Wednesday, October 20, 2010
Sunday, October 17, 2010
Monday News for 10/18/10
How awesome was "Weekend at Bobby's"? Jensen got a lot of attention for his (IMO, stellar) direction of that episode. In case you missed it, scroll down for an awesome behind-the-scenes.
As for news, in no particular order (save what came into my inbox via Google Alert)...
There's a spoiler somewhere in here that I didn't read.
Bela/Lauren Cohen fans might be interested to learn that the actress is coming to Vampire Diaries soon.
Zap2it posted an interview Friday with Mark Sheppard, aka Crowley. They lead with a quote that shows just how awesome Sheppard is:
"You don't want know when I'm going to be in it or not be in it," he says. "You just kind of want to know that I exist. The fans are very, very serious about not getting spoilered on this. So let's hope that you guys keep quiet. You shouldn't even mention that I'm here."
Of course, Firefly fans knew of his awesomeness years ago, m'iright? :) He goes on to discuss his future on the show (without spoilers) and Jensen's directing.
Articles about Jensen's directing:
TV.com
BCS Review
Zap2it (Jensen quotes, with behind-the-scenes pictures)
TV Squad
Extra TV at Warner Bros.
TV Guide
"Live Free or Twi-Hard"
Photos I will not look at.
Zap2it article I did not read.
As for news, in no particular order (save what came into my inbox via Google Alert)...
There's a spoiler somewhere in here that I didn't read.
Bela/Lauren Cohen fans might be interested to learn that the actress is coming to Vampire Diaries soon.
Zap2it posted an interview Friday with Mark Sheppard, aka Crowley. They lead with a quote that shows just how awesome Sheppard is:
"You don't want know when I'm going to be in it or not be in it," he says. "You just kind of want to know that I exist. The fans are very, very serious about not getting spoilered on this. So let's hope that you guys keep quiet. You shouldn't even mention that I'm here."
Of course, Firefly fans knew of his awesomeness years ago, m'iright? :) He goes on to discuss his future on the show (without spoilers) and Jensen's directing.
Articles about Jensen's directing:
TV.com
BCS Review
Zap2it (Jensen quotes, with behind-the-scenes pictures)
TV Squad
Extra TV at Warner Bros.
TV Guide
"Live Free or Twi-Hard"
Photos I will not look at.
Zap2it article I did not read.
Saturday, October 16, 2010
Bobby's World
Due to my son's birthday party (and the ensuing cleanup) I didn't get to watch "Weekend at Bobby's" until this morning. In order to get you the recap (so, obviously, SPOILERS) sooner, I tried to watch the episode last night and fell asleep shortly after someone was fed through a wood chipper...which, as you might guess, does not lead to sweet dreams.
But enough about me! Let's focus on Bobby...which is exactly what Supernatural did. Now, since Jensen and Jared are a major part of why I tune in every week, it would have been possible for me to be less than invested in this episode, but that wasn't the case (which is a tribute to both the writers and the actors of the show). And I know Trish was probably excited to see this episode because when we saw Mark A. Sheppard at DragonCon, she cut right to the chase asking him if Crowley (the king of the crossroads demons) still had Bobby's soul and if we'd be seeing Mark again in season 6? (He assured us that the answer was yes on both counts.)
In fact, we see Mark right at the beginning of the show, flashing back a year (right after Sam sacrificed himself to save the world) when Bobby tries to get Crowley to uphold his end of the bargain and give back the soul that Bobby didn't so much sell as "pawn" (gaining in the deal use of his paralyzed legs). But it turns out that Crowley isn't giving it back (shocking, isn't it? A demon who can't be trusted!) Crowley, with the help of a hell hound, ends the encounter with the upper hand but we know that Bobby isn't going to stop trying.
Then we get into Bobby's present day life. Although it does include Sam and Dean (who, in keeping with seasons past, call him for help), we see that Bobby actually helps lots of Hunters. You remember that phone bank we saw in a previous episode, all marked so that Bobby knows what to answer as the FBI, CDC, CIA, etc? When we saw it before, it was comical. Now, it was sort of deliberately sad--this man who once was forced to kill his wife, helping all these people and yet still largely alone. Not only was the continuity in this show great (bringing back the female sheriff and referencing Dean's fear of flying), so was the emotional resonance. Jim Beaver did an incredible job--throughout the whole episode, I just wanted to give the poor man a hug. (And of course, giving the boys less screen time probably made it much easier for Jensen Ackles to direct an episode that, ultimately, I thought did a great job of tying up loose ends from last season while still contuining to set up problems for this one.)
