Women of Letters Podcast - Supernatural Season 1 Retrospective

Hellatus dragging you down?

Join Jules from the Supernatural Wiki and I as we take a comprehensive look at Season 1.

We discuss the mythology, how it's changed over the seasons and what was established in season 1 that we saw develop and influence what we know now.

We also look at the characters, Dean, Sam and John along with Meg and Bobby,

We talk about how the characters were first presented and what was laid out that informed us to who the characters really were and how they would then develop as the seasons progressed.

Listen as we relive some of our favourite moments and also discuss some of the moments we feel are important to future story and character arcs.

You can listen and download here.

We are also available on iTunes. Please take a moment to leave a rating and a review as it will mean the world to us and also help us stay current in the iTunes search.

If you would like to contact Jules and I about this podcast or if you have ideas for future subjects you'd like to hear us discuss, you can email us a wolspn@gmail.com.

We hope you enjoy reliving the awesomeness that is Supernatural Season 1!

-sweetondean

SUPERNATURAL FLASHBACK - SURVIVING THE HIATUS ONE SEASON AT A TIME. SEASON 2.

As I was approaching season 2 I started to have a crisis. There are a number of season 2 episodes that are absolute favourites of mine, ones that I watch over and over, so I thought I was going to have a tricky time deciding which to write up. As it turned out….not so much.

Season 2 is an interesting one because, though I think it has one of the strongest narratives in the series, I’m not in love with the whole psychic children storyline. I didn’t like Max and I’m not that fond of season 1‘s “Nightmare”. I should feel sorry for Max, but I don’t, I’m not sure why. Intellectually yes, emotionally no. I think there’s something in the performance that doesn’t gel with me. Maybe if Max was cast differently or written differently, I don’t know. So the whole psychic children plot got off to a rocky start for me and never completely recovered. The odd thing is; I like the concept in relation to Sam. It’s powerful to think that this family, this family haunted by what turns out to be a demon, who have spent so many years hunting down evil in search of that demon, are now faced with the situation of having someone they love affected by the Demon to the degree that Sam is. Affected on a cellular level. It’s so desperately tragic and desperately sad. For Sam it colours everything moving forward and influences how he sees himself and at times, his actions. For Dean, he’s faced with the fact that the person he loves most, is intrinsically linked to the thing he hates most and boy does he struggle with it. The conflict they both feel, once the secret is finally revealed, is so deep that it permanently scars them, raising its ugly head time and again. In many ways, it shapes their relationship, for good and bad and as we later discover; it shapes their destiny. Of course, they don’t find out the true essence of Sam’s connection to the Demon for some time. Well, Sam finds out at the end of season 2 but Dean not until season 4 and they don’t understand what it all means until season 5, where we also learn Dean’s destiny is tied to Sam’s. Of course it is! Yet what’s happening to Sam and the questions that raises, hangs over the brother’s heads and season 2 like a black cloud. Of course.... John knew something was amiss.

Ah, John. My feelings towards John Winchester are a complex beast. There was a long period of time when I was so damn angry at him for what he did to these boys, the secret he kept and in particular, what he whispered into Dean’s ear. To put that on your son? To not explain to him the nature of what it is he may have to deal with? To just tell him, “Oh and FYI you might have to kill your little brother one day, you know, the one you raised and love more than any other human being on the face of the Earth…” Ok, I’m being a tad facetious, but I was so very angry with him for the longest time. I’ve come to a much more, shall we say, balanced place now when it comes to John Winchester. I think I’ve taken a similar journey to Sam in that regard. I don’t agree with a lot of what he did, I doubt we know half of it, but I have an understanding as to why he chose that path and I know that he was forced into an unfathomable situation and did the best he could. I think reading John’s journal really helped me with that. There’s a lot of tortured grief in that journal. So much love for Mary. So much anger and sorrow peppered with sweet moments where he talks about his children. I may not agree with the road he took, vengeance is a cruel master, but I can, in some way, grasp it. It’s interesting how Sam and Dean have arrived at different places when it comes to their father. Sam, who was so hostile in his memories of how he was raised, has come to accept and understand his dad, as beautifully illustrated in the scene from season 5’s “The Song Remains The Same” when he pours his heart out to the young John Winchester. It’s one of my favourite scenes of the entire series; powerful and understated it’s exactly what Supernatural does best. Dean, who idolised his father, moved to a place of anger, confusion and disappointment and I think a lot of that came from what John put on Dean at the beginning of season 2 and later, in the realisation of what John had put on him his entire life. Then John sacrificed his own life for his Dean’s. It was a selfless act by a father who felt he had no other choice, but what a burden for his boy to carry, a crushing secret and guilt that ate him up from the inside out. How fascinating was it when the brothers were asked the name of the shifter baby in season 6’s “Two And A Half Men”? Dean said Bobby and Sam said John. That was an incredibly telling moment. As we’ve watched them grow and mature over the years, I think the best and worst of John Winchester can be seen in both his sons through their personalities and actions. They’ve followed in his footsteps, to Hell and back, literally. But more recently, I feel we've seen that both brothers have settled in a much healthier place when it comes to their father, as I guess, have I. I feel love for him because he was the boy’s dad. I’m devastated for them when he dies because I know both of their hearts are broken and I’m moved when, briefly, they get to see him again as he breaks out of Hell, because I know they so desperately needed that. Of course, in reality, all of this comes from my love for Sam and Dean and wanting to protect them from so much pain. Anyway, as you can see, like his sons, I have a complex relationship with John Winchester and I’m always reminded of this when I watch season 1 but particularly season 2.

