Supernatural Season 1 Awards

Last hiatus, my friends Kara, Tiny and I looked over Season 6 and revealed the good, the very good and the not as good as we'd have liked in the Supernatural Season 6 Awards. This hiatus, we decided to go back to where it all began! It turned out to be a bigger project than we thought, which meant we had to break it into two parts! Come back tomorrow night to see the second part...but for now, without further adieu may I present part 1 of.......

Favourite Writer 

KARA: Eric Kripke -- Supernatural was his creation and really its all his fault. He wrote the most pivotal episodes of season one -- The Pilot, Home, Shadow, Devils Trap. All awesome episodes, all embodied the feel for the rest of the series. 

AMY:I’m going to say Eric Kripke for this one. I mean, he created this show and it all started here so he has to been seen as the most influential writing force during the first season. He imagined and created these wonderful characters, wrote in their voices, which, even into season seven, we can still hear. Though the boys have changed substantially, a lot of what was established in the Pilot, of their individual personalities and their relationship remains true today; they were written that well from the get go. Also, some of the lines Kripke created in season one have become staples in the fan vernacular. “Driver picks the music, shot-gun shuts his cakehole”; “No chick flick moments”; “Bitch/Jerk”; “Saving people, hunting things, the family business”; “There’s a storm’s coming, and you boys, your Daddy, you are smack in the middle of it.” He wrote the Pilot, Wendigo, Home, Shadow and Devil’s Trap.  Five of the strongest episodes of the season. Homeis one of my all time favourites. There’s so much wonderfulness in Home. From Dean telling Sam he carried him from the burning house, to his plaintive call to his dad asking for help, the first time we really see Dean’s tears, to Mary’s foreshadowing when she says “I'm sorry” to Sam. We didn’t find out why she was sorry until In The Beginning in season four! Kripke always says he had a five-year arc planned; just that one word alone, “Sorry”, makes me believe his vision for the series was pretty much locked and loaded by this ninth episode. So, yeah….favourite writer for season one has to be Kripke.

Honourable mention: Sera Gamble. In season one she was writing with Raelle Tucker. I think Sera is a beautiful writer who reveals an emotional depth in the Winchesters that very few of the writers are capable of doing. Also, she wrote Faith, which is pretty much my go to episode when I need to feel good. I love Faith. Like a lot. 

TINY: Eric Kripke -- Supernatural has such as solid first season. Kripke is the genius who drove the mytho, the tone, the characterisation of the Winchester brothers, the writing (including the use of urban legends, music and the writing of the dialogues)... THE LOT! I wasn’t not really into genre shows back then but the thing I love about Supernatural is that it isn't just another show in the horror/sci-fi/fantasy category (which can well be another post as I am totally opposed to the press classifying Supernatural as ‘sci-fi’). Supernaturalis a solid character driven drama, above all evil hunting/ horror stories and it's about the main characters fighting for something that's worth dying for, Eric Kripke showed me the one element other horror shows failed to project and perfect -- family. 

The family theme can be found in other character relationships in later seasons -- the Harvelles, the Campbells, the Singers, the angels and even monsters have families. Eric Kripke created an unique quality for Supernatural and created a theme the show is still sticking with -- two brothers on the road, saving people, hunting things, family business. Without his vision, especially in season one, Supernatural would've gone Heroes. 

Favourite Director 

KARA: Kim Manners -- Why? Because he continually ‘Kicked it in the ass’. 

AMY: Kim Manners -- No contest. Kim Manners was not only a wonderful director he was a mentor to many of the cast and crew on Supernatural. He was already rich with TV directing experience when brought onboard in season one. He directed five episodes in the first season and left a permanent mark on the cast and crew before his death during season four, and though he passed away three years ago this January 25, he remains a strong presence and influence on the show. Jensen says he felt Kim guiding his hand during Jensen’s directorial debut and both boys and the crew still talk about him often and with much love. We all know the bee story from Bugs, where Kim insisted on sitting in the bee filled room in nothing but shorts and a t-shirt, because Jensen and Jared had no protective clothing either. This story is still a vigorously told at conventions, all these years later. In 2011, the Supernatural studios were renamed in his honour and each and every one of us knows his mantra “Kick it in the ass”. And for me, well he was also responsible for so much of what The X Files was and he directed my favourite episode Home. I will never hear 'Sunshine and Lollipops’ without thinking of that particularly distasteful family! Kim Manners will forever be in the hearts of everyone who loves Supernatural. 