We normally see the boys' interactions with Bobby through their end--with Bobby often being the voice on the other end of the phone, dispensing wisdom and occasionally humorous insults. This time, we stay with Bobby and see what his life is like after he hangs up the phone. In this case, that life includes torturing a crossroads demon to get information on Crowley. When he has what he wants (Crowley's original human name), Bobby kills her, by pouring the mysterious contents of a bag into a fire. But prior to that, she offers up the information that Crowley isn't just the king of the crossroads, he's the king of hell. So is he the new big bad now that Lucifer's in the box? While I don't want a rehash of last year's angels v. demons, I would be totally okay with more guest appearances by Sheppard!
Meanwhile, we see another aspect of Bobby's life--the chipper blonde neighbor of six months who's still trying to get to know the single man who lives next door. She brings him a ginger peach cobbler. And now that I've finished typing that sentence, I realize that use of the word chipper may have been a Freudian segue. When Bobby attributes the screaming from his basement to a horror movie, blonde baker invites him over to watch "Drag Me to Hell" (Loved his response that, actually, he was trying to avoid that.) With her horror movie gambit having failed, she asks him to come over some time and look at her wood chipper, which has stopped working. It's obvious she was a crush on Bobby, not that he has time for such things because his phone his ringing again.
In addition to Sam and Dean periodically calling for help with a monster whose plot line is so peripheral that I've forgotten its name already (much less how to spell it), Bobby gets an in person request for assistance from fellow Hunter Rufus Turner, who has been in one or two episodes previous to this. Just like Sam and Dean hunting something previously not seen outside Greece, turns out Rufus has just "killed" something that's never before been seen outside Japan, prompting the funny observation, "Is it just me, or are monsters getting weird?" Bobby helps Rufus bury the body, only to have law enforcement come looking for it later (including the female sheriff played by Kim Rhodes we saw in "Dead Men Don't Wear Plaid." Now that she's hip to paranormal goings-on around her, she's a lot less eager to arrest Bobby. She even tries to help, although she makes it clear that because of her job, there are limits to what she can do.)
The law goes poking around in his yard to look for the body, which--luckily--is gone. Or, not so luckily, if you're Bobby's neighbor who lives alone. When he bursts into her house with a gun late at night to save her, he asks if she's seen anything strange. "Besides you?" But she quickly sees that she's in danger and Bobby gets into combat with the Japanese demon, who ends up going through the wood-chipper. Which, ew, ew, ew, but the scene was actually pretty well done and inappropriately funny...and also a bit sad. "I thought you said it wasn't working," Bobby says of the wood chipper, clearly at a loss for how to explain everything. Pan to neighbor in her white nightgown, absolutely covered in blood. "I only said that to get you over here." Bobby, belatedly realizing that she likes him, offers to come back over some time, which she rejects, looking now appalled by him. "Story of my life," he says. Awwwwww.
When Dean calls later to confess his worries about Sam (giving this episode a clear through line to the rest of the season even though the boys are mostly off screen), Bobby tells him he can't talk right now. Dean makes the mistake of calling Bobby "selfish," as he is the only person Dean can talk to. Bobby then demands that Dean go get Sam and then gives them an earful over the phone about how selfish they are and how no one seems to be batting an eyelash that Bobby's headed for hell at the end of his contract. While the boys did have that coming, I thought Sam made a good point when he said, "If you need help, all you have to do is ask." (Earlier in the show, Bobby the cantankerous loner actually rejected Rufus' help, so there's a fair point that it's a two way street. If you want people to be there for you, you have to be willing to occasionally reach out.) Rufus comes through with a way for Bobby to summon the ghost of Crowley's son (who, as it turns out, loathed his father and gives Bobby information about where Crowley's bones were buried.)