Phew, so now that’s out of my system, moving right along! As I said earlier there are a number of season 2 episodes that are absolute favourites. “Croatoan” for example. Wow, “Croatoan”! This becomes a profoundly important episode later in the series when we discover the true nature of the croatoan virus, what its purpose is and why Sam’s immune, but what I love about “Croatoan” is that tight, trapped, isolated feeling. I feel the same way about “Jus In Bello” and “...And Then There Were None.” It’s that confined space, no escape scenario and how people react to it. “Croatoan” is particularly disturbing because the brothers, on lock-down, don’t know what’s happening or why, just that somehow it’s connected to demons and its infecting humans. I find the moment when Dean shoots the mother who’s contracted the virus, incredibly confronting. He just steps forward and BANG. Shocks the hell out of me every time. Of course Dean’s in a pretty bad place by this stage, off the back of learning from the Crossroads Demon that as he suspected, John traded his soul to save Dean’s life. When everyone thinks Sam gets infected by the demon virus, it’s almost like it’s a relief for Dean to be able to just, hang-up the towel. His brother is going to die, so Dean’s going to check out along with him. He no longer has to face the burden of responsibility he feels for his dad’s death and the possibility of having to kill his brother. I love the scene where Sam pleads for Dean to leave and Dean says, “I'm tired, Sam. I'm tired of this job, this life . . . this weight on my shoulders, man. I'm tired of it.” This weight. You can almost feel the crush. This moment between Sam and Dean makes me ache. Then suddenly, everything is alright and they’re called outside, but Dean’s already shown his hand, leading to the revelation of what their dad said in the moments before he died. Ugh. The audience becomes privy to the knowledge that this virus was a test on Sam’s immunity to it. Such manipulation. This family has been pushed and pulled every which way by these evil bastards. “Croatoan” is so good. And what a cliff-hanger “Dean what did he tell you?” ROLL CREDITS! Noooooooo!

Then there’s “What Is And What Should Never Be” where we get to see Dean experience what a normal life would mean for him, even though it’s through the influence of a Djinn. In amongst all the joy of seeing Dean mow the lawn for the first time and eat a sandwich at his mum’s table, there’s so much sadness because the happy scenes amplify what he doesn’t have, what Sam doesn’t have and what they both sacrifice every day. Then in amongst this supposedly ideal world, he doesn’t get along with the one person who means the most. Sam and Dean are not close in the Djinn’s alternative Universe. I’ve always wondered about that, because if the Djinn were creating a perfect existence for a victim you think he’d dot the i’s and cross the t’s! But as Dean said, the Djinn just granted the wish that Mary never died and the family never took to the life. I love the scene where Dean talks to John’s grave and asks why, even though he already knows, “Why is it my job to save these people? Why do I have to be some kind of hero?” Because that’s who he is. He may think it’s just his job, but saving people, being a hero is who Dean is, it’s who Sam is and both brothers would have made the same decision in this false world, to choose strangers lives over their own happiness. I also love the scene at the end between Sam and Dean where Sam says in so many words, that he’s glad they have each other and that they’re the brothers that they are. He’s so gentle with Dean. It’s a truly heart wrenching moment. I want to wrap my arms around them both.

Oh heys, I think I’m coming to the conclusion I really love season 2! “Born Under A Bad Sign”, “Houses Of The Holy” with an awesome reference to the Archangel Michael, “Nightshifter”, “Heart”, what I think is the creepiest episode of the series “Playthings”. Dolls and a creepy ghost kid and that final scene with the little girl ghosts singing and skipping. Geesh. Insert shiver down the spine here! I never watch that one before bed. Of course it’s also got the painful moment where a drunk Sam begs Dean to kill him. Both brothers are in a pretty shocking emotional state in season 2. Season 2 also introduced my most hated character. Gordon. Oh man, that guy pushes my buttons! And let’s not forget “All Hell Breaks Loose Parts One and Two” which bookend season 2. It all starts with John's deal and ends with Dean's. I always watch parts one and two as a double, because I can never walk away with Sam dead and Dean screaming his name. I always tear up at the beginning of part two as Dean talks to his dead brother. I think of how Kim Manners created a closed set and used blacks to camouflage essential crew and how he himself disappeared into a corner to give Jensen the environment he needed to get to the heart of Dean’s sadness. I think of how Jared said he played as dead as he possibly could because he wanted to help Jensen and Jensen knew he only had a couple of takes in him and I pretty much cry every time when Dean says, “It's like I had one job... I had one job... And I screwed it up. I blew it. And for that, I'm sorry. I guess that's what I do. I let down the people I love.” Even typing it hurts. But for me one of the saddest moments is when Dean shoves Bobby away. There’s such devastation in that action. Bobby’s face and Dean’s sad, broken apology just rips right through me. I always find myself thinking about the scene between the two parts. The scene we don’t see. The one where Bobby comes back to find Sam dead and Dean still clinging to his brother. The one where Bobby has to gently pull Dean away. The one where the two men, in shock, carry the fallen Sam into one of the buildings and tenderly set him down on a bed. It’s powerful stuff when a story can make you fill in the gaps like that. What would have happened had Sam killed Jake? Don’t you always ponder that question? I assume Azazel et al would have found another way to get the brothers to the end game, but if Jake had died…. no dead Sam, no deal, no Hell, no broken seals, no Lilith, no Apocalypse? Could all that pain and so much loss have been prevented if Sam had not shown Jake mercy in that moment? Or what if Dean and Bobby had arrived just 30 seconds earlier? A gal could go crazy thinking like this! But I can never ever not think a whole alternative scenario through after watching the season 2 finale; its outcome had such an impact.

But, none of these wonderful episodes are the episode I chose to look at more closely (believe it or not) because as soon as I put in that first disc, I knew what it would be….

IN MY TIME OF DYING

Ask me on any given day which is my favourite opening episode and I will give you a different answer, but it’s always going to be either, “In My Time Of Dying” or “Lazarus Rising.” Right at this moment, I’m passionately in love with “In My Time Of Dying”. I’ve watched this episode more times than I can count. It’s in my top 5, probably sitting in 3rd or 4th position I guess, though I can never figure that out, it’s like 3 episodes tie for 3rd! I love the introduction of Tessa the Reaper, the notion of how angry spirits are born, Sam fighting desperately to find a way to help his dying brother (I’m sensing a theme here between my season 1 and 2 favourites!), the appearance of the Yellow Eyed Demon in the shape of Fred Lehne and Dean in drawstring pants, a tight white t-shirt and bare-feet. Sorry to bring the tone down so early in the piece, but I mean, how often do we get these boys in a single layer! My apologies; back to the serious subject matter at hand.