TINY: Kim Manners -- He was a major contributor in setting the tone of the show. His direction helped us to understand the story and the brothers. Episodes such as Dead in the Water, Scarcrow and Devil's Trap consisted of the perfect combination that made an episode a classic Supernatural episode, setting up the benchmarks for others episodes. His vision continues to inspire the crew and new directors such as Jensen Ackles. 

Best Use of Song 

KARA: Back in Black -- Seriously when I hear Back in Black, in my day to day life, I can’t help think of Supernatural. It was the perfect song (and theme song for the impala). 

AMY: Season one set the scene for the use of music in Supernatural. Kripke is famously quoted as saying, to ensure his taste in music was used in the show, he actually put in the Pilotscript “CUE MUSIC - and you can take your anaemic alternative pop and shove it up your ass. Dean plays bass thumping, pile driving Zeppelin, and he plays it loud”. Actually, he played AC/DC’s Back In Black! The music in season one was almost a character. The songs were intrinsically tied to the action, much more so than in the later seasons, where the small budget is now spent on special effects and not on music licensing. So what’s my favourite use of a song? Well, I narrowed it down to three…best I could do, sorry. Hey Man, Nice Shot by Filter, which plays in Skin and will always make me think of evil, hot, shapeshifting Dean; (Don’t Fear) The Reaper by Blue Oyster Cult, which plays in Faith and which I think is one of the best music cues ever and Bad Moon Rising by Creedence Clearwater Revival, with plays at the end of Devil’s Trap and the beginning of In My Time Of Dying, which probably is the best music cue ever! And you all thought I was going to say, “Highway To Hell”, didn’t you! Or did you think I’d say Carry On Wayward Son? Seeeeee! Awesome music! 

TINY: Carry On Wayward Son by Kansas -- Never have I imagine myself screaming a classic rock song at kareoke! The song was first introduced to me in 1.21 Salvation. If it wasn't Supernatural, I would've missed out all the classic rock goodies and… Kenny Rogers. Carry On Wayward Son was the first of many classic rock songs I added to my playlist, the song was also the most played song on my iTune. 

Best Quote 

KARA: You have to stick with the classic here, “Saving people, hunting things, the family business” no one quote had been able to sum up the entire series. Also... “Bitch” “Jerk”. 

AMY:Gah! I think this might be the toughest category. Season one was full of pithy retorts! I could go for just about any of Dean’s quotes here. Or any of the brother’s come backs to each other. The bitch/jerk, the shotgun shuts his cakehole, the fabric softener teddy bear. I was trying like crazy to think of a quote that wasn’t just a throw away line, one that represented the brother’s relationship. I thought about when Dean tells Sam how he wants them to be a family again in Shadow, I thought about when Dean tells Sam that the three of them, that’s all they’ve got, that’s all he’s got in Salvation, I thought about “Take your brother outside as fast as you can and don't look back! Now, Dean, go!” from the Pilot, because really, that’s where Sam and Dean started, but I settled on, “I hope your apple pie is freakin’ worth it!” from Scarecrow, just because it’s Dean and pie. 

TINY: What else but "Dad wants us to pick us where he left off, saving people, hunting things, family business." This is the "May the force be with you" to Star Wars. 

Favourite Good Guy 

KARA: This is a bit of a hard one for me. I had to decide how I wanted to approach this. Do I want to have for the stand alone season, or would I let the other seasons dictate my feelings. My favourite Good Guy for season one has to be, without a doubt John Winchester. He was built up to be this God among men. 

AMY: Ummm Dean? Am I allowed to pick Dean? Right from the beginning it’s obvious Dean is the archetypal hero. Deeply flawed and conflicted, as all great heroes are. Loyal, almost to a fault. Selfless and brave and deeper than he’d like anyone to know. He’s compassionate and caring, but he hides it behind a shield of flippant remarks and a tough guy demeanour. Not that he’s not a tough guy, he’s totally badass, but just under the surface is a soft centre. He’ll stand in front of a stranger to save their life without even hesitating and he loves his brother more than any other person on the face of the Earth. Personally, I think Dean Winchester is one of the most beautifully realised, written and performed characters on TV, and that’s as a TV fan, not just a Supernaturalfan. To me, the ultimate Good Guy will forever be, Dean Winchester. 

Do I need to pick someone other than a Winchester? Probably. So, in that case, Deputy Kathleen Hudak from The Benders. I liked her character a lot. She was smart and sympathetic and I thought the actress that played her did an awesome job. 