The episode comes full circle. We once again find Bobby and Crowley in a stand-off over Bobby's soul, only this time Bobby has an ace up his sleeve (which reminds me--LOL at the playing of the Gambler earlier. It was such a change from Sam and Dean's usual AC/DC or other classic rock that it helped set a definite tone for a different type of episode.) Anyway, the boys are now in Scotland ("We've gone international."), poising in the graveyard over Crowley's bones. Turns out, that mysterious bag earlier in the ep? Held the demoness's bones, and you kill a crossroad demon by burning their mortal remains. I loved Bobby's scathing comment to Crowley that demons think they're all that, but really they're just "ghosts with ego." Crowley is clearly pissed, but also clearly has no choice. Bobby gets his soul back and gets to keep use of his legs (yay!!!) Afterward, there's a phone call between Bobby and the boys that I loved not just because of the gruff affection between the three of them but because the teasing between the boys (Sam's smirking that Dean "white-knuckled his way through four puke bags" on the plane) seemed like the most natural, brotherly interaction they've had so far this season.
Of course, this is Supernatural, so instead of just ending it when Bobby got off the phone with a sheepish, "Let's roll credits on this chick flick," they had to go just a minute further. We see Bobby try to sit down with his ginger peach cobbler (again) only to be interrupted by the phones (again!) and realize that when you're trying to save the world on a daily basis, your work is never done. And that no matter how many hunters are in his life--and who genuinely care about him--at the end of the day, Bobby Singer is still alone. Awwww!
And then previews, which I don't even want to think about. What are they doing to my Dean???? Apparently, he becomes some kind of monster with a hunger for human flesh, so I am torn. Normally, if Jensen is on the screen, I am unable to look away. However, this is seeming like something best watched in tiny spaces between my fingers. Guess we'll know more in a week!
But enough about me! Let's focus on Bobby...which is exactly what Supernatural did. Now, since Jensen and Jared are a major part of why I tune in every week, it would have been possible for me to be less than invested in this episode, but that wasn't the case (which is a tribute to both the writers and the actors of the show). And I know Trish was probably excited to see this episode because when we saw Mark A. Sheppard at DragonCon, she cut right to the chase asking him if Crowley (the king of the crossroads demons) still had Bobby's soul and if we'd be seeing Mark again in season 6? (He assured us that the answer was yes on both counts.)
In fact, we see Mark right at the beginning of the show, flashing back a year (right after Sam sacrificed himself to save the world) when Bobby tries to get Crowley to uphold his end of the bargain and give back the soul that Bobby didn't so much sell as "pawn" (gaining in the deal use of his paralyzed legs). But it turns out that Crowley isn't giving it back (shocking, isn't it? A demon who can't be trusted!) Crowley, with the help of a hell hound, ends the encounter with the upper hand but we know that Bobby isn't going to stop trying.
Then we get into Bobby's present day life. Although it does include Sam and Dean (who, in keeping with seasons past, call him for help), we see that Bobby actually helps lots of Hunters. You remember that phone bank we saw in a previous episode, all marked so that Bobby knows what to answer as the FBI, CDC, CIA, etc? When we saw it before, it was comical. Now, it was sort of deliberately sad--this man who once was forced to kill his wife, helping all these people and yet still largely alone. Not only was the continuity in this show great (bringing back the female sheriff and referencing Dean's fear of flying), so was the emotional resonance. Jim Beaver did an incredible job--throughout the whole episode, I just wanted to give the poor man a hug. (And of course, giving the boys less screen time probably made it much easier for Jensen Ackles to direct an episode that, ultimately, I thought did a great job of tying up loose ends from last season while still contuining to set up problems for this one.)
We normally see the boys' interactions with Bobby through their end--with Bobby often being the voice on the other end of the phone, dispensing wisdom and occasionally humorous insults. This time, we stay with Bobby and see what his life is like after he hangs up the phone. In this case, that life includes torturing a crossroads demon to get information on Crowley. When he has what he wants (Crowley's original human name), Bobby kills her, by pouring the mysterious contents of a bag into a fire. But prior to that, she offers up the information that Crowley isn't just the king of the crossroads, he's the king of hell. So is he the new big bad now that Lucifer's in the box? While I don't want a rehash of last year's angels v. demons, I would be totally okay with more guest appearances by Sheppard!
Meanwhile, we see another aspect of Bobby's life--the chipper blonde neighbor of six months who's still trying to get to know the single man who lives next door. She brings him a ginger peach cobbler. And now that I've finished typing that sentence, I realize that use of the word chipper may have been a Freudian segue. When Bobby attributes the screaming from his basement to a horror movie, blonde baker invites him over to watch "Drag Me to Hell" (Loved his response that, actually, he was trying to avoid that.) With her horror movie gambit having failed, she asks him to come over some time and look at her wood chipper, which has stopped working. It's obvious she was a crush on Bobby, not that he has time for such things because his phone his ringing again.