“In My Time Of Dying” picks up exactly where “Devil’s Trap” left off, with the three Winchester men, injured in the crushed Impala and Bad Moon Rising playing on the radio. Sam is the only one who wakes up. I’m always haunted by Sam screaming out Dean’s name…yes I may have a little thing for when they scream each other’s name out, pretty sure I’m not the only one. You can feel the fear and confusion that Sam must be experiencing in that moment, not knowing if his entire family is going to live or die. “In My Time Of Dying” is one of only two episodes in which we see the brother’s taken off to hospital by medical personnel, the other being season 7’s “The Girl Next Door” when Dean had to call 911 because Sam’s out cold and a monster broke Dean’s leg. This time around, I assume it’s the poor truck driver who calls for help after he awakens from demon possession to find he’s caused a horrific accident.

What grabs me the most about “In My Time Of Dying” is Sam’s unwavering faith in his brother, that his brother will find a way to recover, or Sam will find a way for him, there is no other option in Sam’s eyes, he will not give up on Dean and he won’t let Dean give up on himself. Though this story is primarily about Dean, I always feel this is also Sam’s episode, because it’s Sam who is the link between the living and the dead for his brother. His belief in Dean and his strength in the face of his world crumbling around him always hits me in the gut. When Dean ‘wakes up’ to wander the halls of the hospital trying to make sense of what has happened to him, the first person he calls out for is Sam and as much as John is injured, Sam is solely focused on Dean. Whose heart doesn’t break as Sam stands over his comatose sibling and says, “Dean, you've got to hold on. You can't go, man, not now. We were just starting to be brothers again.” They’ve just found their way back to each other, how can Sam let go now. This is the episode that signals the end of the dream of a reunited family and the beginning of Sam and Dean’s journey together as simply Sam and Dean.

One of my favourite scenes is when Sam goes and sees Bobby to retrieve The Colt from the wreck of the Impala. The conversation they are having sounds like it’s about the car, but the conversation Sam is really having is about Dean. “Listen to me, Bobby. If there's only one working part, that's enough. We're not just going to give up on...” Of course, Bobby gets it. Bobby wouldn’t give up either, we know that now.

I love the way the connection between the brothers is demonstrated. You can see that Sam can genuinely sense that Dean is there, somewhere and I don’t put it down to him being a psychic wonder, I put it down to them being so in tune with each other. I’m sure if the shoe were on the other foot, Dean would be sensing Sam left and right. Such relief washes over them both when Sam arrives with the Talking Board and they’re finally able to communicate. They share a moment of happiness there, albeit, brief. Even faced with the news that there’s a Reaper hot on his brother’s heels, Sam doesn’t give up on Dean. “No. No, no, no, um, there's gotta be a way ….There's gotta be a way.”

If you listen to the commentary for this episode you’ll hear, Jensen, Jared and director Kim Manners discuss how they did this scene and other scenes where Dean is in the shot we see, but not in the shot from Sam’s point of view. Basically, Jensen had to leap in and out of shot very quickly, because if you notice, Kim used a lot of 360 degree camera movements in the episode. Swirling around from Dean looking at Sam, to Sam looking at nothing. Swirling around from Dean talking to Sam to Sam looking down an empty hallway. Timing was everything. This technique gives an interesting fluidity to the scenes. This is a beautifully shot and beautifully lit episode. For example, in the scene where Dean confronts Tessa, she’s lit half in light and half in darkness, like a Reaper represents both. It’s also like she’s coming out of the shadows, being revealed to Dean in her true essence. I love the lighting in that scene, it adds to the power of Dean’s realisation as he gasps and shudders under her touch. You know Dean was going to go with her right? If the demon smoke hadn’t hitched a ride with Tessa, I’m absolutely sure Dean was about to say yes to the Reaper, because what other option did he have? You can see it on his face. “So what’s it going to be?” Man, we’ve heard that somewhere recently huh? Just as a trivial aside, have you ever noticed how dirty Jensen’s feet are in this episode? If you haven’t, look next time you watch the scene with the Talking Board (or just look at the shot above). 

I find one of the sadder aspects of “In My Time Of Dying” is that even though Dean is in the state he’s in; he’s still trying to be the peacekeeper. His father and brother are at each other’s throat. Sam doesn’t understand why his dad is focusing on the Demon and The Colt rather than on his son, John, as we now know, clearly has other ways to help Dean on his mind. Even when he’s in his ghost form, Dean is trying to stop them fighting, trying to keep everyone together. When he comes to, he’s still doing it as his father and brother start to bicker over his bed. This is how it must have been for him before Sam went to Stanford. This is how it must have always been for Dean. No wonder he turned into the caregiver he became. His job has always been looking out for his brother, looking out for his family, holding them together, even teetering on death he’s trying to hold everyone together. Breaks my damn heart.

But I guess it’s the final moments of “In My Time Of Dying” that pack the biggest punch. We find out that John does, in fact, know the truth about Sam, he’s known for a while, as is revealed by the Yellow Eyed Demon. We are left wondering what on earth this secret about Sam is, as is John’s eldest son when his father whispers in his ear. The scene leading up to this moment is such a moving one. Even though Sam is hell bent on arguing, John softly asks him if they could not fight, something that stops Sam in his tracks. I’m always saddened by the fact that Sam never got his moment with his dad, he went off to get his old man a cup of caffeine. I remember reading that Jared initially thought that Sam should have made more of this moment, that he should have said something or made some gesture towards John as he left the room, but in not doing anything, in not acknowledging that this would be the last time Sam would see his father alive, in just going “Yeah. Yeah, sure” the moment is more powerful and tragic. When John starts saying nice things to Dean, telling him he’s proud, apologising for how he raised him, Dean gets scared. It’s a tender scene between father and son, but it’s heartbreaking to think that these words and sentiments are so foreign to Dean, that he’s instantly frightened and knows that something must wrong. Then John leans in and whispers in his son’s ear and horror and confusion pass over Dean’s face as his father gently smiles and walks away. Hallway. Sam. Coffee cup. Silent scream. CPR. Flat line. Time of death 10.41am. I still cry when John Winchester dies, but I‘m crying for his boys. I’m so desperately sad that they had to go through this final scene all over again six years later, this time with Bobby.

