Showing posts with label My Bloody Valentine. Show all posts
Showing posts with label My Bloody Valentine. Show all posts

Friday, October 7, 2011

"The Girl Next Door" Recap and Review

First impressions: It was a good thing I kept my expectations low for this episode, knowing they can't all be as good as the first two. Don't get me wrong, there was a lot to love about "The Girl Next Door," but it didn't have the same grab-me-by-the-throat effect. I was disappointed that Jewel Staite's role was so small, but very pleased that the rude, selfish edge Dean had in Jensen's directing debut was gone here. He did a great job, especially given that his screen time was greater. I think he has a future behind the camera. I just hope he doesn't pull a Ron Howard and do it for good!

Let's start at the beginning, shall we?

Watching "THEN," I feel like we've had a lot more than two episodes so far. This is a rich, meaty start to season 7. Just like the last two episodes, we start right where we left off. Dean's in the hospital, foggy until they set his leg, which jerks him into the ER. He wants to get out, but Sam's been sent up for an MRI, and they dope Dean before he can try to leave on that broken leg. Fade out on morphine drip...

...and fade in on Dean forgetting why he's at Sioux Falls General. Love the way he rips out his IV, but whoops! Down on the floor.

Bobby comes in. Dean's shocked he's alive. "Course I am," he scoffs, but I'm suspicious that it's not really Bobby. He doesn't explain (ever!) where he was, but he turns out to be the real deal.

Dean: "Hey, look, a monster broke my leg."


Bobby has very little sympathy for Dean's plight. I don't get why he has a full-leg cast for a tibial fracture. I'm sure there are some circumstances that warrant it. I've just never encountered them in real life. Anyway, Dean says he's a gimp, Bobby just hands him crutches and an encouraging smile and heads off to find Sam.

I kind of love the Leviathans. The surgeon takes his "job" so seriously. I mean, they're going to remove and eat someone's internal organs, but he still maintains sterility and lets the "nurse" hold his phone for him. But geez, these guys are gonna be tough. Dropping a car on them doesn't kill them. There's no lore, since they came before humanity, and were put away before us, too. And despite their extreme age and lack of exposure to technology, they've learned it fast. They know when the Winchesters are brought in to the hospital, and...well, let's not jump ahead.

Bobby takes over Sam with an entirely plausible "no insurance, shipping him to County" excuse, and Dean barely makes it to the ambulance in time to get away. Okay, the Leviathans are not invincible. They can't run faster than a vehicle. Good to know.


Now we're in Whitefish, Montana, three weeks later, in what we soon learn is Rufus's cabin. Sam's reading, Dean's watching a telenovella, and he and Bobby are totally hooked. Bobby has retrieved the Impala and gathered info from hunters, who don't know what the Leviathans are but have worked out what they do pretty well.

Bobby's saying the doctor and nurse never showed back up (moving the Big Bad to the background to leave room for other kinds of episodes) while Sam zones out for a minute. He strokes a thumb over the nasty-looking, shiny, puckered scar on his hand, his touchstone.

All Bobby's resources are gone, but he says he's going to go round up his old library. He's stashed copies of his one-of-a-kind books all over the place. Love Bobby!

Dean sends Sam on a grocery run and demands pie, then wants to talk to Bobby about "Girl, Interrupted over there." Bobby swears Sam's healing, but Dean just won't believe that. He's waiting for the other shoe, because that's how things always go.

Bobby: "Look. You sittin' there wringing your hands ain't gonna do nothin'. Maybe, he'll surprise you.

Whoa. Culture shock. The convenience store is way too bright, and way too colorful. I think they're on the wrong show here.

Sam pays with a credit card for Lenny Kilmister (Lemmy Kilmister is from Motorhead), which rings us to a customer service rep for a credit card company, looking for suspicious charges for a customer. He asks about "Mistress Magda," who was Chuck's phone sex operator of choice. (Man, I miss Chuck!) An alert for Lenny Kilmister pops up, and the guy calls the Leviathan supervisor. See? They somehow learned all their aliases and fake credit cards and can track them that way. Pretty advanced for ancient beings!

At the store, Sam spots a newspaper story about an icepick killer. Just the kind of thing that would trip their initial triggers for a hunt.

Sam gets back to the cabin, Dean asks how he's doing, he says "fine." If, of course, seeing crap that's not real is fine. He doesn't know if it's getting better, but he knows what's real and not—and fondles that scar again. And again.