TINY: It’ll be too easy for me to name any Winchester boys.. so how about Favourite Good Woman? Missouri in Home was my Favourite Good Woman. She was very enjoyable to watch and I wish to see her again. Dean and Sam need more 'family friends' especially NOW. Missouri was one of a few friends mentioned in John Winchester's diary. The character definitely has a lot of potentials. She needs to return to the show! 

Favourite Villain 

KARA: Yellow Eyed -- I know he isn’t seen all that much in this season, and to be fair he is more present in the second season, but the way the Supernatural writers were able to build up a character that wasn’t even seen is just remarkable. And then when this big evil, so evil that it scared their family home, possessed John. Wow. Awesome stuff. 

AMY:Oh that would have to be the Yellow Eyed Demon, later revealed to be Azazel. As much as I loved Fred Lehne’s version of the YED in season two and six, the YED was never scarier or more threatening than when he was inside John Winchester, taking his anger out on Dean. That whole scene in Devil’s Trap; you just can’t look away. I think Jeffrey Dean Morgan did a great job with the YED and seeing as that’s the evil son of a bitch that started it all, he has to be my favourite villain. 

Honourable Mention: Meg. I love Meg too, whichever meatsuit she’s in…even when she’s in Sam.

TINY: Yellow Eyed Demon -- Supernatural's first big bad! I think YED was like Crowley, he is so badass but he is so fantastic to watch and there is something likeable about him. Is it bad that we all love our demons in Supernatural more than angels? YED and the demons are likeable villains, unlike the Leviathans who are just dicks. 

Favourite Guest Star 

KARA: I am totally, without a doubt, going to cheat in this category. My favourite guest star of season one is... Jim Beaver. Oh yeah, that is cheating. There is a reason why the character of ‘Bobby Singer’ went from just a one episode appearance to a major character for the rest of the series, Jim Beaver. 

AMY: I’m going with Julie Benz in Faith. I’m a big fan of Julie, so from that respect I was excited that she was in the show. But beyond that, I liked the character of Layla Rourke a lot. She had a great outlook for someone in her position and her chemistry with Dean was undeniable. I was glad that it didn’t go anywhere, that it just ended with her gently touching Dean’s face and walking away leaving him pondering the nature of faith. 

TINY: Jeffrey Dean Morgan -- This was the episode that made me a superfan of the show and John Winchester was a major factor. The appearance of John Winchester at the end of Home injected that family element that I love so much. I love Jeffrey Dean Morgan, I think he is the perfect actor for the role. 

Best Monster 

KARA: Bloody Mary -- Freaking hell that eyeless chick. Supernatural had managed to not only build up a common urban legend but they were able to ‘Supernatural-lise’ it by making it their own. But not only was Bloody Mary visually awesome but also the whole story on how she chooses her victims. 

AMY: The Reaper from Faith. I love the Reapers in Supernatural. The whole concept that they are there, lingering behind you, just waiting to tick you off their list and whisk you off this mortal coil is fantastic. This was our first introduction to a Reaper and consequential our first introduction to a supernatural creature that wasn’t some form spirit or monster. I gotta say, he was pretty ugly though. I don’t think I’d want to go with that Reaper! 

TINY: Demons -- I think it's because the demons were so connected to the mytho of the story, and I've always been a fan of the mytho heavy episodes. Demons in Supernatural weren't just portrayed with heavy make-up or costumes or over the top dialogues, they could be your friendly neighbour or maths teacher. The show's interpretation of demons as characters is so real, it's creepy! Demons are seen in popular culture all the time but there is something unique about those in Supernatural. 

Best Special Effect 

KARA: Mary burning on the ceiling. That effect still gets me now, and is one of the special effects that hadn’t changed, why change it, it was awesome to begin with. 

AMY: I think this might be more a visual effect than a special effect, but the truck hitting the Impala at the end of Devil’s Trap never ceases to take my breath away. Every time I see it, I’m gobbed smacked! It’s just Sam going…”Look, we’ve still got the Colt. We still have the one bullet left. We just have to start over, alright? I mean, we already found the demon.....” KABLAMO! Out of no-where an 18 wheeler smacks into them! I remember watching this when it originally went to air and jumping out of my skin! Then I just sat there, mouth agape, for like five minutes! And I know it was a fortuitous piece of fate, but how the truck pushes the Impala into the camera just tops off the perfection. One of the best special effect/visual effect/stunt or whatever it is shots ever. Gets me every damn time. 

TINY: I've always been a fan of the death scene of Mary Winchester -- Mary in her sleeping gown, pinned to the ceiling and then burst into flames. It was the most iconic scene of the entire series. 

