Showing posts with label colin ford. Show all posts
Showing posts with label colin ford. Show all posts

Friday, October 7, 2011

"The Girl Next Door" Recap and Review

First impressions: It was a good thing I kept my expectations low for this episode, knowing they can't all be as good as the first two. Don't get me wrong, there was a lot to love about "The Girl Next Door," but it didn't have the same grab-me-by-the-throat effect. I was disappointed that Jewel Staite's role was so small, but very pleased that the rude, selfish edge Dean had in Jensen's directing debut was gone here. He did a great job, especially given that his screen time was greater. I think he has a future behind the camera. I just hope he doesn't pull a Ron Howard and do it for good!

Let's start at the beginning, shall we?

Watching "THEN," I feel like we've had a lot more than two episodes so far. This is a rich, meaty start to season 7. Just like the last two episodes, we start right where we left off. Dean's in the hospital, foggy until they set his leg, which jerks him into the ER. He wants to get out, but Sam's been sent up for an MRI, and they dope Dean before he can try to leave on that broken leg. Fade out on morphine drip...

...and fade in on Dean forgetting why he's at Sioux Falls General. Love the way he rips out his IV, but whoops! Down on the floor.

Bobby comes in. Dean's shocked he's alive. "Course I am," he scoffs, but I'm suspicious that it's not really Bobby. He doesn't explain (ever!) where he was, but he turns out to be the real deal.

Dean: "Hey, look, a monster broke my leg."


Bobby has very little sympathy for Dean's plight. I don't get why he has a full-leg cast for a tibial fracture. I'm sure there are some circumstances that warrant it. I've just never encountered them in real life. Anyway, Dean says he's a gimp, Bobby just hands him crutches and an encouraging smile and heads off to find Sam.

I kind of love the Leviathans. The surgeon takes his "job" so seriously. I mean, they're going to remove and eat someone's internal organs, but he still maintains sterility and lets the "nurse" hold his phone for him. But geez, these guys are gonna be tough. Dropping a car on them doesn't kill them. There's no lore, since they came before humanity, and were put away before us, too. And despite their extreme age and lack of exposure to technology, they've learned it fast. They know when the Winchesters are brought in to the hospital, and...well, let's not jump ahead.

Bobby takes over Sam with an entirely plausible "no insurance, shipping him to County" excuse, and Dean barely makes it to the ambulance in time to get away. Okay, the Leviathans are not invincible. They can't run faster than a vehicle. Good to know.


Now we're in Whitefish, Montana, three weeks later, in what we soon learn is Rufus's cabin. Sam's reading, Dean's watching a telenovella, and he and Bobby are totally hooked. Bobby has retrieved the Impala and gathered info from hunters, who don't know what the Leviathans are but have worked out what they do pretty well.

Bobby's saying the doctor and nurse never showed back up (moving the Big Bad to the background to leave room for other kinds of episodes) while Sam zones out for a minute. He strokes a thumb over the nasty-looking, shiny, puckered scar on his hand, his touchstone.

All Bobby's resources are gone, but he says he's going to go round up his old library. He's stashed copies of his one-of-a-kind books all over the place. Love Bobby!

Dean sends Sam on a grocery run and demands pie, then wants to talk to Bobby about "Girl, Interrupted over there." Bobby swears Sam's healing, but Dean just won't believe that. He's waiting for the other shoe, because that's how things always go.

Bobby: "Look. You sittin' there wringing your hands ain't gonna do nothin'. Maybe, he'll surprise you.

Whoa. Culture shock. The convenience store is way too bright, and way too colorful. I think they're on the wrong show here.

Sam pays with a credit card for Lenny Kilmister (Lemmy Kilmister is from Motorhead), which rings us to a customer service rep for a credit card company, looking for suspicious charges for a customer. He asks about "Mistress Magda," who was Chuck's phone sex operator of choice. (Man, I miss Chuck!) An alert for Lenny Kilmister pops up, and the guy calls the Leviathan supervisor. See? They somehow learned all their aliases and fake credit cards and can track them that way. Pretty advanced for ancient beings!

At the store, Sam spots a newspaper story about an icepick killer. Just the kind of thing that would trip their initial triggers for a hunt.

Sam gets back to the cabin, Dean asks how he's doing, he says "fine." If, of course, seeing crap that's not real is fine. He doesn't know if it's getting better, but he knows what's real and not—and fondles that scar again. And again.