Sam brought Dean cake instead of pie. Passive aggressive? I mean, by now Sam knows that no, it's not close enough. Sheesh.

Dean is asleep on the couch in a really uncomfortable-looking position. Sam pulls out the paper, and flashes back to Colin Ford yay! Young Sam doing research for Dean and Dad, talking to them on an early mobile phone.

Sam sneaks out as a (fake, cheesy?) promo for My Bloody Valentine 3D plays on the TV.

A sleazy drug dealer is about to take advantage of a strung-out girl when sirens scare them off. He's ducking through a skate park when someone tackles him. Blood sprays, and he's dead.

Back in the cabin, Dean awakes with a wildlife program on TV. He reads Sam's note: "Back in a few days. I'm fine."

Dean (on the phone to Bobby): "Other shoe."

He's pissed Sam took off. Bobby tries to tell him to calm down, give Sam a couple of days, they'll keep trying to reach him. He tells Dean to give it until he gets the cast off, and then hunt him down. Dean's not waiting. He takes a circular saw to the cast himself. Yikes!

Sam's at the morgue, asking a cop about the new dead guy. He clearly knows more than was revealed about the news story. He ignores a third missed call from "Lars Ulrich" (Metallica!) and heads in to check out the body.

In the meantime, Dean is driving a woody wagon (reminiscent of the wood-sided minivan in "Everybody Loves a Clown" in season 2). He stops at the store and finds the paper Sam saw. He's on the hunt.

Sam learns the body's pituitary gland is gone, and flashes back again. We get grown-up Sam setting up his board on the hotel wall (reminiscent of the pilot, and many of their "normal" hunts) interspersed with Young Sam doing the same research years ago. He sees a girl he likes, and we get lots of the awkward adolescent glances.

Adult Sam figures out the next target spot and sits in wait, as Young Sam finalizes his research (yelling "I said you stab it in the heart!" in the library), asks Dean how to talk to girls, and is instantly shot down before he even finishes saying hi to her. Colin Ford is so good. His subtle facial expressions convey his utter devastation at her rejection.

Two boys stride by in the background. They're clearly up to no good. And hey, isn't that one Nico McEown, who played Lucas in "Dead in the Water"?

Outside, Young Sam watches the boys follow the girl and of course he follows, too. And of course they're hassling her, and YES, that's Nico McEown, playing a bully. Sam makes short work of them, though one gets a hit on his cheek before running off.

Adult Sam stalks a clearly adult Amy through the woods. She's about to approach a drunk fumbling with his keys when Sam grabs her. Her necklace confirms her identity. She recognizes him, despite them only spending a few hours together, max, over 10 years ago, and despite "You got tall, huh?" how different he looks.

Amy insists she lives normally, and Sam doesn't believe her. Flash back again to Amy nursing his boo boo and asking how he's such a good fighter. She gets him a soda from a brain-filled fridge. They exchange life stories in five minutes. Both travel a lot and are freaks, though Amy owns the label while Sam rejects it. They bond, and Sam kisses her. Wow, fast mover, Sammy! But okay, "all the coolest people are freaks" is a kiss-worthy line.

In the present, she's trying to get Sam to believe she's not a killer, that she did what she had to and it's over. He can't believe her and apologizes for it. She apologizes too, right before she knocks him into a tree. God! Sam will never be okay if he keeps getting hit in the head!


Dean's hot on the trail, figuring out what Sam's hunting. Sam follows Amy home and is ready to kill her even if he doesn't want to, because she obviously killed again. She tells him he knows her. What kind of person she is. Back in the past, Sam tells Amy that he's been around enough bad to know good when he sees it, even though Amy believes her mother to be bad, which must make her bad, too.

Grown-up Sam won't back off, so Amy shows him her son, which does the trick. She feeds on the dead, working as a mortician, and it's too risky for a kid. Her son got sick, was dying, and needed fresh meat. She swears now that he's better, she's done. She pulls the "after what I did for you" card, and we see her hide Young Sam, who hears Amy's mother say that "a couple of pros in a piece of crap Impala" have caught up to them. So now he knows what he's dealing with. He confronts young Amy, and she understands what he is, too. She talks Sam out of killing her and tells him to run.

Adult Sam unlocks his hotel room door, and we get a spectacular sucker punch from Dean. Holy CRAP, poor Sam! Nice backward swan dive, Padalecki. :) I'd say thanks for the flash of skin, but that would be superficial.