Worst Special Effect 

KARA: Ok, lets just say it, the demon smoke. I am so glad they changed it to actual smoke instead of what looked like a spilt bag of black seeds. 

AMY: I hate, hate, hate the special effect at the end of the Pilot, when the Woman in White and her kids turn into a black blob and splat into the floor boards in a puddle of water. It’s just terrible. I cringe every single time I see it. 

TINY: Humm… I actually don’t have one for this category. Cassie? 

Best Confrontation 

KARA: Sam verses John in Dead Man’s Blood. That whole ‘You were just pissed off you couldn’t control me anymore.’ We had a whole season of hearing about how Sam and John butted heads, we had a whole season of Dean being like ‘yeah lets find Dad, but Sam don’t be a jerk when we do.’ And then bam! 

Honourable mention: Dean snapping it at John in Salvation. The whole ‘I was dying, a monster was at our childhood home and no you didn’t call back, and that is why we didn’t tell you about Sam’s freaky shiz’. The reason why I have put this one as a honourable mention even though I probably enjoyed it just as much and thought it was just as pivotal to the characters we had seen. However this scene seems to be a little bit more important throughout the series. 

AMY: John/YED and Dean in Devil’s Trap. I find this scene gripping. The fact that the Yellow Eyed Demon is inside Dean’s dad, who he worships and has been searching for all season, just adds to the intensity of the confrontation. The way Dean just perseveres with his cocky attitude, throws it in the demon’s face that he wasted his children, tells him to stop monologuing. He won’t give the YED the satisfaction of seeing his fear. It’s incredibly stupid really but very Dean! Of course it all goes pear-shaped when the YED decides he’s had enough and just goes ahead and tries to kill Dean. Still, it’s a brilliant confrontation. 

TINY: When Sam confronted John in Dead Man's Blood. For a moment, I thought Sam was going to transform into the Incredible Hulk. Sam's rebellion has always been a recurring theme. That scene was almost like bridge connection his past and the shape of things to come. The whole "you can't control me anymore"/ "if you can't save him, you have to kill him"/ "you think I'll go dark side" theme pretty much started to explode from here.

END OF PART 1 

Well that's it so far! We hope you liked it! What did you think? Do you agree with our choices? If you want to see what our favourite episodes were, or our favourite brother moments, make sure you come back at the same time tomorrow night for part 2 and the continuation of....The Supernatural Season 1 Awards! - Amy

Midseason Polls and stuff

Hellatus is almost over! *does the Sam!and!Dean!dance* I think this is the earliest return in a few years. It almost feels like it sped by!

Spoiler TV is holding some midseason polls. Go here to vote on which of the episodes that leaned heavily on comedy are your favorites. Some of these are tough! How can you choose between "You've gotta go be gay for that poor dead intern" and Sam tied to a bed?!

And stay tuned for Friday night's new episode and our recap/review!

A very special Supernatural Christmas event!

It’s nearly Christmas time and if you’re a Supernatural fan that means one thing…..

Time for A Very Supernatural Christmas!

We all love this ep right?

Well, sweet Peter on a popsicle stick! We’re having a re-watch and you’re all invited!

On Christmas Eve at 2pm Australian east coast daylight savings time (Sydney time), a bunch of us will be popping in this fan favourite episode and live tweeting as we watch it together from all around the globe!

The Weechesters, the amulet, the skin mags, shaving cream, fuel for me and fuel for my baby…. Nawwww so many adorable bro moments.

So why not join in! We want to make this a great big Supernatural festive event!

So grab your friends, grab your amulet, put on your yuletide moose antlers, fire up your DVD and get tweeting!

A VERY SUPERNATURAL CHRISTMAS REWATCH!

I hope to see you all there!

Follow me on twitter – main account and jail account (just in case)

Make sure you use the #SPNXMAS

If you want to, you can participate via tweetchat

World Clock to work out your time zone.

Check out SuperWiki's episode entry here!

Guest star news!

People who actually read spoilers probably knew this already, but it was new to me :-) (No plot spoilers, btw.)



Go here to see who has a multi-episode arc coming up!

People's Choice Awards

The boys have posted this adorable video to encourage your votes for the People's Choice Awards.

Review - Supernatural 7.10 "Death's Door"

Warning: contains spoilers...

“Well Bobby, stay or go, what it is going to be?”