Sam brought Dean cake instead of pie. Passive aggressive? I mean, by now Sam knows that no, it's not close enough. Sheesh.

Dean is asleep on the couch in a really uncomfortable-looking position. Sam pulls out the paper, and flashes back to Colin Ford yay! Young Sam doing research for Dean and Dad, talking to them on an early mobile phone.

Sam sneaks out as a (fake, cheesy?) promo for My Bloody Valentine 3D plays on the TV.

A sleazy drug dealer is about to take advantage of a strung-out girl when sirens scare them off. He's ducking through a skate park when someone tackles him. Blood sprays, and he's dead.

Back in the cabin, Dean awakes with a wildlife program on TV. He reads Sam's note: "Back in a few days. I'm fine."

Dean (on the phone to Bobby): "Other shoe."

He's pissed Sam took off. Bobby tries to tell him to calm down, give Sam a couple of days, they'll keep trying to reach him. He tells Dean to give it until he gets the cast off, and then hunt him down. Dean's not waiting. He takes a circular saw to the cast himself. Yikes!

Sam's at the morgue, asking a cop about the new dead guy. He clearly knows more than was revealed about the news story. He ignores a third missed call from "Lars Ulrich" (Metallica!) and heads in to check out the body.

In the meantime, Dean is driving a woody wagon (reminiscent of the wood-sided minivan in "Everybody Loves a Clown" in season 2). He stops at the store and finds the paper Sam saw. He's on the hunt.

Sam learns the body's pituitary gland is gone, and flashes back again. We get grown-up Sam setting up his board on the hotel wall (reminiscent of the pilot, and many of their "normal" hunts) interspersed with Young Sam doing the same research years ago. He sees a girl he likes, and we get lots of the awkward adolescent glances.

Adult Sam figures out the next target spot and sits in wait, as Young Sam finalizes his research (yelling "I said you stab it in the heart!" in the library), asks Dean how to talk to girls, and is instantly shot down before he even finishes saying hi to her. Colin Ford is so good. His subtle facial expressions convey his utter devastation at her rejection.

Two boys stride by in the background. They're clearly up to no good. And hey, isn't that one Nico McEown, who played Lucas in "Dead in the Water"?

Outside, Young Sam watches the boys follow the girl and of course he follows, too. And of course they're hassling her, and YES, that's Nico McEown, playing a bully. Sam makes short work of them, though one gets a hit on his cheek before running off.

Adult Sam stalks a clearly adult Amy through the woods. She's about to approach a drunk fumbling with his keys when Sam grabs her. Her necklace confirms her identity. She recognizes him, despite them only spending a few hours together, max, over 10 years ago, and despite "You got tall, huh?" how different he looks.

Amy insists she lives normally, and Sam doesn't believe her. Flash back again to Amy nursing his boo boo and asking how he's such a good fighter. She gets him a soda from a brain-filled fridge. They exchange life stories in five minutes. Both travel a lot and are freaks, though Amy owns the label while Sam rejects it. They bond, and Sam kisses her. Wow, fast mover, Sammy! But okay, "all the coolest people are freaks" is a kiss-worthy line.

In the present, she's trying to get Sam to believe she's not a killer, that she did what she had to and it's over. He can't believe her and apologizes for it. She apologizes too, right before she knocks him into a tree. God! Sam will never be okay if he keeps getting hit in the head!


Dean's hot on the trail, figuring out what Sam's hunting. Sam follows Amy home and is ready to kill her even if he doesn't want to, because she obviously killed again. She tells him he knows her. What kind of person she is. Back in the past, Sam tells Amy that he's been around enough bad to know good when he sees it, even though Amy believes her mother to be bad, which must make her bad, too.

Grown-up Sam won't back off, so Amy shows him her son, which does the trick. She feeds on the dead, working as a mortician, and it's too risky for a kid. Her son got sick, was dying, and needed fresh meat. She swears now that he's better, she's done. She pulls the "after what I did for you" card, and we see her hide Young Sam, who hears Amy's mother say that "a couple of pros in a piece of crap Impala" have caught up to them. So now he knows what he's dealing with. He confronts young Amy, and she understands what he is, too. She talks Sam out of killing her and tells him to run.

Adult Sam unlocks his hotel room door, and we get a spectacular sucker punch from Dean. Holy CRAP, poor Sam! Nice backward swan dive, Padalecki. :) I'd say thanks for the flash of skin, but that would be superficial.