John’s choice to give his life for Dean’s, to make a deal with the Devil so to speak, is a decision that has catastrophic ramifications, because it’s with this single act that the whole kit and caboodle kicks off. This is where it starts for the Winchester brothers. This is where the seeds of their future decisions are sown. By the end of the season, Dean has sold his soul to save Sam's life. Like father, like son. It goes on and on. The brothers spend the coming years following in their father’s footsteps, sacrificing their lives and doing deals with devils. Well I guess everything really started with Mary in 1973 and her deal with the Yellow Eyed Demon, but this moment, this choice by John in “In My Time Of Dying” is where it began for Sam and Dean. Kripke says in the season 2 companion: “From the moment John made his decision to sacrifice his life for Dean, that was the first major transgression the Winchester family had in terms of disobeying the natural order of things. There’s an epic thematic of the show which is you don’t play God and you don’t mess with the natural order, because only bad things can result. The Winchester family put themselves on a very dangerous path.” As we now know, 7 seasons down the track, the natural order of things is very important and it can’t be taken for granted. The brothers have disregarded it over and over and look where it’s got them. Only now are we seeing that they’re finally starting to learn the lesson that you don’t play with such things. Somehow, I still don’t think that would stop them when it comes to each other. I love that it all started here. Damn, Supernatural rocks!

So that’s it for season 2! It’s not my favourite season from an arc point of view, but it’s probably the season that contains my highest number of favourite episodes. Make sense of that if you can!

What’s your favourite season 2 episode?

Thanks for reading. I’ll be back soon with season 3!

-Amy

Supernatural. Love. Loss. Family.

I love this video...it really speaks to me about the heart of the show. The love. The loss. The family

by sparksfly221 on YouTube

Supernatural Season 1 Awards - Part 2

So yesterday I posted part 1 of the Supernatural Season 1 awards, as awarded by me, Kara and Tiny!  An indepth look at what makes Season 1 special to us. Well tonight, I present, part 2 where we get right into the nitty gritty of our favourite episodes, character moments and brother moments. So here it is, the final piece of the puzzle, part 2 of....The Supernatural Season 1 Awards!

Best Character Moment

KARA: The book ended moments. The Pilot and Devils Trap had mirrored scenes first it was Sam saying, “Killing this thing isn’t going to bring Mum back” and then it was Dean saying “Killing this thing isn’t going to bring Jess back.” Their reactions were the same. It just showed how both Sam and Dean had changed, how they both viewed what happened and what they were once willing to give up and what they were no longer willing to give up. 

AMY: When Dean finally stands up to John. He does it twice. The first time in Dead Man’s Blood when he tells John, “That’s a bunch of crap” when John says he’s trying to keep the boys safe by not allowing them to fight alongside him and the second time is when his dad takes him to task for not calling him when Sam started to have nightmares. I loved seeing Dean do this. I think being with Sam, Sam’s influence and being a big brother again, finally gave him the chutzpah he needed to do it. I love that Sam and his relationship with Sam had, by this stage, become more important to him that bowing down to his father. 

TINY: Dean in Something Wicked -- This was when we started to see Dean's true colour, we were slowly seeing his emotion and weight on his shoulders. He isn't just the smartass, womanizer, there is more about Dean, kudos to the writers and Jensen Ackles for bringing the awesome character to life. I love the flash back scenes in Something Wicked, we saw young Dean was given the responsibility to look after Sammy. The whole getting-approval-from-his-father aspect has been a recurring struggle for Dean throughout the show. I mentioned about Dean's Hero Syndrome before, Something Wicked definitely showed us how it all started. 

Biggest Foreshadowing Moment 

KARA: “I’m Sorry.” When Mary said that, man who would have guessed the magnitude of what she was really saying? That everything was partially her fault. 

AMY: For me, this is a toss up between Home and Faith. Home when the spirit of Mary says "I'm sorry" to Sam and we don’t find out until Season 4 that it was Mary who made the original deal with Azazel, which sealed Sam’s and her fate and set the whole damn thing in motion. Faith where Roy tells Dean he is a young man with an important purpose, a job to do and we don’t find out until season five that Dean is the sword of the Archangel Michael. Or then again it could be Devil’s Trap when the YED tells Sam he’s special and he has plans for him and the other children like him. It’s all pretty good stuff. Really hard to pick. 

TINY: In Home, when Mary said to Sam, "I am sorry." Eric Kripke is a genius! It’s simple amazing how three words can tie everything together! 

Most Underrated Episode 

KARA: The Benders -- That episode freaks the hell out of me. But that’s not why I think it’s underrated. People often forget about this episode, its got humans as the bad guys, but it shows that monsters don’t just come from Hell.

Honourable mention: Nightmare-- Dudes this whole episode set up the season two plot of ‘The special children’ and also hinted (through Johns reaction in Salvation) that John seems to know what Yellow Eyes had planned.

Honourable mention take two: Faith-- The reason why I didn’t say it was the Most Underrated Episode is because I believe in the confines of the season there is an excuse to say there is a reason that it is underrated, but in the bigger view of series Faith being unjustly underrated. 

AMY: People put a lot of crap on Bugs but I don’t think it’s that horrible. It’s got some good moments. There’s some nice conflict between the brothers, where we see their different views on their dad and how they were raised and then of course there’s Dean in the steam shower with a towel on his head….hmmm? I think Route 666 with the stupid racist truck concept is way worse. Anyhoooo… Most underrated? I always really enjoy The Benders. I’m not sure if it’s underrated, but it’s one that you don’t often hear people talking about. I love how Dean is so desperate in his search for Sam and like I said earlier, I enjoy deputy Hudak. I love that the monsters turn out to be humans, reinforcing that humans can be just as monstrous as the things of our worst nightmares. I love how kick-ass Sammy is when he finally gets out of the cage and I totally love Sam and Dean’s little banter at the end and how Sam teases his big brother…. DEAN: Never do that again. SAM: Do what? DEAN: Go missin’ like that. SAM: You were worried about me. DEAN: All I’m sayin’ is, you vanish like that again, I’m not lookin’ for ya. SAM: Sure, you won’t.  Nawwww! Adorable. 

TINY: Something Wicked. I am a lover of all Winchester family episodes such as Home, In the Beginning and The Song Remains the Same. I think Something Wicked isn't getting the love it should. It has a lot of great stuff that helped developing characters, the brother relationship and the mythos of the show. 