Dean: "New rule. You steal my baby, you get punched." (Shades of "Hunted" in season 2.)

Their confrontation has some nice openness, and Sam tells about the past, when Amy's capitulation made her mother suspicious, and she was about to tear Sam apart when Amy killed her own mother to save him. He explains why he let Amy go now, and Dean still says they have to kill her. It's that simple. Of course, Sam says nothing in their lives is ever simple. When Dean uses the word freak, Sam's ready to walk out. But instead, he finally accepts that trying to be normal his whole life has been stupid. He's a freak, and it's okay. He's managing it. He begs Dean to trust him, and WHOA. Dean says okay. Gotta start somewhere.

A sign things are actually going to change?

Uh, not so fast.

Yep, Dean lies to Sam, leaves him at a hotel while he goes to the "candy store." My first thought is uh, oh, not a painkiller addiction! But no, his next look at Sam is all about subterfuge. Dammit, Dean!

He's in Amy's hotel room. Tracked her license plates. He tells her, not without a hint of compassion, that she is what she is, and she will kill again. She swears she won't, but he says the other shoe always drops...and he stabs her in the heart. With an apology. And then he turns around, bloody knife in hand, to face her son.

And boy, Dean is cold. He asks the kid if he has someone he can go to, then if he ever killed anyone. Tells him not to, or Dean will come for him. The kid makes a vow to kill Dean, and Dean says to come look him up in a few years, assuming he lives that long.

We end with the Leviathan goon "grabbing a bite" after confirming that they will continue tracking every name they have for the Winchesters. We end with the guy pouring hot cheese on the clerk and his gaping, horror-movie mouth coming at the camera.

Yeah, Supernatural has definitely returned to its roots.

Next is a gum commercial that really confused me the first time I saw it. This tiger shows up randomly with a clamp on its foot and asks if he rally has to holler? This time, though, I actually pay attention to the "eenie meenie miney mo" and get the joke. Tiger by the toe! Ahahahaaha!

The promo for next week leaves me full of !!!!!!!!. Dean's final farewell kiss to Jo, and Alona Tal is back! Gosh, I love this show. You never know who's gonna pop up, from important recurring guest star who died spectacularly to random kid playing a new random kid.

I really don't know how I feel about Dean killing Amy. They keep giving us all these little growth moments, with honesty and trust, and the boys are really trying to improve the way they handle things and interact. And then this happens. Dean was convinced Lenore ("Bloodlust" season 2!) could control her hunger, and Amy has even bigger incentive to stay on the straight and narrow—her son. Dean's cold disregard for the shades of gray feels like a step back. On the other hand, could he really let her go?

Part of my ambivalence is because I felt there were details glossed over that could have aided the decision-making, even by making it harder. They implied she was trying to kill scumbags, but she never used that as a defense. And when she swore she wouldn't kill again, why didn't either Sam or Dean point out that she'd obviously do anything for her son, so she couldn't make that promise? But then, leaving Jacob without a mother, especially the way it happened, almost guarantees he's going to follow his grandmother's path rather than his mother's.

So what are your thoughts? Like the episode? What could they have done differently?

How does this episode affect your feelings on the season so far?

Tuesday, February 9, 2010

Stupid Cupid

This week on Supernatural, the Winchester's fear Cupid has gone rogue after townspeople start killing each other for love. Doesn't sound like the cherubic little archer we know as Valentine's mascot, does it? Then again, mythology tells us Cupid wasn't as sweet as he's currently depicted. Here's a few facts on the God of Love.

♥ Cupid in Latin (cupido) means "desire."

♥ Some myths say he was born from a silver egg.

♥ In ancient Greece he was called Eros, the son of Aphrodite, goddess of love and beauty.

♥ In Roman mythology he was called Amor and was the son of Venus and Mercury.

♥ Cupid’s himself fell in love with Psyche. His mother, Venus, was jealous of the human’s beauty and ordered Cupid to punish her. Instead he fell in love and married her, but as a mortal she was forbidden to look at him. Eventually the Gods were impressed with Psyche’s love for Cupid and transformed her into a Goddess.

♥Cupid is known to carry two sets of arrows—gold-headed for love and lead-headed for hatred.

♥ Cupid had a cruel streak. He would often create unrequited love matches for his own amusement.

♥ However, the real cruelty may have come from whoever decided to dress him in a diaper?