Dean: "New rule. You steal my baby, you get punched." (Shades of "Hunted" in season 2.)

Their confrontation has some nice openness, and Sam tells about the past, when Amy's capitulation made her mother suspicious, and she was about to tear Sam apart when Amy killed her own mother to save him. He explains why he let Amy go now, and Dean still says they have to kill her. It's that simple. Of course, Sam says nothing in their lives is ever simple. When Dean uses the word freak, Sam's ready to walk out. But instead, he finally accepts that trying to be normal his whole life has been stupid. He's a freak, and it's okay. He's managing it. He begs Dean to trust him, and WHOA. Dean says okay. Gotta start somewhere.

A sign things are actually going to change?

Uh, not so fast.

Yep, Dean lies to Sam, leaves him at a hotel while he goes to the "candy store." My first thought is uh, oh, not a painkiller addiction! But no, his next look at Sam is all about subterfuge. Dammit, Dean!

He's in Amy's hotel room. Tracked her license plates. He tells her, not without a hint of compassion, that she is what she is, and she will kill again. She swears she won't, but he says the other shoe always drops...and he stabs her in the heart. With an apology. And then he turns around, bloody knife in hand, to face her son.

And boy, Dean is cold. He asks the kid if he has someone he can go to, then if he ever killed anyone. Tells him not to, or Dean will come for him. The kid makes a vow to kill Dean, and Dean says to come look him up in a few years, assuming he lives that long.

We end with the Leviathan goon "grabbing a bite" after confirming that they will continue tracking every name they have for the Winchesters. We end with the guy pouring hot cheese on the clerk and his gaping, horror-movie mouth coming at the camera.

Yeah, Supernatural has definitely returned to its roots.

Next is a gum commercial that really confused me the first time I saw it. This tiger shows up randomly with a clamp on its foot and asks if he rally has to holler? This time, though, I actually pay attention to the "eenie meenie miney mo" and get the joke. Tiger by the toe! Ahahahaaha!

The promo for next week leaves me full of !!!!!!!!. Dean's final farewell kiss to Jo, and Alona Tal is back! Gosh, I love this show. You never know who's gonna pop up, from important recurring guest star who died spectacularly to random kid playing a new random kid.

I really don't know how I feel about Dean killing Amy. They keep giving us all these little growth moments, with honesty and trust, and the boys are really trying to improve the way they handle things and interact. And then this happens. Dean was convinced Lenore ("Bloodlust" season 2!) could control her hunger, and Amy has even bigger incentive to stay on the straight and narrow—her son. Dean's cold disregard for the shades of gray feels like a step back. On the other hand, could he really let her go?

Part of my ambivalence is because I felt there were details glossed over that could have aided the decision-making, even by making it harder. They implied she was trying to kill scumbags, but she never used that as a defense. And when she swore she wouldn't kill again, why didn't either Sam or Dean point out that she'd obviously do anything for her son, so she couldn't make that promise? But then, leaving Jacob without a mother, especially the way it happened, almost guarantees he's going to follow his grandmother's path rather than his mother's.

So what are your thoughts? Like the episode? What could they have done differently?

How does this episode affect your feelings on the season so far?

Thursday, April 1, 2010

Dark Side of the Moon

Okay, so, I had a thing to do with Number Two tonight, which got me home late, which meant starting tonight's episode about 45 minutes late. Number One turned on the TV, hit the playlist, and the DVR froze. It acted funky for a minute, then reset.

Argh

When it came back on, luckily, we found that despite the ominous black screen when we tried to play the recording the first time, Supernatural did, indeed, record. Except for about six minutes. Let's hope they weren't the most important six minutes of the entire season or something!

THEN
Lots of good stuff here, about the boys dying (again and again and again and again and again and then one more time), about God and the amulet. Meaty, yummy foreshadowing. Yay! Good music, too.

NOW
Lots of booze in this hotel room, bottles and cans everywhere. Dean sleeping, gun on him, guy has Dean's pistol, now how the hell did he get that out from under Dean's head without waking him? Ah. Bottles and cans. I get it.

Dean recognizes the two guys holding guns on him and his brother, but they don't care. Righteous bastards. They kill Sam, then Dean, but not before Dean makes the scariest eye threats ever. Boom, right to the title card that gives me a thrill every single week. Nice transition!