Favourite Sam and Dean Moment 

KARA: This is going to sound like a weird one. But in Devils Trap where Sam and Dean go to save John and Dean makes the off the hand comment about how Dean used to always want to be a fire fighter. In that one moment I believe Sam saw Dean in a new light, that he didn’t see Dean as just an extension of John, but that Dean was like him. Dean wanted the normal life, but he chose to stay with John. I donno maybe I am just looking too much into a throwaway line. I blame the amazing acting. 

AMY: I’m going to cop out here and say the whole of Something Wicked. Every moment in this episode whether in the present or in the past reveals something about the brother’s relationship. We see so much of what makes Sam and Dean, Sam and Dean. We see so much of why Dean is how he is with Sam. We understand them better because we see what they went through as kids. It’s no longer an abstract concept, and Dean finally get’s to rescue Sam from the creature he failed in killing when they were children. The whole thing is a great big wonderful dollop of Sam and Dean brotherness from whoa to go.

Honourable Mention: Home. When Dean tells Sam he carried him from the house on that fateful night and Sam says, “You did?” There’s just something so beautiful, innocent and intimate about that moment between them. I don’t know; it just grabs my heart every single time. 

TINY: In Devil's Trap, when YEDJohn told Sam to give him the Colt but Dean told Sam that he wasn't their father. Sam chose to trust Dean. As much as John Winchester was their father, Dean was more a father figure to Sam than John ever was. Sam looked up to his big brother the most. Sam trusted Dean more than anyone. This moment really showed how close the brothers were. 

Favourite Comedic Moment in an Episode 

KARA: Can I just say Hell House? That whole episode was full of comedic moments, but gotta love the itching powder. 

AMY: Cassie’s acting in Route 666? You’ve got to admit, it’s hilarious! Ok, ok. I always giggle at Dean humming Metallica on the doomed plane in Phantom Traveller. I also like Sam’s very loud radio prank on Dean in Hell House. I love both Sam and Dean’s reactions to that one. But I don’t think of Season 1 as being very comedic. There are plenty of snappy lines, but outside of Hell House, there really isn’t much big comedy. 

TINY: In Phantom Traveller, when revealed Dean was afraid of flying. He was so scared he was humming Metallica during the flight! What I really love about this is that it was a well thought-out detail that tied up Dean, the Impala and the style of the show. Not only it was hilarious, it also explained why Dean drove everywhere and it further supported the fact Supernatural was like a road movie, the brothers travelled in the Impala across the country week in week out, and sometimes they were on the run from the authorities. Air travel was too luxury for them and did not fit into the mythos of the show.

Supernatural really gave Jensen and Jared numerous opportunities to shine as actors. Moments like this really showed their chemistry and comedic side. 

Biggest Unanswered Question 

KARA: This is going to sound petty, but season one was the season of ‘We will see you soon’s and then we never see that character ever again. So my biggest unanswered question is what the hell happened to Missouri?

But really, How much did John actually know? 

AMY: Easy, why on earth would Cassie dump Dean? Ok, ok. I’d always wondered how Dean knew to come back for Sam in the Pilot. But just the other day I read that there was a scene before that scene, which was cut. In it Dean notices his watch has stopped and hears static on the radio and he heads back on a gut feeling. So I guess that’s no longer unanswered! Oh I know! Why do Dean’s eyes bleed in Bloody Mary? What was his secret where someone died? 

TINY: Why did Mary apologise to Sam in Home? -- The answer was finally given/ explained in multiple episodes in season four and five when the show revealed Mary made a deal with YED and it was never Mary's intention to raise her children as hunters. I love how Mary was never really there, but she was the missing puzzle of the whole picture. 

Favourite Episode 

KARA: This is a hard one, season one was full of really strong stand alone episodes. I really enjoy Dead Man’s Blood and Devils Trap, but I think I will say Home. Home is just a beautifully written and acted episode. We saw just how that one night effected Dean with his reluctance to go back. We heard about the steps John went through between the death of Mary and then going out killing every supernatural monster he could find. We saw the first signs of Sam’s psychic powers. We also saw that John was very much alive and keeping away from his boys.

That John Winchester, I could hit him with a spoon. 

AMY: Faith, as you’ve probably guessed! I think Faith is an incredibly important episode. It establishes another world beyond the ghosts, monsters and demons by introducing the concept of the Reaper, which essentially introduces the concept of an afterlife and a world beyond which the boys had previously dealt with. It also poses the question if there’s a Reaper and an afterlife, is there then a God? It was the first time we saw the boys face a life or death decision by being forced to choose one life over another. We hadn’t seen this kind of moral conundrum before. Previously, good and evil, live or die and been cut and dried, but not in Faith. It was the first time we saw how little Dean values his self. It was the first time we saw Sam step up and take on the role of big brother. It sets up later mythology by revealing Dean has an important purpose, a job to do. It’s the first time we see Dean as vulnerable as this and it’s the first time (and only time) we see him in a hoody....sorry, had to be said! It was also the first time we saw the notion of a binding spell, something that would be later used in the series by the Devil and by the Winchesters on poor old Death…some synergy here don’t you think? It’s beautifully shot. I love the grade on this episode. The colours are muted. It’s filmic. I adore the use of (Don’t Fear) The Reaper and the scene it accompanies. I love everything this episode stands for, so much of which the brother’s have to embrace later in the series. Even Eric Kripke loves this episode. He says in the Season One Companion; "It's when I first realised what the show was capable of. Here's this episode about: Is there a god? What's meant to be? And is there free will? And is your life worth the cost of someone else's life? It's a metaphysical and moral study of the boys' universe.” I think Faith is as close to perfect as this show gets and they managed to get there just 12 episodes in. Awesome. 

TINY: Home -- It is one of the most watched Supernatural episodes on my TV. It was second episode with all four Winchesters in it since the Pilot. It took the audience and Dean and Sam back to the origin of the story -- Lawrence, Kansas. It has one of the biggest foreshadowing moments in the history of the show. It was the first time Sam found out it was Dean who carried him out of the house during the fire. It was the first time Sam met Mary. It has one of the very few scenes where Dean and Sam interacted with their mother, and she wasn't possessed or an evil clone. John's "I can't see my children until I find out about the truth" really got us all hooked about the family past, the story and the evil that killed Mary. Just when you thought it was just a random evil-killing-mum story, Supernatural showed us beyond the obvious, the mythos got stronger and stronger throughout the series. To me, it all began with Home. 