In addition to Sam and Dean periodically calling for help with a monster whose plot line is so peripheral that I've forgotten its name already (much less how to spell it), Bobby gets an in person request for assistance from fellow Hunter Rufus Turner, who has been in one or two episodes previous to this. Just like Sam and Dean hunting something previously not seen outside Greece, turns out Rufus has just "killed" something that's never before been seen outside Japan, prompting the funny observation, "Is it just me, or are monsters getting weird?" Bobby helps Rufus bury the body, only to have law enforcement come looking for it later (including the female sheriff played by Kim Rhodes we saw in "Dead Men Don't Wear Plaid." Now that she's hip to paranormal goings-on around her, she's a lot less eager to arrest Bobby. She even tries to help, although she makes it clear that because of her job, there are limits to what she can do.)
The law goes poking around in his yard to look for the body, which--luckily--is gone. Or, not so luckily, if you're Bobby's neighbor who lives alone. When he bursts into her house with a gun late at night to save her, he asks if she's seen anything strange. "Besides you?" But she quickly sees that she's in danger and Bobby gets into combat with the Japanese demon, who ends up going through the wood-chipper. Which, ew, ew, ew, but the scene was actually pretty well done and inappropriately funny...and also a bit sad. "I thought you said it wasn't working," Bobby says of the wood chipper, clearly at a loss for how to explain everything. Pan to neighbor in her white nightgown, absolutely covered in blood. "I only said that to get you over here." Bobby, belatedly realizing that she likes him, offers to come back over some time, which she rejects, looking now appalled by him. "Story of my life," he says. Awwwwww.
When Dean calls later to confess his worries about Sam (giving this episode a clear through line to the rest of the season even though the boys are mostly off screen), Bobby tells him he can't talk right now. Dean makes the mistake of calling Bobby "selfish," as he is the only person Dean can talk to. Bobby then demands that Dean go get Sam and then gives them an earful over the phone about how selfish they are and how no one seems to be batting an eyelash that Bobby's headed for hell at the end of his contract. While the boys did have that coming, I thought Sam made a good point when he said, "If you need help, all you have to do is ask." (Earlier in the show, Bobby the cantankerous loner actually rejected Rufus' help, so there's a fair point that it's a two way street. If you want people to be there for you, you have to be willing to occasionally reach out.) Rufus comes through with a way for Bobby to summon the ghost of Crowley's son (who, as it turns out, loathed his father and gives Bobby information about where Crowley's bones were buried.)
The episode comes full circle. We once again find Bobby and Crowley in a stand-off over Bobby's soul, only this time Bobby has an ace up his sleeve (which reminds me--LOL at the playing of the Gambler earlier. It was such a change from Sam and Dean's usual AC/DC or other classic rock that it helped set a definite tone for a different type of episode.) Anyway, the boys are now in Scotland ("We've gone international."), poising in the graveyard over Crowley's bones. Turns out, that mysterious bag earlier in the ep? Held the demoness's bones, and you kill a crossroad demon by burning their mortal remains. I loved Bobby's scathing comment to Crowley that demons think they're all that, but really they're just "ghosts with ego." Crowley is clearly pissed, but also clearly has no choice. Bobby gets his soul back and gets to keep use of his legs (yay!!!) Afterward, there's a phone call between Bobby and the boys that I loved not just because of the gruff affection between the three of them but because the teasing between the boys (Sam's smirking that Dean "white-knuckled his way through four puke bags" on the plane) seemed like the most natural, brotherly interaction they've had so far this season.
Of course, this is Supernatural, so instead of just ending it when Bobby got off the phone with a sheepish, "Let's roll credits on this chick flick," they had to go just a minute further. We see Bobby try to sit down with his ginger peach cobbler (again) only to be interrupted by the phones (again!) and realize that when you're trying to save the world on a daily basis, your work is never done. And that no matter how many hunters are in his life--and who genuinely care about him--at the end of the day, Bobby Singer is still alone. Awwww!
And then previews, which I don't even want to think about. What are they doing to my Dean???? Apparently, he becomes some kind of monster with a hunger for human flesh, so I am torn. Normally, if Jensen is on the screen, I am unable to look away. However, this is seeming like something best watched in tiny spaces between my fingers. Guess we'll know more in a week!