Knock Knock Knocking on Heaven's Door
Dean's dozing in the Impala in the middle of the road. Then young Sam (yay, Colin Ford!) draws Dean into a truly happy memory. I swear, I've never seen Dean look like this. This music might be nearly as perfect as Renegade was. But the fireworks' sharp reports remind Dean of the shotguns and their deaths...

PAMELA! ASH! MARY! Woo hoo! (Yes, I let the guest star list distract me from the scene. Sorry.)

Cas comes on the radio and tells Dean he's in heaven. He tells him to follow the road, which is apparently symbolic up in heaven there. Dean drives on and finds Sam getting hit on by an 11-year-old girl while her family is nice to him on Thanksgiving. Dean pulls Sam out of the memory (that Sam thinks is a dream) and the memory goes on without them. Nice to know they end up in heaven, though they're both pretty surprised.

They're trying to understand how it works. Dean's not too pleased that one of Sam's "greatest hits" is Thanksgiving at someone else's house. Then there's a very archangel-ish roar-and-shake-and-bright-light. They hide, it moves on, and Dean tries to reach Cas through the radio. This time we get him on a crappy old TV (was Sam 11 in the 1950s?).

"Don't go into the light!"

Cas is excited that the boys are in heaven, though he's also obviously resentful because he can't go back. He wants them to find Joshua, an angel who is rumored to have God's ear. They want to know what God has to say. Cas tell them the road winds through heaven, and they need to follow it to the garden.

Dean's gung ho, Sam's surprised, but Dean says God is the only one who can help. "The last hope of a desperate man."

Apparently, the road is symbolic in many ways. "Finding a road in a closet would be pretty much the most normal thing to happen to us today." And guess what? He finds a road in the closet! A toy racetrack!

It brings them home, where Dean is wearing an "I wuv hugs" shirt that Sam immediately busts him for. Mom, looking young and gorgeous in a sundress, offers Dean lunch.

Pure Torture
Dean revels in his memory, being waited on by Mom, and showered with affection and loving looks. But poor Sam, whom Mary doesn't see because it's not his memory, has to just sit and watch. He wants to move on, but Dean isn't aware of how much it must hurt his brother.

Mary takes a call from John, and Dean remembers that they fought and Dad moved out for two days. Sam says Dad always said it was a perfect marriage. Dean says it wasn't perfect until after she died. He comforts her, says Dad still loves her, and he loves her too, and hey, here's why Dean loves pie!

I had a...um...debate with a friend in January about Dean's love of pie. She pointed out that it was cakehole in the pilot, then piehole after, and did Dean's love of pie really mean anything? I hypothesized that while I doubted they knew at the beginning of season 1 that Dean loved pie and why, its usage wasn't random. That they deliberately sprinkled it into episodes as the seasons went on. She expressed the lack of belief that that was true--not that she thought it was untrue, but that she didn't know. I was absolutely convinced I was right. I have no idea if the writers knew this scene was coming, and deliberately prepped us for it with "I like pie!" and "Bring me some pie!" and Dean being turned off by pie in "Yellow Fever." But I do believe there was at least a subconsciously deliberate plan. I've had it happen to me enough times, where I was writing something, a revelation hits me, and I go back to plant seeds, only to find them already there, perfectly lined up right where they should be. That's got to be harder to do for a TV show, but Kripke did know approximately where he was going, so who knows?

Okay, big tangent! Pie! Geez! But here's some more poignancy, Dean's love of pie keeping him connected to his mommy. *sniff*

Sam comments on how long Dean has been cleaning up Dad's messes, which is enough to galvanize Dean into searching for the next piece of "road." It's a postcard for Route 66, which takes them to another efficiency apartment and Sam's dog, Bones. Dean asks if it's Flagstaff, and while Sam's joyous over the memory of living on his own for two weeks, Dean's angry because of the torment and probably abuse it caused him.

Uh oh.

Jared's real-life love of dogs is apparent in the way he pets and looks at poor Bonesy. He follows Dean out the door, but this isn't good. The new memory is again Sam's. He tries to pretend he doesn't recognize it, but Dean gets it. The night Sam ditched them for Stanford. And Dean doesn't need more to understand the pattern.

Sam's version of heaven is leaving his brother, and I don't know how it works up there, because it's Dean's version of hell—"The worst night of my life."

Zachariah has found them, though. They run, but Zach turns on the sun, and threatens some pretty ugly torture. He's going to make them beg to say yes before he sends them back to Earth. The boys run, and he's there every time, until a guy in a wrestling mask and cape rescues them.