The Nostalgia 

KARA: The Nostalgia. To explain this I feel like I should explain how I first started watching Supernatural. I had just finished high school and I was going on schoolies (those who don’t know what schoolies is... look it up) Anyway I was nursing a hangover, which is really what the mornings during schoolies is for. My friend, which I was sharing the house with brought the first two seasons of Supernatural and was shocked when I told her I hadn’t seen it before. We powered through the first disk and since then I had been hooked.

But back to the Nostalgia. Bloody Mary will always hold a special place with me. It was the episode that my whole house sat around the small TV and watched it while eating burnt barbeque meal from the night before. And then came that scene when Mary came out of the mirror everyone was drawn in. It was awesome. 

AMY: Wow, can I say the whole of the season? There’s definitely a different vibe to season one, but that goes without saying. It was the beginning and for a lot of us, it’s where we fell in love with Supernatural and fell in love with Sam and Dean Winchester. The whole of the Pilot and Wendigo make me nostalgic, so many great lines, so many wonderful brother moments. Then there’s Dean allowing Sam time with the girls in Hookmanand Provenance. Looking out for his little brother. Then there’s Sam telling Dean in Something Wicked that Dean was just a kid and that he should forgive himself. Looking out for his big brother. There’s an innocence to Sam and Dean’s relationship in season one, in the way they banter and take care of each other. It’s not that they don’t love and look out for each other now, it’s just now they do it so vehemently and with such intensity it has sort of transcended love! Back in season one, it seemed all so simple; their relationship was simple, or at least as simple as the Winchester’s relationship can ever be. So I guess for me, it’s Sam and Dean’s relationship that smacks of nostalgia. As much as I love and adore the later seasons with the rich mythology, as much as I love and adore how deep and complex the brothers have become, I often find myself pining for just a little of who Sam and Dean were to each other back in season one, before God, the Devil, the Demons and the Angels screwed it all up for them. 

TINY: Home -- This will always be the one episode I talk about when referring to the core theme, season one and Supernatural as a series. This is one of my ALL-TIME favourite episodes. Home is the reason I became a superfan and the reason I am in love with Supernatural.

THE END!

So that's it! Part 2 of the Supernatural Season 1 Awards. If you missed part 1 it's here. I really hope you enjoyed it, that it made you think about how wonderful this show is, how wonderful the writing is, how wonderful the brothers are and all the characters that proliferate their Universe. Maybe it even made you want to go back and rewatch the series from the beginning. I'd love to hear what you thought!

Thanks to my buddies Tiny and Kara. You ladies are AWE-SOME!
And special thanks to Supernatural Wiki for being the amazing reference source it is.

I'll see you next time for my review of "Adventures In Babysitting."
Thanks for reading! -Amy

Supernatural Season 1 Awards

Last hiatus, my friends Kara, Tiny and I looked over Season 6 and revealed the good, the very good and the not as good as we'd have liked in the Supernatural Season 6 Awards. This hiatus, we decided to go back to where it all began! It turned out to be a bigger project than we thought, which meant we had to break it into two parts! Come back tomorrow night to see the second part...but for now, without further adieu may I present part 1 of.......

Favourite Writer 

KARA: Eric Kripke -- Supernatural was his creation and really its all his fault. He wrote the most pivotal episodes of season one -- The Pilot, Home, Shadow, Devils Trap. All awesome episodes, all embodied the feel for the rest of the series. 

AMY:I’m going to say Eric Kripke for this one. I mean, he created this show and it all started here so he has to been seen as the most influential writing force during the first season. He imagined and created these wonderful characters, wrote in their voices, which, even into season seven, we can still hear. Though the boys have changed substantially, a lot of what was established in the Pilot, of their individual personalities and their relationship remains true today; they were written that well from the get go. Also, some of the lines Kripke created in season one have become staples in the fan vernacular. “Driver picks the music, shot-gun shuts his cakehole”; “No chick flick moments”; “Bitch/Jerk”; “Saving people, hunting things, the family business”; “There’s a storm’s coming, and you boys, your Daddy, you are smack in the middle of it.” He wrote the Pilot, Wendigo, Home, Shadow and Devil’s Trap.  Five of the strongest episodes of the season. Homeis one of my all time favourites. There’s so much wonderfulness in Home. From Dean telling Sam he carried him from the burning house, to his plaintive call to his dad asking for help, the first time we really see Dean’s tears, to Mary’s foreshadowing when she says “I'm sorry” to Sam. We didn’t find out why she was sorry until In The Beginning in season four! Kripke always says he had a five-year arc planned; just that one word alone, “Sorry”, makes me believe his vision for the series was pretty much locked and loaded by this ninth episode. So, yeah….favourite writer for season one has to be Kripke.

Honourable mention: Sera Gamble. In season one she was writing with Raelle Tucker. I think Sera is a beautiful writer who reveals an emotional depth in the Winchesters that very few of the writers are capable of doing. Also, she wrote Faith, which is pretty much my go to episode when I need to feel good. I love Faith. Like a lot. 

TINY: Eric Kripke -- Supernatural has such as solid first season. Kripke is the genius who drove the mytho, the tone, the characterisation of the Winchester brothers, the writing (including the use of urban legends, music and the writing of the dialogues)... THE LOT! I wasn’t not really into genre shows back then but the thing I love about Supernatural is that it isn't just another show in the horror/sci-fi/fantasy category (which can well be another post as I am totally opposed to the press classifying Supernatural as ‘sci-fi’). Supernaturalis a solid character driven drama, above all evil hunting/ horror stories and it's about the main characters fighting for something that's worth dying for, Eric Kripke showed me the one element other horror shows failed to project and perfect -- family. 

The family theme can be found in other character relationships in later seasons -- the Harvelles, the Campbells, the Singers, the angels and even monsters have families. Eric Kripke created an unique quality for Supernatural and created a theme the show is still sticking with -- two brothers on the road, saving people, hunting things, family business. Without his vision, especially in season one, Supernatural would've gone Heroes. 

Favourite Director 

KARA: Kim Manners -- Why? Because he continually ‘Kicked it in the ass’. 