Supernatural has always had an underlying theme of family, but beyond that, it’s also been about fathers and sons. Our four main characters over the past six and a half years have all dealt with their own issues around their fathers. Since losing John, the Winchester brothers have struggled to come to terms with who their father was, how he raised them and their relationship with him. Sam grew to understand their father more, where as Dean seemed to understand him less. Castiel felt deserted by his father. He was hurt and angry at what he saw as being let down by God, the one ‘person’ he always had unquestioning faith in. Now in Death’s Door we discover that Bobby had an abusive drunk for a father. A father who scarred his son so deeply, that he grew up not trusting in his own ability to fulfill that role. He chose instead not to have children, breaking his wife’s and consequently his own heart in the process. But, without even realising it, Bobby Singer rose above all the deeply flawed fathers that came before him and grew into the kind of father you could look up to. Without even realising it, he became the kind of father you could trust and respect, one who guided and taught with kindness and love. Without even realising it, he became a father to two boys, who grew into remarkable men. Death’s Door led Bobby Singer on a greatest hits tour of the memories he never wanted to face and in doing so, helped him to understand who he really was. Bobby Singer was not just a cranky old hunter helping out a couple of rag-tag orphan boys, as they fought to keep the world and all its inhabitants from driving off the cliff. Bobby Singer was a father. And a damn good one.

I must admit I've been sort of dreading writing this. The heartbreak and devastation I felt immediately after Death's Door and for some hours following it, left me feeling shaky. The thought of having to revisit the episode and in detail, made me nervous, but I guess what I really felt was fear. I’m scared by where we go next. I’m scared that when left with the choice to ‘stay’ or ‘go’ Bobby’ll choose to stay and become a spirit, or choose to go and we’ll lose him forever. I’m scared with how this loss will impact Sam and Dean. How will Sam’s fragile grasp on reality cope with an emotional blow this big? How will Dean’s fragile grasp on existence cope with this latest hit in the guts? I’m scared of what will happen to Sam and Dean’s world if they’re left with no one and nothing but each other. And if faced with it, I’m scared with how I’ll deal with saying goodbye to Bobby Singer. But more importantly, with how I’ll deal with saying goodbye to Jim Beaver……..

Death’s Door picked up where How To Win Friends And Influence Monsters left off, with Bobby with a bullet in his custard and Sam and Dean unraveling as they realise the gravity of the situation. Sam in the back of the van trying to triage Bobby’s wound, Dean yelling at Sam to talk to him, Sam yelling at Dean that he’s not an idiot and Dean swerving all over the road as he drives like a bat out of Hell to get Bobby to the hospital. Around this moment I'd already chewed off all my nails. As we CSI’d it into Bobby’s brain we witness a familiar scene, with Bobby and the boys walking through the forest and coming across the hanging body of Deputy Ranger Phil. Something’s not right here and Bobby knows it. It only takes him a moment to realise he’s inside his own mind and it takes him even less time to realise, no matter what happens, somehow he has to get the information about the Leviathan’s end game to the boys, before he fades to black forever. Around this moment I remembered I had to breathe. In the waking world, Sam and Dean have made it to the hospital and wait anxiously, hoping against hope that the bullet in Bobby’s brain can be extracted and he’ll be okay, but in the dream world, or the world inside Bobby’s slowly dying brain, we see a different picture. We see a Reaper and a ticking watch and we realise, that quite possibly, Bobby’s time is up. Around this moment a pit in my stomach, about the size of the one in Stull Cemetery, opened up. Not Bobby. Please, not Bobby.

As much as this episode ripped my heart to shreds, I loved it. I loved every, single, painful moment of it. It was a beautiful ode to a man who we have come to love as a hunter, a hero, a friend and a father. To travel through Bobby’s memories with him and his buddy and old partner Rufus, played with such verve by the magnificent Steven Williams, felt like an honour. We discovered so much about him. About his wife Karen, about his deepest regret, not that he had to kill her but that he broke her heart and never got a chance to make it right. We discover Bobby lived in his childhood home, until the Leviathan burned it to the ground. That his family life was miserable, with a drunk for a father who beat him and his mother. We discover that while protecting his mother, Bobby killed his father by shooting him in the head, ironically, or probably not being as this is Supernatural, in exactly the same spot where Bobby received his fatal blow. Instead of thanking him or consoling him, his mother told him, “God will punish you.” As Bobby said to his younger self, this is where he learned that they pretty much never say thanks when you save them.