Thursday, October 14, 2010
Jensen's Directorial Debut
I missed my deadline yesterday so I'm posting this awesome behind-the-scenes video of Weekend at Bobby's, Jensen's directorial debut. Not surprisingly, he's a natural who was well received by his cast and crew. Can't wait for this Friday!
Sunday, October 10, 2010
Supernatural News
Supernatural had a 20% gain in viewership this week! I wonder if it was those delicious previews of Sam, which is the only part I've watched a second time because the rest? GROSS!
Even Entertainment Weekly mentioned that Supernatural is one of the winners in the ratings game, giving The CW its best Friday night ratings.
In other news, Misha Collins is a new daddy! He and his wife have been together since high school. Isn't that sweet? The link has a perfectly adorable picture of Misha.
The trailer for the Supernatural anime is out. It looks completely cool!
Jim Beaver has been tweeting about being on a non-supernatural show called Love Bites. With the latest vampire craze, you'd think they'd name it something else.
And because you've been so good...
Friday, October 8, 2010
"The Third Man" episode recap
Okay, I have one word for the first scene in this week's episode -- Gross! Cop #1 starts bleeding, starts shedding skin, and then explodes into puddle of blood. Dude, I'm glad I wasn't eating dinner while watching this episode. May I just say again, gross!Next scene -- we've got some hot Dean/Lisa action. Only I knew from the fuzzy light that it wasn't real. Dean wakes up in the Impala.
Then we have what may be one of the most rewound, re-watched scenes ever in Supernatural history -- Sam working out shirtless. I think MJ's reaction was, "Please never make Sam wear a shirt again!" And we get more evidence that post-Hell Sam is not the same as Sam pre-Hell. Mysterious girl he obviously spent the night with (and from her comments, he pleasured well) emerges from bedroom, and he pays her. No, Sammy! Not a prostitute! She gives him her number, but he tosses it in the garbage as soon as she leaves. Part of me thinks something is really wonky with Sam, and part of me thinks this isn't Sam at all, that the real Sam is still in the Cage. And that makes me sad.
I was happy to see the return of snarky Dean. When he gets off the phone with Sam, he looks at the phone and says, "Who died and made you boss?" There's something about that line that makes me wonder about the identity of "Sam."
Next we have a shot of not exactly the world's best cop, some yokel who is sitting in the woods drinking alcohol from a pseudo-Big Gulp cup and not making the effort to catch a speeder because he's only blowing by at 70 mph. "You can do better than that." Within moments, he has bit it from another Egyptian plague, boils. More eew!
When Dean arrives in Easter, Pennsylvania, where Sam is waiting and the cops are being offed in icky ways, Dean is on the phone being all dad-like with Ben, telling him to "be a man" and tell his mom he broke something. I really am liking how we're seeing this "normal" side of Dean, but it really makes the changes in Sam stand out that much more. Sam: "Wow, you, molding the minds of tomorrow. Who knew?"
Anyone remember when Sam got nervous posing as federal agents with fake names? Yeah, those days are gone.
More of the old Dean comes out when he calls the killed cops "Skidmark" and "Bubblewrap." Eew, but funny.
Just when I think Sam isn't Sam, something funny and very brother-like happens, like the "car wars". I laughed when Dean raced Sam because he wants to prove the Impala is better, and laughed again when they got out of their cars and shut the doors at the same time.
They've arrived at the home of Officer Colfax (aka "Skidmark's" partner, who witnessed his really gross demise). He's acting odd, scratching out the faces on all the photos in his home and scratching his head a lot. He reveals that he and the two dead cops were the responding officers on a traffic stop where they shot and killed a young African-American man, Christopher Birch, for no reason other than maybe they were bigots. Ready for another plague? Yep, good ol' Officer Colfax keels over and Sam removes the guy's uniform cap to reveal...locusts crawling out of a hole in his head. I'm wondering if Tanya is watching with her fingers over her eyes at this point. I'm in danger of doing the same.
Despite the fact that Sam has been trying to get in touch with Castiel for a year, Dean gives it a shot in typical Dean fashion: "Now I lay be down to sleep. I pray to Castiel to get his feathery ass down here." Just when Sam starts to say, "I told you so," Cas shows up. Yay, Cas!!! He reveals neither he, nor any of his angel buddies, know who sprung Sam from Hell. (Did the Winchester brothers play a lot of supernatural Monopoly and been holding onto some Get Out of Hell Free cards?)