AMY: Kim Manners -- No contest. Kim Manners was not only a wonderful director he was a mentor to many of the cast and crew on Supernatural. He was already rich with TV directing experience when brought onboard in season one. He directed five episodes in the first season and left a permanent mark on the cast and crew before his death during season four, and though he passed away three years ago this January 25, he remains a strong presence and influence on the show. Jensen says he felt Kim guiding his hand during Jensen’s directorial debut and both boys and the crew still talk about him often and with much love. We all know the bee story from Bugs, where Kim insisted on sitting in the bee filled room in nothing but shorts and a t-shirt, because Jensen and Jared had no protective clothing either. This story is still a vigorously told at conventions, all these years later. In 2011, the Supernatural studios were renamed in his honour and each and every one of us knows his mantra “Kick it in the ass”. And for me, well he was also responsible for so much of what The X Files was and he directed my favourite episode Home. I will never hear 'Sunshine and Lollipops’ without thinking of that particularly distasteful family! Kim Manners will forever be in the hearts of everyone who loves Supernatural. 

TINY: Kim Manners -- He was a major contributor in setting the tone of the show. His direction helped us to understand the story and the brothers. Episodes such as Dead in the Water, Scarcrow and Devil's Trap consisted of the perfect combination that made an episode a classic Supernatural episode, setting up the benchmarks for others episodes. His vision continues to inspire the crew and new directors such as Jensen Ackles. 

Best Use of Song 

KARA: Back in Black -- Seriously when I hear Back in Black, in my day to day life, I can’t help think of Supernatural. It was the perfect song (and theme song for the impala). 

AMY: Season one set the scene for the use of music in Supernatural. Kripke is famously quoted as saying, to ensure his taste in music was used in the show, he actually put in the Pilotscript “CUE MUSIC - and you can take your anaemic alternative pop and shove it up your ass. Dean plays bass thumping, pile driving Zeppelin, and he plays it loud”. Actually, he played AC/DC’s Back In Black! The music in season one was almost a character. The songs were intrinsically tied to the action, much more so than in the later seasons, where the small budget is now spent on special effects and not on music licensing. So what’s my favourite use of a song? Well, I narrowed it down to three…best I could do, sorry. Hey Man, Nice Shot by Filter, which plays in Skin and will always make me think of evil, hot, shapeshifting Dean; (Don’t Fear) The Reaper by Blue Oyster Cult, which plays in Faith and which I think is one of the best music cues ever and Bad Moon Rising by Creedence Clearwater Revival, with plays at the end of Devil’s Trap and the beginning of In My Time Of Dying, which probably is the best music cue ever! And you all thought I was going to say, “Highway To Hell”, didn’t you! Or did you think I’d say Carry On Wayward Son? Seeeeee! Awesome music! 

TINY: Carry On Wayward Son by Kansas -- Never have I imagine myself screaming a classic rock song at kareoke! The song was first introduced to me in 1.21 Salvation. If it wasn't Supernatural, I would've missed out all the classic rock goodies and… Kenny Rogers. Carry On Wayward Son was the first of many classic rock songs I added to my playlist, the song was also the most played song on my iTune. 

Best Quote 

KARA: You have to stick with the classic here, “Saving people, hunting things, the family business” no one quote had been able to sum up the entire series. Also... “Bitch” “Jerk”. 

AMY:Gah! I think this might be the toughest category. Season one was full of pithy retorts! I could go for just about any of Dean’s quotes here. Or any of the brother’s come backs to each other. The bitch/jerk, the shotgun shuts his cakehole, the fabric softener teddy bear. I was trying like crazy to think of a quote that wasn’t just a throw away line, one that represented the brother’s relationship. I thought about when Dean tells Sam how he wants them to be a family again in Shadow, I thought about when Dean tells Sam that the three of them, that’s all they’ve got, that’s all he’s got in Salvation, I thought about “Take your brother outside as fast as you can and don't look back! Now, Dean, go!” from the Pilot, because really, that’s where Sam and Dean started, but I settled on, “I hope your apple pie is freakin’ worth it!” from Scarecrow, just because it’s Dean and pie. 

TINY: What else but "Dad wants us to pick us where he left off, saving people, hunting things, family business." This is the "May the force be with you" to Star Wars. 

Favourite Good Guy 

KARA: This is a bit of a hard one for me. I had to decide how I wanted to approach this. Do I want to have for the stand alone season, or would I let the other seasons dictate my feelings. My favourite Good Guy for season one has to be, without a doubt John Winchester. He was built up to be this God among men. 

AMY: Ummm Dean? Am I allowed to pick Dean? Right from the beginning it’s obvious Dean is the archetypal hero. Deeply flawed and conflicted, as all great heroes are. Loyal, almost to a fault. Selfless and brave and deeper than he’d like anyone to know. He’s compassionate and caring, but he hides it behind a shield of flippant remarks and a tough guy demeanour. Not that he’s not a tough guy, he’s totally badass, but just under the surface is a soft centre. He’ll stand in front of a stranger to save their life without even hesitating and he loves his brother more than any other person on the face of the Earth. Personally, I think Dean Winchester is one of the most beautifully realised, written and performed characters on TV, and that’s as a TV fan, not just a Supernaturalfan. To me, the ultimate Good Guy will forever be, Dean Winchester. 

Do I need to pick someone other than a Winchester? Probably. So, in that case, Deputy Kathleen Hudak from The Benders. I liked her character a lot. She was smart and sympathetic and I thought the actress that played her did an awesome job. 

TINY: It’ll be too easy for me to name any Winchester boys.. so how about Favourite Good Woman? Missouri in Home was my Favourite Good Woman. She was very enjoyable to watch and I wish to see her again. Dean and Sam need more 'family friends' especially NOW. Missouri was one of a few friends mentioned in John Winchester's diary. The character definitely has a lot of potentials. She needs to return to the show! 

Favourite Villain 

KARA: Yellow Eyed -- I know he isn’t seen all that much in this season, and to be fair he is more present in the second season, but the way the Supernatural writers were able to build up a character that wasn’t even seen is just remarkable. And then when this big evil, so evil that it scared their family home, possessed John. Wow. Awesome stuff. 