The Roadhouse
It's ASH! "Welcome to my Blue Heaven," he says, and gestures with a flourish at Harvelle's.

"It even smells the same."
"Bud, blood, and beer nuts. Best smell in the world."

Ash explains the Supernatural concept of Heaven to the boys, and IMO, it's pretty cool. Well, that's because it's pretty much how I decided the afterlife must be back when I was in high school. Everyone who goes to heaven gets their own special paradise. Dean doesn't seem too keen on the idea of everyone being alone, trapped. Ash says there are special cases of sharing. You know. Soulmates.

Gah! Why, Andrew and Daniel, why must you feed the Wincesters so?!

Anyway, Ash is, of course, special. He's not like everyone else. He can go anywhere in heaven. He has a "holy roller police scanner" where he can tap into the angels speaking Enochian, and—also of course—he's fluent. He reveals that he's found Dean and Sam up here before, but the angels wiped their memories. Sam asks if he found Ellen and Jo, and Ash is pretty torn up to learn they died.

He hasn't found Mary and John, though he's been looking. Huh. Ash knew the boys for, like, three weeks, lived a whole life before that, but his heaven is tracking down the Winchester parents and (repeatedly) saving Sam and Dean? Iiiiinteresting.

So he hasn't found John and Mary, but he has found Pamela! Kind of odd, since he presumably didn't know her in life. But I could be wrong, maybe he did.

Pamela slaps Dean for getting her killed, Dean says if it makes her feel any better, they got Ash killed, too. "I'm cool with it!" Ash yells. Gosh, I love that guy.

While Ash and Sam work on the laptop, Pamela tells Dean she's happy, at peace, and maybe Dean shouldn't fight so hard against Michael. Sure, people will die, but then they come here. Dean's definitely not convinced.

Ash has found a shortcut to the garden and draws some symbols on the walls, cautioning that Zach will be watching all roads to the garden. Pamela hugs Sam, and gives Dean a big ol' kiss that's "just how she imagined." For a guy who gets laid a lot (or used to), Dean is regularly bemused by a simple kiss.

Heaven is Hell
They exit, but are suddenly back home again. This isn't right. Here's Mary again, looking like she did the night she died. She asks if Dean had a nightmare. He's no longer interested in wallowing, so he tries to leave, but Mary offers to tell her nightmare. The night she burned. Oooh, this is a new side to Samantha Smith. She tells Dean she didn't love him, he was her burden, she was shackled to him. Her eyes go yellow, and we go to commercial...

And FRAK, my recording glitches, and mid-commercial it cuts back to the show, with a stranger telling the boys he just trims the hedges. He says they're going home, but it's different this time. This time, God wants them to remember.

They wake up violently in the motel room, clothes bloody but bodies whole. But not, quite obviously, their spirits. Dean makes a call, then they're packing and Cas is there. He hopes Joshua is lying—clearly, they told him about the six minutes I missed. Cas curses God and gives Dean back his worthless amulet. Sam is determined to find another way, to stop everything, tells Dean "We'll find it. You and me. We'll find it."

But in the worst Supernatural moment EVER, Dean drops his amulet in the trash.

*sob*

I don't even know why he did it. I mean, we saw it coming, with Sam's heaven being away from Dean, but it had to get worse in those moments I missed. But even without seeing them, they've shattered me.

Sam, if you don't save that amulet, I will kill you.

Sunday, January 17, 2010

SPNews

Jared Padalecki is one of three stars rumored to be a possible candidate for the new Conan the Barbarian remake.

VARIOUS SUPERNATURAL ITEMS ON SALE THIS WEEK. SAVE UP TO 50% OFF!!! Sale prices end 8:00pm ET Monday, January 18, 2010 - While Supplies Last

Colin Ford (ColinFordActor) tweeted that he’s returned home from Vancouver where he had a “blast” filming SPN, but can’t give away any spoilers.

Chad Lindberg (ChadLindberg) tweeted that he had his mom re-pierce his ear to play Dr. Badass. Now that’s painful commitment!

Traci Dinwiddie (GrooveGoddess) tweeted that she finished filming Elena Undone. The IMDB blurb says, “Fate brings two diversely different women together, and sets them on a collision course that will shatter their preconceived notions about love, life and the power of one's soul.”

Danneel Harris has been in a tweet war with E!’s Ted Casablanca over her engagement to Jensen. The girl put Ted in his place though!