Okay, so they've all been through the Apocalypse (they and Buffy should compare notes), so what Big Bad come compare? A civil war in Heaven, you say? Ding, ding, ding. You're a winner! Evidently, chaos is all the rage in Heaven post-Apocalypse, and several powerful weapons were stolen, among them the Staff of Moses, which is evidently what's causing all the icky cop demises.
Dean: "What is Chuck Heston's disco stick doing down here anyway?" (Wouldn't you love to be in the writers' room when they come up with this stuff?)
Cas asks for the boys' help and then utters one of my favorite Cas lines ever, complete with air quotes: "Sam, Dean, my 'people skills' are a little 'rusty'. Pardon me, but I've spent the last 'year' as a multi-dimensional wavelength of celestial intent." Misha's delivery is awesome.
They go to the home of Christopher Birch's father, thinking he killed the cops, but then Chris's little brother, Aaron, points a sawed-off part of Moses' staff at them and tells them he did it, that he bought the staff from an angel for the price of his soul. Huh? Angels acting like crossroads demons? Things really are frakked up. Cas can find out who the angel is by searching for a mark inside the boy, though it will be excruciating for Aaron. Dean isn't happy with Cas, but he's more bothered by Sam's seeming lack of caring about what Aaron is experiencing, his "the ends justifies the means" attitude.
Castiel identifies the angel as Balthazar. Some other angel shows up, who I thought for a moment was Balthazar, then later realized was one of Raphael's minions. I admit I got a little confused. He and Cas fight and go out the window and crush a car. I didn't realize it was Sam's car until this interchange:
Sam: My car!
Dean: Okay, silver lining.
The look that Sam gives Dean is so pre-Hell Sam that I'm back to thinking it's really him. Man, I want to know what's going on here.
Cas reveals that the civil war in Heaven is pitting Raphael and his followers (who want to put the Apocalypse back on) against Castiel and his friends (who don't).
Cas, looking for ingredients to do some spell to find Balthazar: "I need myrrh." Simple line, awesome delivery by Misha. He finds Balthazar, and he and boys go to his house. Balthazar, who has a new vessel, is digging living a hedonistic life hiding out from Raphael. He's the one who stole the weapons from Heaven. When Raphael and two buddies show up, Balthazar says, "That's my cue. Tell Raphael to bite me."
Some angel toasting ensues, Cas and Raphael fight until Balthazar returns and uses a piece of the pillar of salt that killed Lot's wife to turn Raphael to salt. Of course, he'll have a new vessel soon, but this gives the rest of them a head start. Cas lets Balthazar go, saying his debt to him is paid.
We get one of those "brothers by the car" moments at the end of the episode. Dean asks if Sam is okay, Sam assures him he is despite his trip to Hell. Dean says, "I feel like I'm not getting the whole scoop." You and me both, buddy.
We also get a glimpse at some future episodes -- Bobby talking to Rufus about the weird way the monsters are acting, more tense moments between the brothers, and a bit of a Twilight dig when the boys are in what appears to be a teenager's room with movie vampires styled like Edward Cullen on posters. Dean: "These aren't vampires. These are douchebags." Even though I'm a Twilight fan, I thought that was funny.
One last thought -- I was glad to have a Campbell-free episode. I really don't like that bunch.
Thoughts?
Tuesday, October 5, 2010
The Sam Question
Last week, MJ asked the question of season six, namely what's up with the Campbells?
A tie-in question, and one perhaps far more important, is what's up with Sam?
After two episodes, I have to admit, I'm not sure. In the first episode, he was—as we said over and over LOL—cold and smug and dismissive and not at all like our Sammy.
In the second episode, he was more on his own, and less weird. He and Dean interacted a little more normally. In fact, when faced with something he couldn't handle, he automatically looked up to his big brother for help. And Dean, of course, leaped right in (okay, after some resistance).
But then they went back to the Campbells, and Sam seemed all too willing to defer to them. In a slightly less creepy way, but...
Why would Sam join them instead of hunting on his own?
I can actually think of some reasons for this. On the one hand, he was on his own for six months when the Trickster made him think Dean was dead, and again when Dean was in Hell, and you'd think he'd prefer it that way. On the other hand, all his other hunting experience—a lifetime of it—has been with someone else. Dad, and Dean, and Ruby. He may hate being alone now, especially after he decided to leave Dean alone, and welcomed companionship, people who are "like him." And supposed family to boot. He was trying to fill the void.