AMY:Oh that would have to be the Yellow Eyed Demon, later revealed to be Azazel. As much as I loved Fred Lehne’s version of the YED in season two and six, the YED was never scarier or more threatening than when he was inside John Winchester, taking his anger out on Dean. That whole scene in Devil’s Trap; you just can’t look away. I think Jeffrey Dean Morgan did a great job with the YED and seeing as that’s the evil son of a bitch that started it all, he has to be my favourite villain. 

Honourable Mention: Meg. I love Meg too, whichever meatsuit she’s in…even when she’s in Sam.

TINY: Yellow Eyed Demon -- Supernatural's first big bad! I think YED was like Crowley, he is so badass but he is so fantastic to watch and there is something likeable about him. Is it bad that we all love our demons in Supernatural more than angels? YED and the demons are likeable villains, unlike the Leviathans who are just dicks. 

Favourite Guest Star 

KARA: I am totally, without a doubt, going to cheat in this category. My favourite guest star of season one is... Jim Beaver. Oh yeah, that is cheating. There is a reason why the character of ‘Bobby Singer’ went from just a one episode appearance to a major character for the rest of the series, Jim Beaver. 

AMY: I’m going with Julie Benz in Faith. I’m a big fan of Julie, so from that respect I was excited that she was in the show. But beyond that, I liked the character of Layla Rourke a lot. She had a great outlook for someone in her position and her chemistry with Dean was undeniable. I was glad that it didn’t go anywhere, that it just ended with her gently touching Dean’s face and walking away leaving him pondering the nature of faith. 

TINY: Jeffrey Dean Morgan -- This was the episode that made me a superfan of the show and John Winchester was a major factor. The appearance of John Winchester at the end of Home injected that family element that I love so much. I love Jeffrey Dean Morgan, I think he is the perfect actor for the role. 

Best Monster 

KARA: Bloody Mary -- Freaking hell that eyeless chick. Supernatural had managed to not only build up a common urban legend but they were able to ‘Supernatural-lise’ it by making it their own. But not only was Bloody Mary visually awesome but also the whole story on how she chooses her victims. 

AMY: The Reaper from Faith. I love the Reapers in Supernatural. The whole concept that they are there, lingering behind you, just waiting to tick you off their list and whisk you off this mortal coil is fantastic. This was our first introduction to a Reaper and consequential our first introduction to a supernatural creature that wasn’t some form spirit or monster. I gotta say, he was pretty ugly though. I don’t think I’d want to go with that Reaper! 

TINY: Demons -- I think it's because the demons were so connected to the mytho of the story, and I've always been a fan of the mytho heavy episodes. Demons in Supernatural weren't just portrayed with heavy make-up or costumes or over the top dialogues, they could be your friendly neighbour or maths teacher. The show's interpretation of demons as characters is so real, it's creepy! Demons are seen in popular culture all the time but there is something unique about those in Supernatural. 

Best Special Effect 

KARA: Mary burning on the ceiling. That effect still gets me now, and is one of the special effects that hadn’t changed, why change it, it was awesome to begin with. 

AMY: I think this might be more a visual effect than a special effect, but the truck hitting the Impala at the end of Devil’s Trap never ceases to take my breath away. Every time I see it, I’m gobbed smacked! It’s just Sam going…”Look, we’ve still got the Colt. We still have the one bullet left. We just have to start over, alright? I mean, we already found the demon.....” KABLAMO! Out of no-where an 18 wheeler smacks into them! I remember watching this when it originally went to air and jumping out of my skin! Then I just sat there, mouth agape, for like five minutes! And I know it was a fortuitous piece of fate, but how the truck pushes the Impala into the camera just tops off the perfection. One of the best special effect/visual effect/stunt or whatever it is shots ever. Gets me every damn time. 

TINY: I've always been a fan of the death scene of Mary Winchester -- Mary in her sleeping gown, pinned to the ceiling and then burst into flames. It was the most iconic scene of the entire series. 

Worst Special Effect 

KARA: Ok, lets just say it, the demon smoke. I am so glad they changed it to actual smoke instead of what looked like a spilt bag of black seeds. 

AMY: I hate, hate, hate the special effect at the end of the Pilot, when the Woman in White and her kids turn into a black blob and splat into the floor boards in a puddle of water. It’s just terrible. I cringe every single time I see it. 

TINY: Humm… I actually don’t have one for this category. Cassie? 

Best Confrontation 

KARA: Sam verses John in Dead Man’s Blood. That whole ‘You were just pissed off you couldn’t control me anymore.’ We had a whole season of hearing about how Sam and John butted heads, we had a whole season of Dean being like ‘yeah lets find Dad, but Sam don’t be a jerk when we do.’ And then bam! 

Honourable mention: Dean snapping it at John in Salvation. The whole ‘I was dying, a monster was at our childhood home and no you didn’t call back, and that is why we didn’t tell you about Sam’s freaky shiz’. The reason why I have put this one as a honourable mention even though I probably enjoyed it just as much and thought it was just as pivotal to the characters we had seen. However this scene seems to be a little bit more important throughout the series. 

AMY: John/YED and Dean in Devil’s Trap. I find this scene gripping. The fact that the Yellow Eyed Demon is inside Dean’s dad, who he worships and has been searching for all season, just adds to the intensity of the confrontation. The way Dean just perseveres with his cocky attitude, throws it in the demon’s face that he wasted his children, tells him to stop monologuing. He won’t give the YED the satisfaction of seeing his fear. It’s incredibly stupid really but very Dean! Of course it all goes pear-shaped when the YED decides he’s had enough and just goes ahead and tries to kill Dean. Still, it’s a brilliant confrontation. 

TINY: When Sam confronted John in Dead Man's Blood. For a moment, I thought Sam was going to transform into the Incredible Hulk. Sam's rebellion has always been a recurring theme. That scene was almost like bridge connection his past and the shape of things to come. The whole "you can't control me anymore"/ "if you can't save him, you have to kill him"/ "you think I'll go dark side" theme pretty much started to explode from here.

END OF PART 1 

Well that's it so far! We hope you liked it! What did you think? Do you agree with our choices? If you want to see what our favourite episodes were, or our favourite brother moments, make sure you come back at the same time tomorrow night for part 2 and the continuation of....The Supernatural Season 1 Awards! - Amy