But the most important thing that we discover is how he feels about Sam and Dean. His boys. It was the first time we ever heard him refer to them as his boys, his children. “Well as fate would have it, I adopted two boys and they grew up great. They grew up heroes!” His happy memories were of Sam and Dean. Of tossing a ball with young Dean and hanging out with two brothers being the idiots we know them to be. And we saw his final memory, the one that he saved to last. The grown up Sam and Dean, bickering about Chuck Norris and Jet Li, about licorice versus peanut butter and banana sandwiches, calling each other jerkface and asshat. In Bobby’s favourite memory, as everything else dimmed and disappeared around him, he was with his boys, they were a family and they were home….

I couldn’t decide whether to smile or cry. I think I did both at the same time. Supernatural is so brilliant at making you experience a myriad of emotions tumbling over each other. And all through this, Bobby is running, running from the Reaper (great Reaper by the way, impatient but compassionate), trying to find the door out of his coma, not so he can live, but so he can deliver a final message to his boys, a series of numbers that might help them destroy the Leviathan threat.

In the waking world, Sam and Dean can only watch on as Bobby tries to cling to life. Sam is quiet. He’s trying to come to terms with what’s happening, silently pressing his palm as he chases away the hallucinations threatening to over take his emotionally fraught mind. Dean is in denial, pacing like a tiger. A ball of nervous energy, he won’t accept that they might lose Bobby, it’s just one bullet, he’s gonna be fine because he’s always fine. Sam tries to reason with him, Dean won’t have any of it. In a fit of rage he punches out a glass case above the head of the poor hospital staff member who had the misfortune to try to discuss organ donation with him. In Dean’s mind, Bobby will not die, he can’t even entertain it, so why discuss it “Walk away from me. NOW!” 

In a scene that made every hair on my body stand up, Dean walks outside and finds Dick Roman gloating at the chaos he has created. In true Dean style he lays down a threat and when Dick laughs in his face, through gritted teeth Dean says, “You’re either laughing because you’re scared or you’re laughing because you’re stupid.” I swear Dick Roman’s smile froze on his face and I swear I saw the smallest chink in his over confident armor. The whole exchange reminded me of when Dean threatened his grandfather through the cell door in Caged Heat. When will the evil sons of bitches learn? When Dean Winchester says he’s gonna kill ya, you better be worried. I loved this moment. I saw a fire in Dean’s belly that I’d been missing. I also loved that when he came back inside and Sam, all puppy-eyed, younger brother asked him what the hospital official wanted, Dean saves Sam the pain of hearing it was about organ donation and fobs it off as some insurance thing. Forever protecting each other. 

Though they don’t talk all that much through the scenes in the hospital, the looks the boys give each other speaks volumes. It’s the lack of words that hold the most power. They’re scared. They’re desperate. I thought the characterisation of Sam and Dean in these scenes was absolutely spot on. Both reacted exactly how I would expect them to. Dean never wants to hear bad news. Sam is always willing to entertain the worst and try to make some peace with it. Sam always tries to reason. Dean always storms off. But their faces. The look Dean throws back to Sam as he’s leaving the room after Sam tries to have the difficult conversation is pure devastation and the look on Sam’s face as he pitifully presses his palm is pure fear and confusion. 

When Bobby came to just for that moment, my heart sank. I just knew it. I said out loud, to no one in particular, “Oh God, he’s going to die.” With Sam and Dean around his bed, I had the distinct feeling that it was all over. As Sam thanked him for “everything” and Dean looked on frozen in fear and grief and hope, Bobby opened his eyes. He was awake just long enough to get the message to his boys. He was awake just long enough to tell them he loved them. “Idjits.” The little smiles on all their faces, the pure love pouring out of all three of them. I just knew then and there, even before that flat-line kicked in, that this was the end. And as Bobby watched his favourite memory disappear before his eyes, and as we saw Sam and Dean watch in horror as the hospital staff rushed to try and revive the one person, other than each other, that they have left in their world, I cried more tears than I thought was possible for a character in a TV show. I cried for Bobby Singer, I cried for Sam and Dean and I cried for all of us, because God damn it, we’re going to miss him.

“Well Bobby, stay or go? What’s it going to be?” I want Bobby to stay. I mean, obviously. But this episode was so powerful, was so profoundly moving, would turning around and having him be revived by the hospital staff diminish it? If Bobby has to go out, I can think of no more fitting ending. He was an ordinary man who lived an extraordinary life. He died an ordinary death, but in the midst of it, showed extraordinary fortitude to make sure, one final time, he would help humanity survive. He died a true heroe's death, putting his own desire for life behind the desire to help those he loves. It was perfect. So if he is miraculously revived, via medical or supernatural means, does that defeat the purpose or the poignancy of this episode? I love Bobby Singer and I want my memory of him to be heroic. I want my memory of him to be of his love for his boys. So what does that mean? I guess it means, whatever the outcome in January, I want it to do justice to the man Bobby Singer was and is and to the character and the show I adore.