Why would the Campbells want Sam along?
So maybe we can buy why Sam wants to be with the Campbells, but why would they want him? Those people who claim to be cousins are too young to have known Samuel/Grandpa before YED killed him. If they'd been raised in the life, why would they suddenly follow him? Hunters are loners for the most part, that's well established. Whoops, I'm delving too far back into the damned Campbells question. Back to Sam, who freed Lucifer and came back from the cage. Why wouldn't they assume he was still possessed or something and try to kill him? Why wouldn't they hate him for unleashing so much onto the world and making their jobs and lives harder?
Why did Sam reveal himself to Dean?
If Sam truly thought Dean was better off thinking him dead and staying out of the life, he could have stayed that way. He could have killed the djinn, rescued Dean, and hidden or left so Dean never knew he was there. Or he could have sent Bobby to protect Dean and Lisa and Ben, or even just the Campbells. Yeah, Dean would have found out sooner or later, but there were ways Sam could have achieved his stated ends without revealing himself to Dean.
Is it really Sam?
This is the biggest, most disturbing question. I want it to not be Sam. I mean, the smugness during the hug was too reminiscent of Lucifer. I don't want him to just be changed by his possession or his time in the cage or his new life. Change is inevitable, and I don't mind it—but I don't want him to change like this. If it's not Sam, who could it be?
If it's really Sam, what else could be going on?
My favorite theory is that he's either under the Campbells' thumb somehow, or suspicious of them and scared so that he needs his brother. His oddness would be because of that fear, and the agenda he's trying to hide. But I'm sure there are a bunch of other things that could be going on. What's your favorite theory?
Thoughts?
A tie-in question, and one perhaps far more important, is what's up with Sam?
After two episodes, I have to admit, I'm not sure. In the first episode, he was—as we said over and over LOL—cold and smug and dismissive and not at all like our Sammy.
In the second episode, he was more on his own, and less weird. He and Dean interacted a little more normally. In fact, when faced with something he couldn't handle, he automatically looked up to his big brother for help. And Dean, of course, leaped right in (okay, after some resistance).
But then they went back to the Campbells, and Sam seemed all too willing to defer to them. In a slightly less creepy way, but...
Why would Sam join them instead of hunting on his own?
I can actually think of some reasons for this. On the one hand, he was on his own for six months when the Trickster made him think Dean was dead, and again when Dean was in Hell, and you'd think he'd prefer it that way. On the other hand, all his other hunting experience—a lifetime of it—has been with someone else. Dad, and Dean, and Ruby. He may hate being alone now, especially after he decided to leave Dean alone, and welcomed companionship, people who are "like him." And supposed family to boot. He was trying to fill the void.
Why would the Campbells want Sam along?
So maybe we can buy why Sam wants to be with the Campbells, but why would they want him? Those people who claim to be cousins are too young to have known Samuel/Grandpa before YED killed him. If they'd been raised in the life, why would they suddenly follow him? Hunters are loners for the most part, that's well established. Whoops, I'm delving too far back into the damned Campbells question. Back to Sam, who freed Lucifer and came back from the cage. Why wouldn't they assume he was still possessed or something and try to kill him? Why wouldn't they hate him for unleashing so much onto the world and making their jobs and lives harder?
Why did Sam reveal himself to Dean?
If Sam truly thought Dean was better off thinking him dead and staying out of the life, he could have stayed that way. He could have killed the djinn, rescued Dean, and hidden or left so Dean never knew he was there. Or he could have sent Bobby to protect Dean and Lisa and Ben, or even just the Campbells. Yeah, Dean would have found out sooner or later, but there were ways Sam could have achieved his stated ends without revealing himself to Dean.
Is it really Sam?
This is the biggest, most disturbing question. I want it to not be Sam. I mean, the smugness during the hug was too reminiscent of Lucifer. I don't want him to just be changed by his possession or his time in the cage or his new life. Change is inevitable, and I don't mind it—but I don't want him to change like this. If it's not Sam, who could it be?
If it's really Sam, what else could be going on?
My favorite theory is that he's either under the Campbells' thumb somehow, or suspicious of them and scared so that he needs his brother. His oddness would be because of that fear, and the agenda he's trying to hide. But I'm sure there are a bunch of other things that could be going on. What's your favorite theory?
Thoughts?
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