Jim Beaver (JumbleJim) recently tweeted that he took a meeting with the History Channel about a new series, “Me, a host? Hmm.”

Supernatural received a GLAAD nomination. “The Real Ghostbusters” was recognized as an Outstanding Individual Episode in a series without a regular LGBT character.

And, lastly, a casting call has gone out for episode 5.17 – 99 Problems. If you don’t mind a minor spoiler check it out here.

Sunday, December 20, 2009

Supernatural News

TV.com has put out its list of their top 20 favorite new TV characters of the year. Lucifer (Mark Pellegrino) from Supernatural is among them.

http://www.tv.com/the-best-new-tv-characters-of-2009/story/20278.html?tag=news_list;title;0

Terri recently noticed some Supernatural-related Tweets on Twitter. Chad Lindberg announced that Ash will be back! He starts filming in January. And Colin Ford (young Sam) will be on Private Practice.

There are three new Supernatural novels coming in 2010:

Heart of the Dragon in February

Unholy Cause in April

War of the Sons in June

This column in The Huffington Post includes Supernatural in an alternative Top 10 list of best TV programs on TV in 2009.

http://www.huffingtonpost.com/ed-martin/isupernatural-the-middle_b_395016.html

Tuesday, June 9, 2009

SPN Alum on the Screen Pt. 2

In part 1, I told you about upcoming projects with Katie Cassidy, Genevieve Cortese, Jeffrey Dean Morgan, and Samantha Smith. Now I want to hit some highlights among some of our fave SPN guest stars.

Look for Nicki Aycox (Meg) back on the small screen next month in a new summer series. Dark Blue debuts on TNT July 15 and stars Dylan McDermott as the head of an undercover police team so covert their own colleagues don’t know about their involvement. Nicki plays Jaimie, a rookie brought in because of her shady past and incredible lying skills.

In 2010, two SPN sisters will show up in Elektra Luxx, a follow-up to the exploitation anthology by Sebastian Gutierrez. Adrianne Palicki (Jessica) resumes her role as hooker, Holly Rocket, and Traci Diinwiddie (Pam) has a small cameo. Also look for Adrianne opposite a stellar cast in January’s Legion, a thriller about a group of stranded truck stop patrons who find they’re humanity’s last line of defense after a biblical apocalypse when they learn their waitress is pregnant with the messiah.

Watch for Samantha Ferris to play Dr. Patricia Lang in this year’s creepy indie called Grace, which has a desperate mother insisting she carrying her dead child to term. Upon delivery, the baby miraculously returns to life with an appetite for human blood and now her mama has to make the ultimate decision. Samantha will also star opposite of Dolph Lundgren’s (he’s still around?) conflicted hitman/father in Incarus.

We fell in love with Colin Ford as young Sammy, now he’s going to charm the rest of the world when he stars in the live-action tale of Jack and the Beanstalk. Also watch for him in the drama Ticket Out, where he’ll go on the run with his mom to escape his abusive father.

Chad Lindberg made a memorable impression as the mullet genius, Ash, so it’s no wonder he’s got several movies on his slate. In the Gray explores the world of undercover narcotics agents, Once Fallen has the hook, “Getting even can take more then one lifetime” and perhaps most intriguing of all is his involvement in Snow White. (Who do you suppose he'll play?)

No doubt we’ll see Julie McNiven again next season as Angel Anna, but you can also catch her in the indie romcom, Failing Better Now. She stars as a flaky writer who loses her sister’s cat and falls for the aspiring rockstar who joins her on her wild search through the East Village.

Alona Tal (Jo) will stir things up between best friends in the psychological thriller Kalamity.

Charles Malik Whitfield has a number of small roles in upcoming films, but plot details are still undercover except for Notorious, which shows the life and death of rap star, Notorious B.I.G.

And finally, you loved to hate him as Uriel, but how will you feel about Robert Wisdom in the crime thriller The Midnight Man? When an ex-con decides to heist his new employer’s home he’s shocked to learn another criminal has already targeted the place and rigged it with explosives. Hmm, so is he the bad guy or the bad guy?

That’s it except for some recent news Jensen revealed….due to his SPN obligations he did have to turn down the lead role in G.I. Joe: The Rise of the Cobra, a high-octane Tranformers-esque film which is sure to be an August blockbuster with Channing Tatum in his stead. That had to suck, but like Jensen said, he’s in this for the long haul and other things will come along.

See you at the movies….