You know, when Sera and Bob said at the beginning of this season that they were going to strip everything from Sam and Dean, I didn’t think they meant everything. I wasn’t surprised by Castiel, because, if I’m honest, I was surprised he came back after the end of season 5. I think his disappearing from the Impala with Dean’s “You really suck at goodbyes, you know that?” line was a perfect exit for Cas. I think the writers struggled to know what to do with an Angel once that plot line was finished and I think the writing was well and truly on the wall all throughout season 6, that Castiel was a goner, at least for a while. But Bobby? I’m not sure I saw that one coming! And is it necessary? Well I don’t know, because I don’t know where this season arc is heading. But one thing is for sure, a true hero shows his or her metal when faced with the toughest situation and Sam and Dean have now been thrown in to the toughest situation they have faced for a very long time, possibly ever. They are facing a foe that can't be killed and if in fact Bobby is dead, they're doing it alone. Their reality has shrunk to two. They’ve lost everything except each other. They will have to rebuild their relationship and the trust in each other, that for a while now, has been patchy at best. They will have to be each others stone number one. They will have to rise above their own pain, their own anxiety, their own personal demons and be the heroes we know them to be. And I will look forward to that. I’m one of the fans who is here for the Winchester brothers, their trials, their tribulations, their bond, their journey. But, surely they need other people in their lives? There are a lot of fans still hoping that Castiel's not dead and I know that as we go into the hellatus there are a lot of fans hoping and probably assuming that Bobby’s not dead. But, I don’t know people. I just don’t know........

Death’s Door, is not only the best episode this season, it's one of the strongest episodes Supernatural has ever delivered. Sera Gamble is roundly lambasted for everything from destroying the show to melting the polar ice caps, but one thing’s for damn sure, whether you like the direction of the season or not, the woman is a bloody good writer. Personally, I’m a huge fan. This was a truly complex and beautiful script. It was a masterpiece. An extraordinary tour de force from the cast with everyone turning in the most gut wrenching, emotional performances. Jim, Jensen, Jared, everyone, they were all flawless. It was a superbly directed episode with gorgeous cinematography, lighting, set design and editing. It was perfect. Perfectly heartbreaking and effective. Kudos to each and every member of the cast and crew involved in making this show and kudos to Ms Gamble for reminding us this show is and always will be about heart.

So here we all are in the hellatus, nervous, worried, frightened, sad, enraptured, engrossed, lucky. Lucky to be fans of a show that continually challenges us, makes us want to discuss, share, write and create. Lucky to be fans of a show that has a cast that is honestly thankful for our commitment and support and a crew that is happy to talk to us and answer our questions. Lucky to be fans of a show that can create a character like Bobby Singer, a character that we feel so strongly about that we shatter into a million pieces at the thought of losing him. Whatever comes our way in January, we're pretty lucky to have a show like this.

Thanks for reading....I really don't think I could ever do this episode justice, there's just too much in it, too many layers and quite frankly, it's still too raw. Maybe I'll revisit it, when I can see through my tears.....

Please leave a comment, I'd love to hear your thoughts, and here's the promo for next freakin' year! - Amy

*Dec 7 - Post note...with the recent information that Misha is coming back later in the season, I'm feeling a little more optimistic about Bobby's outcome. Now the initial sting has warn off...almost...

Tanya's Holy Crap Recap (Death's Door)

You should be aware that this post contains mega spoilers for the Dec. 2 episode "Death's Door," as well as wildly uninformed speculation on where Bobby's character goes from here.

I've mentioned before that I don't read spoilers. I like talking about ideas with other fans and I like taking note of what future guest stars may be on the show (Jason Dohring!) but beyond that, I don't look. So I went into this episode with no idea whether or not Jim Beaver is shuffling off the show ala Misha Collins. The show certainly hasn't hesitated to kill off characters in the past, so I've been a little concerned ever since the last episode when the aptly named Dick, aka Head Leviathan, shot Bobby in the head.

We pick up where we left off, with Sam and Dean freaking out and Bobby bleeding. As they rush him to the hospital, we cut to a different take from a scene last week, when they find a victim up a tree. But Bobby quickly realizes that this isn't exactly reality and that he in fact is the victim. From there, he begins bouncing around to different scenes in his life, including a meaningful conversation with his wife (although we're not sure yet why it's meaningful) and a job he once worked with Rufus (nice to see him again!) There are also some memories of Sam and Dean, then Bobby seeing his mother in his kitchen and instantly closing the door. (Major foreshadowing and I called the eventual plot development right there.)