Sunday, December 6, 2009

Mostly Spoilery News!

Shooting hiatus apparently means increased promotional activities, because we’ve got a bunch of interviews this week.



First, though, some casting and contest news:



FlashForward viewers might have gasped, “Hey, it’s Kubrick!” during the so-called fall finale.  He plays the infamous D. Gibbons, someone with an apparent connection to the blackout.



According to this article, Alona Tal joins Daneel Harris in the voice cast of Night of the Living Dead: Origins.



Buddy TV is having a holiday trivia contest, with prizes including signed DVDs and photos.



The episode 11 promo (“Sam, Interrupted”) can be found here.



Okay, interviews galore. Spoilers are marked with **, and I didn’t read those! :)



Misha Collins (I read this one, no spoilers)



More Misha**



Eric Kripke** (referencing a Nov. 20 USA Weekend article)



Sera Gamble** and another Sera Gamble** (might be same stuff)



Upcoming Episode Titles** (5.14 makes me squee. :) )



Misha Collins and Julie McNiven**



Here is a short vid interview with Jensen Ackles.  It looks like it’s old, from nearly a year ago, but who cares?  It’s Jensen on film, and we can pretend it’s recent and he’s talking about season six. :)



Ask Ausiello on the 100th episode.



Scroll down in this article for Four Horsemen spoilers.



A "Supernatural Magazine" review for 100-page issue #12 (I might need to get my hands on that!).



This thread posts a casting call for episode 5.14 (SPOILERS) and also posts a recent TV Guide article about the episode.



There you go!  Hopefully that will tide you over for a while.  Or at least today.  Two weeks down, we won’t say how many to go…

Sunday, January 25, 2009

Review: My Bloody Valentine 3D

I'm not a horror movie fan. I watched them slightly more often when I was younger than I do now, but skipped most of the biggies. In the last decade, it's taken something extraordinary to get me to see one. Something like, say, Jensen Ackles as the movie's star.

I went to see My Bloody Valentine 3D last week, and enjoyed it a lot more than I expected to. I'm going to keep my review spoiler-free in the beginning. If you don't want to know all the details, don't read past the horizontal lines. You've been warned!

I think Jensen Ackles is a tremendous actor, so I expected him to be the best thing about this movie. He almost was, even though it didn't really test his range. Character development was minimal due to the concentrated storyline, and what we got was focused elsewhere, but it was still a treat any time he was on screen. I had a hard time not comparing him to Dean, of course. You'll be sorry to hear that most of the time he's in layers again. He does have one scene that starts with him in a tank top. One of the characters says "Put your shirt on," and the entire audience yelled, "No, don't!" There were physical differences, though. When Tom was climbing up through the woods at one point, he was tentative and shaky, and I thought, "He doesn't move at all like Dean."

I say Jensen was almost the best thing about the movie. If it had been a normal, even digital, film (Jensen in digital is pure beauty!), he would have topped the list. But the 3D was pretty amazing, and took the movie to a whole new level. Some people have said they didn't feel it was much better than the old 3D, but I did.

First, we looked much cooler than we would have with the old paper goggles:


Second, the entire movie is in 3D, not just the stuff that jumps out at you. Now, the last movie I saw in 3D was that kid movie with Sly Stallone as a bad guy (maybe Spy Kids?) and it just gave me a headache. This was like being in a diorama. Plus, my friend who says 3D doesn't work for her got the full effects. Our group was in unanimous agreement.

Speaking of groups, it's definitely more fun seeing this movie in one, so you can laugh at their reactions and they can laugh at yours.

The story held together fairly decently. There were a few moments of eye-rolling dialogue and some holes that couldn't be explained away, but far fewer of them than you'd expect in a movie whose sole purpose is to shock the audience. Most of the staples of the genre were present, but it was kind of comforting to have them there. That could be my nostalgia talking, though (what little I have).

Overall, I'd call it more horrible than scary (no nightmares here), with lots and lots of gore, and well worth seeing for either horror fans or Ackles fans.

Oh, and Tanya? It's easy to close your eyes to avoid the gore. It's well telegraphed. :) Anticipation is, after all, half the fun.

Please note I have no control over the spoilers in the comments!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SPOILER ZONE
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The basic plot of the story (complete with "twist"! So be warned! Again!):

Ten years ago, Tom Hanniger (Ackles) forgot to bleed the lines in tunnel 5. Some miners got trapped, and most died. The police determined that Harry, one of the trapped miners, killed the others to conserve air. He lived, but went into a coma. A year later (or so I'm told, I missed that notification) he woke up from the coma and killed 23 people--people in the hospital and some kids partying at the mine.

