotional punch because a lot of the backstory was compressed.

JF: What the hell was up with that sex scene? It was unreasonably long when it was only depicted in a few frames in the novel. And to "Hallelujah?" There are so many things that are wrong with this scene.

MJ: There is only so much of Patrick Wilson I want to see, you know?

JF: I was more comfortable with Dr. Manhattan's person because at least his nudity highlighted his gravitation away from humanity.

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MJ: Yeah, and his need for PANTS? I thought it was just because he didn't shred his pants like the Hulk when he got bigger.

JF: Maybe he just likes the breeze.

MJ: My son, ladies and gentlemen.

JF: Moving on, fans of Grey's Anatomy and Supernatural ...

MJ: That would be me.

JF: ...have been trying to tell me this for ages and I finally agree: Jeffrey Dean Morgan is a horribly underrated actor and he was great as The Comedian. Only he could look so cool beating up hippies to KC & The Sunshine Band.

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MJ: He was wicked. Not adorable or redeemable at all. But that music was terrific. I've heard people complain that the soundtrack drew them out of the movie. I enjoyed it, though. "Unforgettable" was playing as a backdrop for the Comedian's murder, "Sound of Silence" during the funeral, "Hallelujah" during the love scene....well done.

JF: Gah, "Hallelujah..." The score was perfect though, it had a real Blade Runner feel to it, but...cooler? Zack definitely liked contrasting themes just as Moore did in the novel. The symmetry that is so prominent in the book also presents itself in the film, but most of it requires a second viewing to understand.

MJ: I do want to see it again. It's a long movie, though, so....maybe after a week or so.

JF: True that, yo. My butt's still flat from two viewings. But Jackie Earle Haley makes it worth it because Jackie Earle Haley is absolutely brilliant as Rorschach. Role of a lifetime despite Christian Bale voice. Lives in San Antonio. Must investigate further. Jackie Earle Haley.

MJ: I loved his scenes with Dan (Nite Owl) and when he was unmasked.

JF: The scenes on Mars are some of my favorite scenes in cinematic history. They're just so beautiful. Towards the end, it kind of has a Return Of The King feel to it, just in how it's edited and in the sense of urgency. Maybe that's just me.

MJ: I didn't get that comparison, and to be honest, Dr. Manhattan was probably the least compelling character for me.

JF: You take that back!

MJ: Come on-the Comedian was intriguing, Rorschach was fascinating, Silk Spectre was interesting...okay, maybe Nite Owl was the least compelling. While Billy Crudup did a terrific job, I felt a distance from the character.

JF: Which makes sense if you think about it. Isn't he getting further away from humanity? Therefore, humans would fall out of touch with him.

MJ: Right. Well, they did a good job with that. So the Mars scenes, while cool, weren't my favorite. I know those scenes were very important to Watchmen fans.

JF: Very much so, but Zack Snyder may be upsetting some Bob Dylan fans with My Chemical Romance's cover of "Desolation Row." But despite my moral opposition to their cover, it fit. "(What's So Funny 'Bout) Peace, Love And Understanding?" by Elvis Costello would've been a better fit.

MJ: While I love Elvis, I thought the song they used fit great. So, final analysis...best movie of the year?

JF: What could possibly top it? The Wolverine movie? Please.

MJ: Dude. GAMBIT.

JF: Anyone in Watchmen could easily destroy Gambit. AND THEY DON'T EVEN HAVE POWERS!

MJ: Hey, it's your fault I even know who Gambit is. Remember those cartoons we'd watch over and over?

JF: Uh huh, and who's the one who recommended a comic book to her son? That just happened.

MJ: My fault....my son has WAY too much exposure to pop culture. Back to the movie....I've not been able to get it out of my head for days, and not just the JDM parts (he's actually only in a handful of scenes because, you know, he DIES at the beginning.) Still, really a powerful movie.

JF: You can forgive Zack Snyder for 300 now.

MJ: Hey, now! How can you forget, "THIS IS SPARTA???"

JF: By memorizing the first lines of Rorschach's journal or anything that has artistic merit.

MJ: You like having gas in your car, right?

JF: Most car thieves don't know how to drive a stick, I do.

MJ: Because I taught you. Behave.

JF: "Rorschach's Journal, October 12, 1985..."

MJ: This could go on forever.

Have you seen the movie? What did you think?