Meanwhile, in what Bobby calls the waking world, doctors tell Dean and Sam to prepare themselves for Bobby's likely death. At one point later in the episode, a hapless hospital admin approaches Dean to ask how Bobby felt about being an organ donor. Who else got chills in that scene?

It turns out that the reason Bobby's mind went to that particular job with Rufus was because his former partner had a near-death experience. Rufus shared with Bobby that the way he escaped death was finding the right door--the one that makes you walk right through the memory you least want to face. Bobby explains that he's been shot and that Rufus isn't even real and his former partner becomes his spirit guide or what have you. They return to the scene where his wife Karen was, who is now violently upset. Turns out that she and Bobby had argued bitterly that night because he didn't want to have kids. (More accurately, because he didn't want to be a father.) Their argument was only three days before her posession and his eventually having to kill her and one of his worst regrets. Rufus is hopeful that this was the memory Bobby had to confront, but of course there's way too much left in the episode for it to be that easy! And, as Bobby has a Reaper on his tail (or, as Bobby put it, in his custard) we know it's going to be quite difficult. At this point, I was betting Bobby would in fact die.

In one of my favorite scenes, we see Bobby playing baseball with a young Dean even though they'd been expressly ordered by John Winchester (worst dad ever) to practice shooting. We also get a funny memory of adult Sam and Dean asking Bobby to solve the debate of who's a bigger bad-ass: Chuck Norris or Jet-Li. (Feel free to weigh in with your vote in the comments.)

Bobby tells Rufus that while you can't stop a Reaper permanently, he and the boys have run across them enough to pick up a few tricks. He manages to trap the Reaper, but the Reaper points out how parts of Bobby's mental world are disappearing because his brain is dying. Because of that, the trap will eventually fade and the Reaper will get him. Is Bobby merely postponing the inevitable because he has knowledge of the Leviathans he needs to give the boys?

The theme of the episode was clearly fatherhood (with the secondary theme of Bobby Singer Rocks) and we get a glimpse of Bobby on the phone arguing with John and admitting, "I know I'm not their father." But come on, we all know differently. Bobby Singer was the best parent those poor kids ever had. And in the final confrontation with his own abusive, aloholic father, Bobby concludes that as well. Bobby's late dad sneers that he's glad Bobby never had kids because he would have sucked and Bobby rejoins that, as a matter of fact, he adopted two and they grew up GREAT. They're HEROES. (Big Damn, if you'll pardon the Firefly reference.)

The awful childhood memory played out the way I figured it would, with young Bobby shooting his father in order to save his mother (at which point she immediately told him God would punish him. Yikes, the parents on this show.) And as the Reaper lunges for Bobby, he finally escapes death through the right door and...

His eyes opened in the hospital. Dean and Sam were ecstatic and for a second I actually thought the status had been returned to quo (they've dodged death plenty of times before). He tries unsuccessfully to tell them something and when they get him a pen, he scrawls the important numbers (what they are and why they're important, I don't know) on Sam's hand. Then he smiles at them and it hit me in the gut that he was totally gonna die. He opened his mouth and I braced myself for an admission of "I love you" that would make me sob. My husband said, "He's gonna say 'I'm ready.'" But, no. In classic Bobby fashion, all he said was, "Idjits." And then he flatlined. And I sobbed.

I thought that was the end of the show and was surprised to see us back again in Bobby's "house," the darkness ever growing outside it. Sam and Dean are in the living room arguing about proper movie snacks (and I laughed out loud at Dean's insistence that licorice is "chewy bites of heaven"). The Reaper tells Bobby it's now or never, is he gonna cross over peacefully or become a stuck spirit? He also says, "They'll be all right without you," the boys fade, and credits roll.

So, without citing interviews or spoilers that give us the answer (assuming they exist), what do you guys think? Is Bobby gone??? Will he return a horrible shade in the new year, caught between two worlds and warped by his own good intentions? (If so, did dude learn NOTHING from Cass?) What were those numbers? It all makes my head hurt. Although that could be from the crying.

What I do know is that, even if Bobby's "gone," this show is great at unexpectedly bringing back the dead for guest spots and episodes showcasing Jim Beaver's talents are always excellent. That said, holy crap, they killed Bobby!