Tom, his girlfriend Sarah, and her friends are at the party and manage to survive, but they leave Tom behind. He almost gets killed, but the sheriff and a deputy show up and kill Harry.

Ten years later, Tom, who left town immediately and never came back, returns to town around the anniversary of the massacre, planning to sell his stake in the mine since his father died. The town's not too happy about that. Sarah is now married to Axel, the town sheriff (and the guy who got her and one other girl away from the mine massacre), but clearly still carries a torch for Tom, who seeks her out repeatedly and enjoys goading Axel about her.

When the murders start happening, Tom is an immediate suspect. He was at the motel where the first two occurred, and is visible through the window on a sex tape found at the murder scene. He's also at the mine when the next one occurs, and the guy who gets killed tried to punch Tom in a bar fight the night before. But he was jammed into a cage, struggling to get out when the murder occurred.

As the movie progresses, though, most of the murders have a connection to Tom. Axel finds out he was in a mental institution for the last seven years and warns his wife off, but while being chased by the killer, she finds evidence that Axel is actually the one. It comes to a showdown between the three--in the mine, of course--and we learn it was Tom all along, kind of in a split-personality thing. They fight, the tunnel collapses, and when a rescuer locates Tom, Tom kills him and escapes, thereby making a sequel a possibility.

The Killers

Even though I was spoiled by a review that mentioned "Crazy!Jensen" and Tom taking off the mask, and even though it was pretty obvious to the discretionary viewer that the body in the miner coveralls was Jensen's (or a really, really good body double), and even though the music and camera angles and clues all pointed to Tom, they managed near the end to make me think it could be Axel. Probably, that was partly because I wanted it to be the lying, cheating jerk instead of the lost, tragic, heartbreaker.

Motivation was the biggest point of discussion for us when it was over. I thought it was funny that they kept questioning why Tom would go after, say, the housekeeper or the chippy that Axel had gotten pregnant. To me, it was as simple as...he's broken. He got attacked, and left behind, and he was already harboring guilt for the mining accident. Then he had to shoulder the deaths of two dozen people. Coming home, seeing those people from the past, triggered his psychosis.

But no one really questioned Harry's motivation. Why he killed the miners was clear, but why all the hospital people? Why the kids at the mine? Why did he suddenly turn into something he wasn't, especially after being in a coma for a year?

Speaking of which.

But What About...

Harry was in a coma for a year, but was hugely muscled and capable of ripping people in half? He didn't have a pickax in the hospital, so how did he tear through ribcages and rip out hearts?

The key scene to keep us guessing about Tom was the third modern death, in the mine. He's watching the murder from inside the cage. Very metaphorical. But later, when he's revealed, they show him putting himself in the cage and taking off the miner suit and mask. Where was that stuff when the others came in? I'm not certain if he disrobed in the cage or outside it, but either way, why wouldn't the police have found the gear and the pickax? There weren't any good places to hide them.

One of the pieces pointing to Axel is his father's old house in the woods, where he shtuped his girlfriend and where she gave him a Valentine's card and told him she was pregnant. Tom found the house, so when the words in the card appear in blood on the wall over dead Megan's head, we're to think it had to be one of the two of them, since they're the only ones who knew about the card. Later, Sarah finds a cabinet full of Valentine hearts (the kind candy comes in) and the card. Since the killer was putting his victims' hearts in candy boxes, she thinks he's her husband.

But the problem with that misdirection is that it indicates premeditation. When we get flashbacks to show how things really happened, Tom seems to be completely unaware of his "Harry" personality, and certain things trigger it to come out. He's fully convinced in the mine that the killer is a separate entity. But he's shown discovering where Harry had been buried, and recovering his old mask and pickax. So those things don't quite jive.

But they were still minor compared to some other horror movies I've seen, and the final shot of the movie, on Tom's expression shifting as Harry takes over and escapes, is chilling enough to make me forgive the little issues. Scary? Gory? Hot guy in a tank top? Eyeballs poking out of the screen on the end of the pickax? Those are enough for me.

Did you see the movie? Agree, disagree, think I'm completely nuts? Tell us what you thought, and please correct anything you think I got wrong, because there were a few places I had to close my eyes. :)